tag:blogger.com,1999:blog-52260405770076257772024-02-01T19:12:55.357+01:00Les amis d'André HelléChez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.comBlogger227125tag:blogger.com,1999:blog-5226040577007625777.post-78709714711288974612024-01-30T18:17:00.000+01:002024-01-30T18:17:29.670+01:00MEILLEURS VOEUX 2024<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYqCY3lJjUD9GwLPjepuIl82aB0xWw5euD5V_n9TYjQs0-IXsAtYiFC1UD-QOXhTn1KZGRD9YwDCJ0P4BPPYR91kbSzek0MQonj0md6vuGKTby9xIO08vbRY9JKridD17C0gYzbJ6tbr31QnKhUiRD_aG6hGZIMYwaaY2HankVPtA-Mm54WEywarwTVnCB/s2005/2024Bonne%20Anne%CC%81e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2005" data-original-width="1278" height="779" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYqCY3lJjUD9GwLPjepuIl82aB0xWw5euD5V_n9TYjQs0-IXsAtYiFC1UD-QOXhTn1KZGRD9YwDCJ0P4BPPYR91kbSzek0MQonj0md6vuGKTby9xIO08vbRY9JKridD17C0gYzbJ6tbr31QnKhUiRD_aG6hGZIMYwaaY2HankVPtA-Mm54WEywarwTVnCB/w497-h779/2024Bonne%20Anne%CC%81e.jpg" width="497" /></a></div><br /><p></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-41042479406250315642023-09-18T19:12:00.001+02:002024-02-01T19:12:23.102+01:00MAGAZINE RUSSE POUR ENFANTS<p> <span style="font-size: large;"><i> ДОБРОЕ УТРО</i> (à prononcer<i> Dobrié utra), </i>soit<i> Bonjour</i> en langue russe, est l'un des premiers magazines russes pour la jeunesse, publié à Moscou </span><span style="font-size: large;">de 1909 à 1918 </span><span style="font-size: large;">dans l'ancienne orthographe prérévolutionnaire</span><span style="font-size: large;">.<span> Le spectaculaire titre animalier (peu lisible par le public visé) et les couvertures caricaturales des premiers numéros, entendaient promouvoir un magazine "littéraire et artistique, humoristique et sportif, à destination des petits et des enfants d'âge moyen". Ouvrons quelques exemplaires, récemment numérisés par la Bibliothèque d’État russe pour enfants (</span></span><a href="https://arch.rgdb.ru/xmlui/"><span style="font-size: large;">НЭДБ</span></a><span style="font-size: large;">), afin d'en juger.</span> </p><p><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiasinps-wc1y8IOT1p4eEaWGICH9Uu8hI4nLLMaO70k1Sa7S75sPwVe9OUz4lFSmRKwzPgn-VAlNuAJC-1iixyUtkF0u6qSG4wyr9R2utQPBPrjajmM1E6SmBWeA_T5wt5Puwrc9BYTN5VStnu33M97-TkZ6V_UrqSdPWCISWcv9ETF3lnwEXxwORWp7p/s1538/1909%20Titre%20art%20nouveau.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="850" data-original-width="1538" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiasinps-wc1y8IOT1p4eEaWGICH9Uu8hI4nLLMaO70k1Sa7S75sPwVe9OUz4lFSmRKwzPgn-VAlNuAJC-1iixyUtkF0u6qSG4wyr9R2utQPBPrjajmM1E6SmBWeA_T5wt5Puwrc9BYTN5VStnu33M97-TkZ6V_UrqSdPWCISWcv9ETF3lnwEXxwORWp7p/w640-h354/1909%20Titre%20art%20nouveau.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">BONJOUR, N°2, édition du 15.01.1909</span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: small;"> </span></td></tr></tbody></table><p><span style="font-size: large;"> </span><span style="font-size: large;"><span>Le
résultat est loin de correspondre au lancement publicitaire, si l'on en juge par l'incohérence du contenu et de la mise en page, qui empilent les rubriques fourre-tout et
les illustrations disparates</span>, souvent empruntées (et sans accréditation) à d'autres magazines </span><span style="font-size: large;">artistiques pour enfants, d'origine anglaise, allemande et française. </span></p><p><span style="font-size: large;">Après avoir </span><span style="font-size: large;">reconnu, ça et là, la patte graphique de quelques illustrateurs célèbres (fin XIXe - dbt XXe): John Drawer, Adolf Oberlander ou Wilhelm Busch, nous relevons du côté français diverses planches de Caran d'Ache, Benjamin Rabier ou André Hellé, le plus souvent signées d'un patronyme russe... comme dans cette histoire en deux images - </span><span style="font-size: large;"><i>L'éléphanteau rusé et le gamin malin - </i>où l'on reconnaît d'emblée le trait jovial de Rabier.<i><br /></i></span></p><p><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Ch61UOCRMr_e2YB9G_uoCYhWDh9OwF3MWF7Eyc8tWp_ZLpBU9HgqlrBZIpA1B8rA7DsEEEhQple01agTEyyXelq_ugfKLZmv1JAp0-Wg_TDApbSRokRZ98Xn9fX5Ze1PfLuC3baR3WPnWINfuac5qcnuHQ30oVrzwOFdS-4Ej0hPnsSn2wp4rdh6t96V/s2032/Rabier%20BONJOUR%20N%C2%B023%20Dec%201909.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2032" data-original-width="1477" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Ch61UOCRMr_e2YB9G_uoCYhWDh9OwF3MWF7Eyc8tWp_ZLpBU9HgqlrBZIpA1B8rA7DsEEEhQple01agTEyyXelq_ugfKLZmv1JAp0-Wg_TDApbSRokRZ98Xn9fX5Ze1PfLuC3baR3WPnWINfuac5qcnuHQ30oVrzwOFdS-4Ej0hPnsSn2wp4rdh6t96V/w466-h640/Rabier%20BONJOUR%20N%C2%B023%20Dec%201909.jpg" width="466" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"> <i>Bonjour</i> N°23, dec 1909 par Benjamin Rabier (signature falsifiée) <br /></td><td class="tr-caption" style="text-align: center;"> </td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkCQEsDDyauaDECfF1OK3CrOo-ti68EnQwhNMJkhymjaMXTPa3kGaugej_KXLXOnXGp7gwuNeWcLRZQT38TxCECnE84-2UtFSIYazRJ-nujamHOG2a-Yih-lw6RvLCflhlOY5xzRJ5kUic6Ufhp5ltYry4soN6Rr6XPEfUcR_3MM8V6MiyYn2JvT4t0vAk/s1538/Helle%CC%81%20N%C2%B08%2015%20avril%201909.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="506" data-original-width="1538" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkCQEsDDyauaDECfF1OK3CrOo-ti68EnQwhNMJkhymjaMXTPa3kGaugej_KXLXOnXGp7gwuNeWcLRZQT38TxCECnE84-2UtFSIYazRJ-nujamHOG2a-Yih-lw6RvLCflhlOY5xzRJ5kUic6Ufhp5ltYry4soN6Rr6XPEfUcR_3MM8V6MiyYn2JvT4t0vAk/w640-h210/Helle%CC%81%20N%C2%B08%2015%20avril%201909.jpg" width="640" /></a><i>Bonjour</i> N°8, avril 1909, cul de lampe par A. Hellé (non attribué)<br /></div><p></p><p><span style="font-size: large;">Nous n'avons pas réussi à identifier le périodique français d'où est issue </span><span style="font-size: large;">la bande dessinée de l'humoriste Hellé (présentée ci-dessous en quatre épisodes) et dépendons des amateurs de presse satirique du début du XXe siècle pour nous aider à en retrouver la trace. Nous souhaitons surtout pouvoir comparer les textes d'accompagnement.<i> </i></span></p><p><span style="font-size: large;"><i>le Rire, le Bon vivant, la Petite caricature, le Polichinelle, le Sourire, le Pêle-mêle, la Baïonnette, l'Indiscret, l'Assiette au beurre, le Journal, le Gil blas, le Cri de Paris, le Journal amusant </i>etc.</span><span style="font-size: large;"> </span><span style="font-size: large;">Maître Hellé contribua à tous ces supports de presse... plus d'une centaine à partir de 1898. </span><span style="font-size: large;">Lequel est le bon ? Les paris sont ouverts !</span></p><p><span style="font-size: large;">BM.<br /></span></p><p></p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl_OoP5PaSxvyzi_KmnxCNXS10EIBIBBnjcS6l11G77N8GCeWuEnI19UuJZySCVAprKUCVXDYDT3Udqty4ZKp2jB4p4VQeQOYt_fJI10_nF4FUqlI3mS6xRjOOTsa42eTgovns-gERCLP95Llf7DO6ut4Bc5Folawygqa4REbYBLPPhrw_aUrOrvh3ti6F/s2160/Helle%CC%81%201%20N%C2%B07%20%201909.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="1538" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl_OoP5PaSxvyzi_KmnxCNXS10EIBIBBnjcS6l11G77N8GCeWuEnI19UuJZySCVAprKUCVXDYDT3Udqty4ZKp2jB4p4VQeQOYt_fJI10_nF4FUqlI3mS6xRjOOTsa42eTgovns-gERCLP95Llf7DO6ut4Bc5Folawygqa4REbYBLPPhrw_aUrOrvh3ti6F/s320/Helle%CC%81%201%20N%C2%B07%20%201909.jpg" width="228" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs0O-anfM6QnriYUluV2QY7RrDVaZsGFlzxJ8hO0lyB3D1wPuDbJbJtKpaa8tyGbnJgTClIHdsOdkEsLallr2H4zYMH6b_LdzvFa8Cj4YXpbP98_ca_svoWQ2A-TnbMIi0Hf__d8QPP5I95tFrglFlFzyayRIhmnTx6ncups8meDRcpfGxMyLtwCu2Kt2Z/s2160/Helle%CC%81%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="1538" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs0O-anfM6QnriYUluV2QY7RrDVaZsGFlzxJ8hO0lyB3D1wPuDbJbJtKpaa8tyGbnJgTClIHdsOdkEsLallr2H4zYMH6b_LdzvFa8Cj4YXpbP98_ca_svoWQ2A-TnbMIi0Hf__d8QPP5I95tFrglFlFzyayRIhmnTx6ncups8meDRcpfGxMyLtwCu2Kt2Z/s320/Helle%CC%81%202.jpg" width="228" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqferLTb9qKUYwMi8HFts__kB74-BL2wROEkHndv7e9lzMI6YzsovzLUBoF7KfeMASVMPdt2nyKV7njBXQxka9AgMjxC4OpDnoWFXv-4N5caXL4x37kJ63-nX8Mo4B6hgxWngIbaWAD5jhZ_LcvS3S8AW5UkkGr1eSZaCrVGgXO2xxPb3GHPd8uRJDyLmr/s2160/Helle%CC%81%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="1538" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqferLTb9qKUYwMi8HFts__kB74-BL2wROEkHndv7e9lzMI6YzsovzLUBoF7KfeMASVMPdt2nyKV7njBXQxka9AgMjxC4OpDnoWFXv-4N5caXL4x37kJ63-nX8Mo4B6hgxWngIbaWAD5jhZ_LcvS3S8AW5UkkGr1eSZaCrVGgXO2xxPb3GHPd8uRJDyLmr/s320/Helle%CC%81%203.jpg" width="228" /></a></div><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgk_qkUoyoaC2UoQWhnba6_zzFkQwR7RJE8YkJnuUHCXkIzThYmnRI8Ji_LRny_vKpjNIrqNSl7eSgUicGVBvZeOJCV6JS0VMB-8ngVMMuVY_csCYTUtohn4eWI9KZwrLHlaRBVRzMVO_9bE7_gXrLSU_bbqT1Z4TN66fqXfKPfjF2Z3nLsMvFuS3bhtNlr" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="2160" data-original-width="1538" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgk_qkUoyoaC2UoQWhnba6_zzFkQwR7RJE8YkJnuUHCXkIzThYmnRI8Ji_LRny_vKpjNIrqNSl7eSgUicGVBvZeOJCV6JS0VMB-8ngVMMuVY_csCYTUtohn4eWI9KZwrLHlaRBVRzMVO_9bE7_gXrLSU_bbqT1Z4TN66fqXfKPfjF2Z3nLsMvFuS3bhtNlr=w228-h320" width="228" /></a><p></p><p><i>Bonjour</i> N°7, <i>Comment les animaux passèrent le Ier jour des fêtes</i>, A. Hellé 1909<br /><span style="font-size: large;"><br /></span></p><p><span style="font-size: large;"> </span><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3npuc0omGeC2jAdsJfKnx5Oj-D9vU9uf6tiayjrat5WkzQwVIszaBM05rLBxTk48ADDiyvHp408IKKTybZgGAztV76XMh64IAw6kVXnukindS6-quEkDXmmk5yj9pdJuLnD6yxI6a_TBMfxf1MBoFHgo4UIHrkhR-rLqTQERJfMDg7qpzSeFrK3bwX_-7/s2160/Helle%CC%81%204.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></span></div><span style="font-size: large;"><br /></span><p></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-25693713617394064932023-06-10T11:20:00.002+02:002023-06-10T12:19:55.310+02:00<p><span style="font-family: arial; font-size: large;">DANS LE GOUT HOLLANDAIS ...<br /></span></p><p><span style="font-family: arial; font-size: large;">De la fin du XIXe jusqu'au milieu du XXe siècle, l'engouement pour les sujets hollandais en costume traditionnel, envahit le monde de l'enfance et l'équipement de la maison: livres illustrés, </span><span style="font-family: arial; font-size: large;">cartes postales, bibelots de faïence et carreaux de Delft agrémentent durablement l'univers familier des Français. Une "Hollande d'opérette" </span><span style="font-family: arial; font-size: large;">se met ainsi en place et démocratise les récits littéraires des auteurs-voyageurs.<br /></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><h4></h4><h4><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr2_xJ69q1pvUNS54EWScjfRiQm9nloUv2fCiFO_TbJJeoSqDWT3Rpnf_b4y4NbxpYIzYADKJLDbApy-2OwGZWa84WA-JkZvnMJ1PvrM5CrjYs2Tx_5X4vgea8wytlCw1x4ThcBpIh04wtSmI3oAd-RFLIVWwXgA6Yx_qBHxumwgaDiEKpWVr2ESQFjA/s1507/s-l1600-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1132" data-original-width="1507" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr2_xJ69q1pvUNS54EWScjfRiQm9nloUv2fCiFO_TbJJeoSqDWT3Rpnf_b4y4NbxpYIzYADKJLDbApy-2OwGZWa84WA-JkZvnMJ1PvrM5CrjYs2Tx_5X4vgea8wytlCw1x4ThcBpIh04wtSmI3oAd-RFLIVWwXgA6Yx_qBHxumwgaDiEKpWVr2ESQFjA/w215-h161/s-l1600-1.jpg" width="215" /></a><span style="font-family: arial; font-size: large;"> <br /></span></h4></div><div style="text-align: left;"><span style="font-family: arial;"><span style="font-size: large;">L'illustrateur-humoriste André Hellé cède volontiers à la mode du "goût hollandais" et s'amuse à représenter des demoiselles en tablier rayé et coiffe de dentelle, aux côtés de garçons en pantalons bouffants et sabots de bois. </span></span><span style="font-family: arial;"><span style="font-size: large;">Pour mieux éveiller l'imaginaire touristique, </span></span><span style="font-family: arial;"><span style="font-size: large;">il est de bon ton d'ajouter un champ de tulipes ou un moulin à vent posé sur l'horizon ... qu'à cela ne tienne, Hellé se pliera aux deux scénographies !<br /></span></span></div><div style="text-align: left;"><span style="font-family: arial;"><span style="font-size: large;"> </span></span></div><div style="text-align: left;"><span style="font-family: arial;"><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7FkirNsd4BaHuPgbDYP4ozmbCbvSkOAo6vbZfVcwAl0w5dwBbmc85Unc3FpfA4kpL263oppdjkLFPHjH9wcuGO3m1ccjid1-yB9HmXhPzbJfWjXZZwKrtIe4y9lKPBjCMegiFMlWS2wIdboSORgxeDrJSBA252H-9WfuRJJiI4cRI-xG8IKueAoE_8w/s675/i%CC%82le%20aux%20jouets%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="638" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7FkirNsd4BaHuPgbDYP4ozmbCbvSkOAo6vbZfVcwAl0w5dwBbmc85Unc3FpfA4kpL263oppdjkLFPHjH9wcuGO3m1ccjid1-yB9HmXhPzbJfWjXZZwKrtIe4y9lKPBjCMegiFMlWS2wIdboSORgxeDrJSBA252H-9WfuRJJiI4cRI-xG8IKueAoE_8w/w403-h427/i%CC%82le%20aux%20jouets%202.jpg" width="403" /></a></div></span></span></div></div><p><span style="font-family: arial; font-size: large;">Le meilleur exemple de cette "Hollandomania" se trouve dans </span><span style="font-family: arial; font-size: large;"><i>L'île aux jouets, </i></span><span style="font-family: arial; font-size: large;">une nouvelle de C. Mauclair</span><span style="font-family: arial; font-size: large;"><i>, </i>abondamment illustrée par l'artiste et<i> </i>publiée </span><span style="font-family: arial; font-size: large;">dans le numéro de Noël du <i>Monde illustré </i>en 1910.</span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgEFMsOyoUitzZDpEgyoJZJEMeBZAxk7kjr66Zw05SYw8kRVSy3v9GZIOqLpqlggzH_Koy43ZwVwmBXrWIl_y5V3pDPQceagupvrxirUaCnkDBQyQa9iqISwIyqhpjjpu2AG8iiYkoG4WRq8eDtdM-4xi2wb7iQJ1P3Fb1URdaclxhihdhvLkwa2R3g/s2708/l'i%CC%82le%20aux%20jouets%20Titre.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1446" data-original-width="2708" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgEFMsOyoUitzZDpEgyoJZJEMeBZAxk7kjr66Zw05SYw8kRVSy3v9GZIOqLpqlggzH_Koy43ZwVwmBXrWIl_y5V3pDPQceagupvrxirUaCnkDBQyQa9iqISwIyqhpjjpu2AG8iiYkoG4WRq8eDtdM-4xi2wb7iQJ1P3Fb1URdaclxhihdhvLkwa2R3g/w565-h302/l'i%CC%82le%20aux%20jouets%20Titre.jpg" width="565" /></a></span></div><p><span style="font-family: arial; font-size: large;">Tous les clichés répondent à l'appel - vache laitière, barrière de sapin verni, coiffe empesée, village miniature, barge sur les canaux etc - mais Hellé les dépeint avec tant de candeur et de modestie graphique, qu'il nous séduit et nous emporte, selon son habitude, dans sa "boîte à joujoux" personnelle.<br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYmej8mDVMfBnNt9xJ_V96uJVxUa7XGikA_Gm2GlC8qcZ5-azF3ZPevp58cnMwWsQUK2tckq28gKt1b0khOm3rxXa9dfDcM7OeYZcFPv8L5ailCEnPM8J0N4iKFy2lRBRdfPlOkf8ZBk6_U_ONL-Ew0jokcsignBQ-t5ObeyX7RyqXwio9ROIN8Dr3g/s613/i%CC%82le%20aux%20jouets%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="613" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYmej8mDVMfBnNt9xJ_V96uJVxUa7XGikA_Gm2GlC8qcZ5-azF3ZPevp58cnMwWsQUK2tckq28gKt1b0khOm3rxXa9dfDcM7OeYZcFPv8L5ailCEnPM8J0N4iKFy2lRBRdfPlOkf8ZBk6_U_ONL-Ew0jokcsignBQ-t5ObeyX7RyqXwio9ROIN8Dr3g/s320/i%CC%82le%20aux%20jouets%205.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlD5fVooQPAAN9DiTzp0cbzlBFWnACCEkM1yFAt2THcJUEng3vn_CsgIKsm4KmPX45O_h4pQHcB6cuP7TKUUN9XEDrbtXyPLi2lNOIVNq82TUSmbR1uHVPruOSW0duevtzXTBG5Iw6tKbZFzA2CE14OxX122UdvihFKhulrNerqRNQBcFgTUTmxEGudw/s1241/i%CC%82le%20aux%20jouets%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="1241" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlD5fVooQPAAN9DiTzp0cbzlBFWnACCEkM1yFAt2THcJUEng3vn_CsgIKsm4KmPX45O_h4pQHcB6cuP7TKUUN9XEDrbtXyPLi2lNOIVNq82TUSmbR1uHVPruOSW0duevtzXTBG5Iw6tKbZFzA2CE14OxX122UdvihFKhulrNerqRNQBcFgTUTmxEGudw/s320/i%CC%82le%20aux%20jouets%204.jpg" width="320" /></a></div><p></p><p><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguvJKv28azXeJW-qVhpLY-NsWOdPWFioSVTnrnfDmTHanpsg5HzYwddwZdRUoMKln0wdn8guwHBKDqLYrGbKtGYa8BGojuSwTrt2tU5QmWAwiTbNkrvYX6IlBQ0vCvF1ACsElxJU6XvwJWiKZlSbe5opZF-R1RaWF9K4D3vu0Pkmde0sh6aEMiR1kJnA/s658/i%CC%82le%20aux%20jouets%201910.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="554" data-original-width="658" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguvJKv28azXeJW-qVhpLY-NsWOdPWFioSVTnrnfDmTHanpsg5HzYwddwZdRUoMKln0wdn8guwHBKDqLYrGbKtGYa8BGojuSwTrt2tU5QmWAwiTbNkrvYX6IlBQ0vCvF1ACsElxJU6XvwJWiKZlSbe5opZF-R1RaWF9K4D3vu0Pkmde0sh6aEMiR1kJnA/w430-h361/i%CC%82le%20aux%20jouets%201910.jpg" width="430" /></a></p><p><br /></p><p><span style="font-family: arial; font-size: large;">Une récente vente aux enchères à Paris (hôtel Drouot) montre que l'artiste suscita des vocations parmi ses lecteurs... A vous de trouver la version originale ?<br /></span></p><p><span style="font-family: arial; font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvmdWwzdNBr_vOKekS5f1hTe5iLjElqpi879wzyGxyesKKpjBz2SsW9xm0FNCjbGT82ioS_NSG7GGKQ0uX3wZk4YCR7_2C_nDIMwhF2qltsad9M4UAb3PhyLSQVCdZTt0yI6jjbJhYhLATCGYP0emkbuAC4HrH_5mNTquere5TdwmU_kzyaHrKyqmTrw/s1173/i%CC%82le%20aux%20jouets%20-extrait%20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="727" data-original-width="1173" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvmdWwzdNBr_vOKekS5f1hTe5iLjElqpi879wzyGxyesKKpjBz2SsW9xm0FNCjbGT82ioS_NSG7GGKQ0uX3wZk4YCR7_2C_nDIMwhF2qltsad9M4UAb3PhyLSQVCdZTt0yI6jjbJhYhLATCGYP0emkbuAC4HrH_5mNTquere5TdwmU_kzyaHrKyqmTrw/w438-h271/i%CC%82le%20aux%20jouets%20-extrait%20.jpg" width="438" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmTXsZL7NBr_IztK6F5RPBijZPGvqRBm2pc3meRhqWY9Xka7cN40iwNc6RcM1GqAnLVGnS1w4xdydnssidpcHh8c8dxmORlkubsL37EoT3RBzvoa2mte8ER0OAEU7MRIvAeImrMQN5nxdI0ePeFuyUX_JuD-q0moBgv7g59bwoM-eyd6aLK_yQWZtOQ/s4032/IMG_9791.heic" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmTXsZL7NBr_IztK6F5RPBijZPGvqRBm2pc3meRhqWY9Xka7cN40iwNc6RcM1GqAnLVGnS1w4xdydnssidpcHh8c8dxmORlkubsL37EoT3RBzvoa2mte8ER0OAEU7MRIvAeImrMQN5nxdI0ePeFuyUX_JuD-q0moBgv7g59bwoM-eyd6aLK_yQWZtOQ/w240-h320/IMG_9791.heic" width="240" /> </a></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"> <span style="font-family: arial; font-size: large;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;">Sur le même thème, évoquons également </span><span style="font-family: arial; font-size: large;">pour conclure cet étonnant et précieux livre en tissu cranté,</span><span style="font-family: arial; font-size: large;"> </span><span style="font-family: arial; font-size: large;">commercialisé uniquement en Grande Bretagne (à partir de 1916) </span><span style="font-family: arial; font-size: large;">par </span></span><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;"><i>Dean and Son, </i></span></span><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;">le spécialiste du livre indéchirable. </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;"><i><br /></i></span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwG6XwL3PyuUotzJiiMdraWyDXTOA8Dl-zzP7xJUa45mMSpalL2nfA8sxdeDLJqgTYFwPV_R0yz1JNR6_7iUo_TWRKj5DW8Wo7jR09uSFQr1vpsWb444R9dov_LNDkbne3veBcNZKBHurcxAAaJyfkTw6jeJjZutbt1wbsvl-3aicBzTTlCy7vzjxHqQ/s508/Dutchie%20dolls%201916.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="356" height="583" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwG6XwL3PyuUotzJiiMdraWyDXTOA8Dl-zzP7xJUa45mMSpalL2nfA8sxdeDLJqgTYFwPV_R0yz1JNR6_7iUo_TWRKj5DW8Wo7jR09uSFQr1vpsWb444R9dov_LNDkbne3veBcNZKBHurcxAAaJyfkTw6jeJjZutbt1wbsvl-3aicBzTTlCy7vzjxHqQ/w408-h583/Dutchie%20dolls%201916.jpg" width="408" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRsAdw6ya8l3VwsJyJfPeAjsMEs5BOQYzbttzU5lo1Oi0Pun_mTLwdcZuwM2fTQHfjvalCVxUEAM6aNodC2Vjhq_0UQnYalPUvtISzC1qOG3jByecs80g3sc7E6_oMG-u7YCZX2u3pxYyrilb33Y-1SF8uKJIreRTfQvdnHEQbqQXaY3yCx8f8-tDBDQ/s508/page%20double.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="508" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRsAdw6ya8l3VwsJyJfPeAjsMEs5BOQYzbttzU5lo1Oi0Pun_mTLwdcZuwM2fTQHfjvalCVxUEAM6aNodC2Vjhq_0UQnYalPUvtISzC1qOG3jByecs80g3sc7E6_oMG-u7YCZX2u3pxYyrilb33Y-1SF8uKJIreRTfQvdnHEQbqQXaY3yCx8f8-tDBDQ/w320-h282/page%20double.jpg" width="320" /> </a></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;"><i>Dutchie dolls' doings</i></span></span><span style="font-family: arial; font-size: large;"><span style="font-family: arial; font-size: large;">
nous offre ainsi le tableau idéal pour finaliser ce billet au goût hollandais ... avec le
fameux champ de tulipes (frénésie connue à l'époque sous le nom de "tulipomania"), réclamé par les amateurs de
pittoresque !</span></span> <br /></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: arial;"><span style="font-size: large;"><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>BM.</span></span></div></div><p></p><p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVXf29G1wRHSA08WEfG_0Vp0B0A2GHO4LvZtFadeg71jkyUid0sbApc9xWJvV-QkibQRpVCaNqxQuVRIy-UdaPObZv-HC0JfwF8qWb3SvxCyvy8dH6RHBRHhB39VM-GAaT8574gSHjlMIlWUO9-yanXIA8CsmaGnStX46yR7ijlzmygyFWJpAN66oKxg/s3313/Page2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3313" data-original-width="2221" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVXf29G1wRHSA08WEfG_0Vp0B0A2GHO4LvZtFadeg71jkyUid0sbApc9xWJvV-QkibQRpVCaNqxQuVRIy-UdaPObZv-HC0JfwF8qWb3SvxCyvy8dH6RHBRHhB39VM-GAaT8574gSHjlMIlWUO9-yanXIA8CsmaGnStX46yR7ijlzmygyFWJpAN66oKxg/w429-h640/Page2.jpg" width="429" /></a></div><br /><br /><br /><p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-17026012071305202082023-02-12T21:10:00.003+01:002023-02-13T09:01:19.805+01:00ANDRE HELLE AU POINT DE CROIX<p> </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8kLjlsSvkc6BXOdpxXcEj_UA4CToXtAWiFj-a1ki1icbSlHrMU9wGKMdfDRdVof3w3Jew-RkqCA7mvMAH0vDTHC41DX6hh5qXHARoN7IPNHopFsBUTnIQ-tRytzxUNlzT8kqAFmZStL8QgmLgbgGI2v1EfDf0SIR3a9r7OQbwi2UeV-BIchhylAuUNQ/s1017/Page%20tigre%20Dro%CC%82les%20de%20be%CC%82tes.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1017" data-original-width="821" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8kLjlsSvkc6BXOdpxXcEj_UA4CToXtAWiFj-a1ki1icbSlHrMU9wGKMdfDRdVof3w3Jew-RkqCA7mvMAH0vDTHC41DX6hh5qXHARoN7IPNHopFsBUTnIQ-tRytzxUNlzT8kqAFmZStL8QgmLgbgGI2v1EfDf0SIR3a9r7OQbwi2UeV-BIchhylAuUNQ/w323-h400/Page%20tigre%20Dro%CC%82les%20de%20be%CC%82tes.jpg" width="323" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;">Drôles de bêtes, André Hellé, Edition Tolmer Paris 1911</span></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"> </span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><br /></span></td><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><br /></span></td></tr></tbody></table><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;">Quand André Hellé publie <i>Drôles de bêtes</i> en 1911 chez le maître-imprimeur Tolmer, il choisit d'ornementer chaque tête de chapitre d'un portrait animalier humoristique, dans une vision proche de la sensibilité enfantine. Jugez du TIGRE !</span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"> </span></span></p><p><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICAs7XjRDCHXgCD3eNkafCotAR-h--gxRuJ3YenknIVbxVVoBtAtd1to4pSb5JHWgqZXIyA8WdqlcS-xvHkhAsxJPEb4UPpPyieWiaET9U-O_4rJtAHl0ma8-80hjNYDSE4ihYeiq2HH34HyOUJTpxJksdwZJs0BlZA9RPS-e4YQh60WhyFASmlBbZw/s632/bon%20tigre.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="279" data-original-width="632" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICAs7XjRDCHXgCD3eNkafCotAR-h--gxRuJ3YenknIVbxVVoBtAtd1to4pSb5JHWgqZXIyA8WdqlcS-xvHkhAsxJPEb4UPpPyieWiaET9U-O_4rJtAHl0ma8-80hjNYDSE4ihYeiq2HH34HyOUJTpxJksdwZJs0BlZA9RPS-e4YQh60WhyFASmlBbZw/w640-h282/bon%20tigre.jpg" width="640" /></a></span></div><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;">Utilisant la couleur de fond (ici un orange profond) comme une ressource à part entière, l'artiste se contente de préciser les signes essentiels de l'espèce et ne trace que les larges rayures noires de l'animal, en s'appuyant astucieusement sur quelques aplats de couleur blanche. Le tour est joué...c'est votre oeil qui re-compose la silhouette de l'animal ! </span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;">Les coloris intenses, appliqués (un à un) au pochoir par les ouvrières de l'atelier Tolmer, nous envoûtent par leur précision de calage et leur luminosité... Est-ce par admiration que le tigre ne cesse de ciller de ses yeux vert-émeraude ?</span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"> </span></span></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></p><div class="separator" dir="rtl" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisz024uXwaV3jnfDH43HXvi-whZMaqW92kDfy7apipawKuod1zKuf2cdx8I_OwW3FsvFzP-ByiIYr6I-ZvTmvdXvzoca_Wb_KxHlXE1co1hy6LgXXT2fB_nUbwNDAKkOIsw-Kt6nGcxaTPk4hvy2C02Fn5-kq_bVl8fg03QXmqTip40u802R6wO0ex_w/s713/ciseaux%20tigre.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="335" data-original-width="713" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisz024uXwaV3jnfDH43HXvi-whZMaqW92kDfy7apipawKuod1zKuf2cdx8I_OwW3FsvFzP-ByiIYr6I-ZvTmvdXvzoca_Wb_KxHlXE1co1hy6LgXXT2fB_nUbwNDAKkOIsw-Kt6nGcxaTPk4hvy2C02Fn5-kq_bVl8fg03QXmqTip40u802R6wO0ex_w/w400-h188/ciseaux%20tigre.jpg" width="400" /></a></span></div><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: large;">Professeure de dessin par nécessité, mais surtout brodeuse par passion, Mme Angèle Hellé sut accompagner les créations de son mari en les interprétant au fil de soie sur des coussins, voiles de lit d'enfant, portières et tapis de nursery.</span></span></p><p style="text-align: left;"><br /><span style="font-family: arial;"></span><span style="font-size: large;"><span style="font-family: arial;"></span></span></p><div class="separator" dir="rtl" style="clear: both; text-align: center;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-family: arial;"><div class="separator" dir="rtl" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTJLznCR0Q4CdzOS5z-Xl1_rofzhzbgzApRUs2ovsiPS7dfdP_NJxc0wf5VtLY4OLzj2g7EVUgP6W4C07MwPrNtcgI9ife_-Et9IJ5v3nG0I9S2QAiFwgU1WSR9IMTu0YY56Tev82NrBchrGKlIHSP7w918A14UokcExRY7iJhjQiEYXaJNF57vA3clQ/s1024/2b251fb0-404d-41a6-9849-6f6e2c796655.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="771" data-original-width="1024" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTJLznCR0Q4CdzOS5z-Xl1_rofzhzbgzApRUs2ovsiPS7dfdP_NJxc0wf5VtLY4OLzj2g7EVUgP6W4C07MwPrNtcgI9ife_-Et9IJ5v3nG0I9S2QAiFwgU1WSR9IMTu0YY56Tev82NrBchrGKlIHSP7w918A14UokcExRY7iJhjQiEYXaJNF57vA3clQ/s320/2b251fb0-404d-41a6-9849-6f6e2c796655.JPG" width="320" /></a> <br /></div></span></span></span></div><h2 style="text-align: justify;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><div class="separator" dir="rtl" style="clear: both; text-align: center;">Angèle
aurait probablement aimé cette transcription du tigre au point compté.
Il aura fallu <b>29.900 points de croix</b> pour suivre la grille géante,
composée au plus près du portrait initial. Aux deux artistes obstinés,
Sylvie et Philippe Marie, nous adressons nos compliments les plus vifs</div><div class="separator" dir="rtl" style="clear: both; text-align: center;">BM <br /></div></span></span></span><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></span></h2><h2 dir="rtl" style="text-align: right;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></h2><p style="text-align: left;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></p><div class="separator" dir="rtl" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><h3></h3><h3><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNg5QVdjt4DDXeuPnlpzzId8xbyBuuSmtzVhc4yxPbII2sTruteZMwP7d4uvKDd2rjSuUM_FGEnoh7_UDeKGJ8mabpXB9EyKSeeAOpBoJCpVERNZ1Zto8vZ_GUtJsUc329ixJKZb6cgvgwfDtiXZ3iUR1GZ4CgueclmHEyGhPAqVKJYY0LicppOG6Xfw/s1787/IMG_3711.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1176" data-original-width="1787" height="421" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNg5QVdjt4DDXeuPnlpzzId8xbyBuuSmtzVhc4yxPbII2sTruteZMwP7d4uvKDd2rjSuUM_FGEnoh7_UDeKGJ8mabpXB9EyKSeeAOpBoJCpVERNZ1Zto8vZ_GUtJsUc329ixJKZb6cgvgwfDtiXZ3iUR1GZ4CgueclmHEyGhPAqVKJYY0LicppOG6Xfw/w640-h421/IMG_3711.jpg" width="640" /></a></span></h3></div><span style="font-size: large;"><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /> </span></div><br /><span style="font-size: large;"><span style="font-family: arial;"></span></span><span style="font-size: large;"><span style="font-family: arial;"><div class="separator" dir="rtl" style="clear: both; text-align: center;"><span><br /></span></div></span></span><br /><span style="font-size: large;"><span style="font-family: arial;"><div class="separator" dir="rtl" style="clear: both; text-align: center;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></div></span></span><span style="font-size: large;"><span style="font-family: arial;"><div class="separator" dir="rtl" style="clear: both; text-align: center;"><span style="font-size: large;"><span style="font-family: arial;"> </span></span> </div></span></span><span style="font-size: large;"><span style="font-family: arial;"></span></span><br /><span style="font-size: large;"><span style="font-family: arial;"></span></span><span style="font-size: large;"><span style="font-family: arial;"></span></span><br /><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-family: arial;"></span></span></p><p><span style="font-size: large;"><span style="font-family: arial;"> </span></span></p><p><span style="font-size: large;"><span style="font-family: arial;"> </span></span><br /></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-19718153039559729972023-01-08T18:02:00.001+01:002023-02-11T13:29:12.007+01:00GOD SAVE THE KING<div style="text-align: justify;"><br /></div><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNCL3JMrgcnGW_-GOSyp7-MUVrzRThA8wyjgNavPVHy2-PJv4wzPrvCbEgH40xoAywfkrlaROszNaCXprGc2QFuvfNee8fFAIUb6e3jP4AO5hIR-PNhkP4Ap64k4Xl3HeDvDEaQWmmRx3pUY8uj8I1R9YM01L3nrrB_QSWUzcASk0ZOHPfAA7zYui0A/s1674/01%20Coldstream%20guard%20coll%20perso.jpg" style="margin-left: 1em; margin-right: 1em;">
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{page:WordSection1;}</style></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-size: large;"><img border="0" data-original-height="1674" data-original-width="1062" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNCL3JMrgcnGW_-GOSyp7-MUVrzRThA8wyjgNavPVHy2-PJv4wzPrvCbEgH40xoAywfkrlaROszNaCXprGc2QFuvfNee8fFAIUb6e3jP4AO5hIR-PNhkP4Ap64k4Xl3HeDvDEaQWmmRx3pUY8uj8I1R9YM01L3nrrB_QSWUzcASk0ZOHPfAA7zYui0A/w406-h640/01%20Coldstream%20guard%20coll%20perso.jpg" width="406" /></span></div><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cccccc;">Nous connaissions de longue date l’anglomanie galopante d’André Hellé,
via ses multiples représentations des<span class="apple-converted-space"> </span><i>Gardes
de la Maison royale</i> coiffés de leur haut bonnet en poil d’ours brun<sup>1</sup>.
Depuis ses débuts d’illustrateur de presse, Hellé imprima sa fascination pour
les uniformes britanniques sur tous les supports artistiques dont il put
disposer.</span></span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cccccc;"> </span></span></span></p><p style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgDq7zKyTX-sUdbGo_naQ2OuOLq239dD6hjISsASYGIaJgU7gkm3DyfpLnecK2wWyhWIng8ntMyMQsj0PXOCBCw9rvrOuFETRaUVb9AGzgXGHK-eWz1lv5ktcs2-7OwLjln28YvmlVh4YptVBvXaJ5qCUtilVEkfncgwiUrqNHtK4hxZDsHSG36eqVUA/s774/01%20Life%20Guards%20Whitehall%20recto.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="774" data-original-width="494" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgDq7zKyTX-sUdbGo_naQ2OuOLq239dD6hjISsASYGIaJgU7gkm3DyfpLnecK2wWyhWIng8ntMyMQsj0PXOCBCw9rvrOuFETRaUVb9AGzgXGHK-eWz1lv5ktcs2-7OwLjln28YvmlVh4YptVBvXaJ5qCUtilVEkfncgwiUrqNHtK4hxZDsHSG36eqVUA/w408-h640/01%20Life%20Guards%20Whitehall%20recto.jpeg" width="408" /></a></span></span></span><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"></span></span></span></p><div class="separator" style="clear: both; text-align: justify;"><p><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;">Prétexte à dessins humoristiques, satires politiques, albums et jouets
pour enfant, nous découvrons à présent, ces mêmes tuniques rouges (avec ou sans
bonnet à poil) sur des aquarelles originales, probablement croquées à Londres, lors
d' équipées touristiques outre Manche. </span></span></span></span></p><p><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;"> </span></span></span></span></p><p><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;"></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXuCY4OYf-OfZHcx2QKga6K1-Xe17GDOeBDP5OZcTEb87_p0CtU-01vWDk7AGri6jCMOKOz4wdCgXex0ClBiQXRF9bLBQEduL_z3KPR4MNebVxt8DXeRAs1fI4TTf9a8aJivNQlgsl7TY33Cb6uuJFOT455mgXd6KFLpMrbG_Rc4mQc8cQTvHBAs62Lw/s1233/1.%20Frise%20grenadiers%20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="1233" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXuCY4OYf-OfZHcx2QKga6K1-Xe17GDOeBDP5OZcTEb87_p0CtU-01vWDk7AGri6jCMOKOz4wdCgXex0ClBiQXRF9bLBQEduL_z3KPR4MNebVxt8DXeRAs1fI4TTf9a8aJivNQlgsl7TY33Cb6uuJFOT455mgXd6KFLpMrbG_Rc4mQc8cQTvHBAs62Lw/w640-h270/1.%20Frise%20grenadiers%20.jpg" width="640" /></a></span></span></span></span></div><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;"> Dès 1909 et alors qu’il entame une carrière d’ensemblier de la chambre
d’enfant, Hellé s’amuse à compacter une rangée de <i>Coldstream guards</i> sur
une frise de papier peint pour la <span>célèbre firme <span class="markedcontent">Tekko et S</span>alubra</span><span><sup>2</sup></span>. </span></span></span></span><p></p><p><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;"> </span></span></span></span></p><p><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><span style="font-size: large;">L’année suivante, des quilles d’appartement dites<span class="apple-converted-space"> </span><i>Grenadier guards</i><span class="apple-converted-space"> </span>(hauteur 29 cm) font une première
apparition dans le catalogue de Noël des Magasins du Printemps.</span></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><p><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmWCX2Sty_cjoeJ8MHd5kG-X5y0C4bEql3JF-DaDuQ9_yDCtds18mU-ph4k2fx8K8hXzBs5ZRl5KoUAmfG3k4ulv6YvKsdwgCzIr3Whc0s-ILvZ2mfWuuyBRlHI5PF_CSHDHuV4GxaPQ4hjkRAPusxt-oMPQHUY97h7jxl_1SD4JpIu9UGxDhBpylV6w/s2698/3.%20catal%20Printemps%201913.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2698" data-original-width="1404" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmWCX2Sty_cjoeJ8MHd5kG-X5y0C4bEql3JF-DaDuQ9_yDCtds18mU-ph4k2fx8K8hXzBs5ZRl5KoUAmfG3k4ulv6YvKsdwgCzIr3Whc0s-ILvZ2mfWuuyBRlHI5PF_CSHDHuV4GxaPQ4hjkRAPusxt-oMPQHUY97h7jxl_1SD4JpIu9UGxDhBpylV6w/w179-h343/3.%20catal%20Printemps%201913.jpg" width="179" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMPxov8Nd5NlQ6Jt2fACiZ8q7OtCjhJvljPW8IsxDeu17k8CQlSastWGHy8OQy664OB5YUCxQebNpwkSfEMfqLHyWPHEZ0cJQZRgDpriQRFFQVcDO_jVJ3zdyT0H8X01NDtHgvH7ih4ovLdu-3PRI6EFmfHabBAcr7DO6TcDwJH2E1mieibkMHDaRjRw/s661/2.%20Quilles%20Grenadiers.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="661" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMPxov8Nd5NlQ6Jt2fACiZ8q7OtCjhJvljPW8IsxDeu17k8CQlSastWGHy8OQy664OB5YUCxQebNpwkSfEMfqLHyWPHEZ0cJQZRgDpriQRFFQVcDO_jVJ3zdyT0H8X01NDtHgvH7ih4ovLdu-3PRI6EFmfHabBAcr7DO6TcDwJH2E1mieibkMHDaRjRw/w400-h343/2.%20Quilles%20Grenadiers.jpg" width="400" /></a></span></p></div></span></span></span><span style="color: #cccccc; font-size: large;"><span><span style="font-family: arial;"><div style="text-align: justify;"><p><span style="font-size: medium;"><span style="font-family: helvetica;"><span style="font-size: large;">Leur corps en cartonnage et leur large bonnet de feutre (Ht :
29cm), spécifiquement destinés à amortir toute nuisance sonore, leur assurent
un prompt succès auprès de la clientèle parentale. L’engouement pour ces
quilles aux bonnets surdimensionnés est tel, qu’elles reviendront orner bien d’autres
catalogues d’étrennes et annonces publicitaires, sous le crayon de nouveaux
graphistes.</span></span><span style="font-family: Arial;"></span></span></p><p>
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<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #cccccc;"><span>Dans la même veine, Hellé sera commandité en 1915 <span class="apple-converted-space">par la société </span>Dean and Son<sup>3</sup> pour
illustrer un jeu de quilles militaires en tissu bourré. Baptisées <span><i>Tommy Fuzbuz</i><sup>4</sup></span><span class="apple-converted-space"> en référence à leur bonnet à poil, ces quilles
patriotiques furent exclusivement commercialisées en Grande Bretagne, assorties
de deux balles en laine feutrée et d’un livret d’accompagnement dessiné par
une certaine Gladys Hall - à la solde de l’éditeur. </span>Hellé eut-il
connaissance de cette interprétation <span class="apple-converted-space">douceâtre
</span>?</span></span></span></span></p>
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volontaire dans les services de camouflage lors de la première guerre mondiale,
l’artiste n’en produisit pas moins de nombreux dessins politiques, jouets
militaires et albums pour enfants dans le cadre de l’effort de guerre, dont une
série de 6 cartes postales glorifiant les <i>Chants
nationaux des Alliés<sup>5</sup>.</i></span></span>
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{page:WordSection1;}</style></div></span></span></span></div><div style="text-align: justify;"><span><span style="font-family: arial;"><span style="color: #eeeeee;"><div class="separator" style="clear: both; text-align: center;"><span style="color: black; mso-ansi-language: FR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: FR; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"><span style="color: #eeeeee;"><span><span><i> </i></span></span></span></span></div></span></span></span></div><span><span style="font-family: arial;"><span style="color: #eeeeee;"><div class="separator" style="clear: both; text-align: center;"><span style="color: black; font-family: Cambria; mso-ansi-language: FR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: FR; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"><span style="color: #eeeeee;"><span><span style="font-family: arial;"><i><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="619" data-original-width="948" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsolYu-tV6USiKSca8kTyxx5dbMn_kiUP3DysirXZL3e5ArobTE09X-lxUc18EqkDDNIcbXji66GPFE2a6wbpAbFi6VETAol9cgc__Dl7Mwghm2fIMRVaPr83rT4V6txAK45JlKGVVmkx1dnBn64_r1qj7BQ2kdmv5dMhiOeNF0CXvOJ9_Dscy4Yrsvw/w400-h261/6.%20hymne%20anglais.jpg" width="400" /></div></i></span></span></span></span>
<p class="MsoNormal" style="text-align: justify;"><span style="color: #cccccc;"><span><span style="font-family: arial;"> </span></span></span></p><div class="MsoNormal" style="text-align: center;"><span style="font-size: medium;"><span style="font-family: arial;"><span style="color: #cccccc;"><span><span>Sur
la carte dévolue à l’hymne national du Royaume Uni, l’illustrateur ne pouvait
que convoquer le sempiternel « bonnet à poi l» et le non moins célèbre « fantassin
Tommy<sup>4 </sup>» pour encadrer les premières notes du <i>God save the King.</i></span></span></span></span></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="color: #cccccc;"><span><span><i> </i></span></span></span></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="color: #cccccc;"><span><span><i> </i></span></span></span></span></div><div class="MsoNormal" style="text-align: center;"><p><span style="font-size: medium;"><span style="font-family: arial;"><span style="color: #cccccc;"><span><span>Comment conclure ce billet sans explorer la <i>Boîte à joujoux</i> personnelle d’André Hellé - source vive de sa
créativité ? Parmi les nombreux modèles de soldats de bois disponibles dans
les bazars et bimbeloteries de l'époque, on pouvait couramment trouver des soldats prussiens en casque à pointe, au même titre que des <u>gardes anglais en bonnet à poil</u> ou des
soldats français en shako à pompon ! </span></span></span></span></span></p></div><div class="MsoNormal"><span style="color: #cccccc;"><span><span style="font-family: arial;"> </span></span></span><style><font size="5"><span style="font-family: arial;">@font-face
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<p class="MsoNormal" style="margin-left: 40px; text-align: justify;"><span style="font-size: medium;"><span style="font-family: arial;"><span style="color: #cccccc;"><span>Nous savons, par ses écrits
autobiographiques, combien l’auteur resta attaché à ces « joujoux d’un
sou » de fabrication allemande<sup>6</sup>, qu’il conserva parfois depuis
l’enfance et qui se succédèrent à rythme soutenu (et parfois lassant) dans
ses multiples activités artistiques. Leur esthétique tendre et naïve finit par
devenir sa marque de fabrique et continue de nos jours, à lui tenir lieu de
signature.</span></span></span></span></p><div style="margin-left: 40px; text-align: justify;"><span style="font-size: medium;"><span style="color: #cccccc;">
</span></span></div><p class="MsoNormal" style="margin-left: 40px; text-align: justify;"><span style="font-size: medium;"><span style="font-family: arial;"><span style="color: #cccccc;"><span>BM.</span></span></span></span></p><div style="margin-left: 40px; text-align: center;">
<style><font size="4">@font-face
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{page:WordSection1;}</font></style></div><div style="text-align: center;"><span><span style="color: #cccccc;"><span><span style="font-family: inherit;"><span><p class="MsoNormal" style="margin-left: 40px; margin-right: -14.5pt;"><span style="font-family: Arial;"><span style="color: #cccccc;"> </span></span></p></span></span></span></span></span></div></div><div style="text-align: center;"><span style="font-family: times;"><span><span style="color: #cccccc;"><span><span><span><p class="MsoNormal" style="margin-left: 40px; margin-right: -14.5pt;"><span><span style="color: #cccccc;">NOTES</span></span></p></span></span></span></span></span></span></div><span style="font-family: times;"><b><span><span style="color: #cccccc;"><span><span><span><p class="MsoNormal" style="margin-left: 40px; margin-right: -14.5pt;"><br /></p></span></span></span></span></span><span><div style="margin-left: 40px;">
</div></span></b></span><div style="text-align: left;"><div style="text-align: justify;"><p class="MsoNormal" style="text-align: left;"><span style="font-family: times;"><span style="font-size: medium;"><span style="color: #cccccc;"><span><span><span>1) Haut bonnet à
poil, emprunté à l’origine aux Grenadiers à pied de la<span class="apple-converted-space"> </span>Garde impériale de </span></span></span></span></span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: times;"><span style="font-size: medium;"><span style="color: #cccccc;"><span><span><span>Napoléon 1er. </span></span></span></span></span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: times;"><span style="font-size: medium;"><span style="color: #cccccc;"><span><span><span><br /></span></span></span></span></span></span></p><span style="font-size: medium;"><span style="font-family: helvetica;"><span style="color: #cccccc;"><span style="font-family: times;"><span><div><span><p class="MsoNormal" style="text-align: left;"><span><span>2) Tekko et Salubra : célèbre manufacture suisse de papiers peints, frises
et toiles de tenture lavable, qui éditera bien d’autres dessins pour enfants d'André Hellé. </span></span></p><p class="MsoNormal" style="text-align: left;"><span><span> </span></span></p></span></div></span><span><div><span><p class="MsoNormal" style="text-align: left;"><span><span> 3) Dean’s Rag Book Co:<b> </b>inventeur du livre « indéchirable » en tissu lithographié à la fin du XIXe siècle. La société Dean produisit également des jouets et des poupées en tissu bourré. </span></span></p><p class="MsoNormal" style="text-align: left;"><span><span><br /></span></span></p><p class="MsoNormal" style="text-align: left;"><span><span>4) Tommy (Atkins) est le surnom générique du fantassin britannique pendant la première (et
la seconde) guerre mondiale.<span class="apple-converted-space"> <i>Fuzbuz</i> fait
ici référence au bonnet à poil (Fuzz : duvet).</span></span></span></p><p class="MsoNormal" style="text-align: left;"><span><span><span class="apple-converted-space"> </span></span></span></p></span></div></span></span><span><div>
</div><p class="MsoNormal" style="text-align: left;"><span style="font-family: times;"><span><span><span class="apple-converted-space">5) Série de 6 cartes postales, éditée chez Longuet et p</span>résentée
dans l’exposition -<i> L</i>’<i>image de guerre populaire - </i>au<i> </i>Musée des Arts Décoratifs à Paris, de
novembre 1916 à janvier 1917.</span></span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: times;"><span><span> </span></span></span></p><div>
</div><div style="text-align: left;"><span><span style="font-family: times;">6) La région forestière de l’Erzgebirge en Allemagne, se spécialisa dans
la fabrication de jouets en bois tourné à partir du 18e siècle et domina le marché mondial jusqu’à la
première guerre mondiale.</span><br /></span></div><div>
</div><p class="MsoNormal" style="text-align: left;"><style><font size="3"><span style="font-family: arial;">@font-face
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</p>
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{page:WordSection1;}</style></div></span></span></span><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuzqcTSm7o98RSmQEPIM1OFuYs50RBD0sHGMLb2OIBjVu8-KgiEZMMmW-whF_nXuxYKKM93AnJswdE6RUOZjzHQK8CxA_7con7AFa1Hv6L1ykSYlrff6q89KTR5XnKJB8cL7xTLNqvlzgQYkIopx6-n4L9fZiSgOcCioKSPXiZ8e18uEygPmVOw0OFBQ/s2698/3.%20catal%20Printemps%201913.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuzqcTSm7o98RSmQEPIM1OFuYs50RBD0sHGMLb2OIBjVu8-KgiEZMMmW-whF_nXuxYKKM93AnJswdE6RUOZjzHQK8CxA_7con7AFa1Hv6L1ykSYlrff6q89KTR5XnKJB8cL7xTLNqvlzgQYkIopx6-n4L9fZiSgOcCioKSPXiZ8e18uEygPmVOw0OFBQ/s2698/3.%20catal%20Printemps%201913.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> </a></span></div></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #eeeeee; font-size: large;"><span><span style="font-family: arial;"> </span></span></span></div><span style="color: #eeeeee; font-size: large;"><br /> </span><p style="text-align: left;"></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-77592630614830653322023-01-02T16:44:00.000+01:002023-01-02T16:44:12.213+01:00ALPHABET de la GRANDE PAIX<div class="separator" style="clear: both;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG2amvoyAvouaHDa-ty62f6fioWrREis2xqqKqwAG2k0fxdJxYDY7bcqZF_JR5NaU1HyZffq9fgij1awA15Xq7v3qpeg8OoPTm9Z-C-unqu_5bMXCZKwDzzCB_d0DirBRVjPa8rmdYSZcFqU0WGCsa5eAU0SSyjvSnHKyxykcq4FAqcNc-uoJ2tNDAGw/s3298/jour%20de%20l%27an.jpeg" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="3298" data-original-width="2325" height="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG2amvoyAvouaHDa-ty62f6fioWrREis2xqqKqwAG2k0fxdJxYDY7bcqZF_JR5NaU1HyZffq9fgij1awA15Xq7v3qpeg8OoPTm9Z-C-unqu_5bMXCZKwDzzCB_d0DirBRVjPa8rmdYSZcFqU0WGCsa5eAU0SSyjvSnHKyxykcq4FAqcNc-uoJ2tNDAGw/s600/jour%20de%20l%27an.jpeg" /></a>
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<span style="font-size: large;"><span style="font-family: arial;">Cet album rare, édité à LA RENAISSANCE DU LIVRE en 1920, permet à André Hellé de matérialiser la première lettre de l'alphabet par le symbolique "JOUR de l'<b>A</b>N ", mais surtout d'évoquer l'inestimable retour à la paix, après "les années de tuerie" de la Grande Guerre.
</span></span>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-25341217070013013092022-12-30T16:35:00.000+01:002022-12-30T16:37:55.633+01:00BOÎTE de JOUETS de NOËL<p> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvMl8xmjTAZHA_N8JcooXKNaZaEqn8FT_k0yAEHin_geyX2MSuHDvXCa8BBY1eIs9iZl2YZHFGm_TQRaiyNRiHSlkPRfn1hAhWPH7-zeKeunk_PPTtX1-0vZuxbu-vsKbI4yN0avIa_jv9yQbD07r-52-0KnZR6GdWfyHHVANz5YUCZekh4h97UnTbQw/s3838/P93.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2013" data-original-width="3838" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvMl8xmjTAZHA_N8JcooXKNaZaEqn8FT_k0yAEHin_geyX2MSuHDvXCa8BBY1eIs9iZl2YZHFGm_TQRaiyNRiHSlkPRfn1hAhWPH7-zeKeunk_PPTtX1-0vZuxbu-vsKbI4yN0avIa_jv9yQbD07r-52-0KnZR6GdWfyHHVANz5YUCZekh4h97UnTbQw/s320/P93.jpeg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: large;">Cadeau-surprise pour les fêtes de Noël 1918, selon la carte illustrée par Hellé. Ouvrirons-nous le paquet ? </span></span></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0UQ8PCOcFDuJm5DHrvmMZW6e_t5t3NNh0BpAfUR5ATEAMrCjpYfRQbk1UAX4mGjoDBVbTarAcHDrpC0m-8D5LZTJxTdZ7y8Yy4jAoPUyz5cCfxkl9UY4HhtlimoLrOBNF97ju7KHjxUaC76rYwaQBpLCAZEXIDd2tJlsdH3evTDZKAU9hx6QuDHfWKA/s4080/P75.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2800" data-original-width="4080" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0UQ8PCOcFDuJm5DHrvmMZW6e_t5t3NNh0BpAfUR5ATEAMrCjpYfRQbk1UAX4mGjoDBVbTarAcHDrpC0m-8D5LZTJxTdZ7y8Yy4jAoPUyz5cCfxkl9UY4HhtlimoLrOBNF97ju7KHjxUaC76rYwaQBpLCAZEXIDd2tJlsdH3evTDZKAU9hx6QuDHfWKA/s320/P75.jpeg" width="320" /></a></div><p><span style="font-family: arial;"><span style="font-size: large;">Chaque fin d'année, ces caisses de bois (en fait de simples caisses d'expédition) faisaient leur apparition dans les catalogues de jouets des Grands Magasins, ainsi que dans les bazars-bimbeloteries, et étaient destinées à garnir le sapin, </span></span><span style="font-family: arial;"><span style="font-size: large;">comme l'indique le titre sobrement pyrogravé sur le couvercle.</span></span></p><p><span style="font-family: arial;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfVV_fY2DQ8p16sAXrusshvc2_a3dpV6hoOy3D5UbswKL6uaZPw5lMSLQeCahKHtb7WsjQ5jhug3pqr8pEHmaCgfLel32CmB3qs6DBZ28kdU5vZgltOtNmTl0KZiR8h-X_ic4ux2xMJ8oDkUibmExkLegsyzAMZbDX-4dxRmo4YXCQ0ku2lU-FBQbtA/s722/Boi%CC%82te%20jouets%20Noe%CC%88l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="722" data-original-width="661" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfVV_fY2DQ8p16sAXrusshvc2_a3dpV6hoOy3D5UbswKL6uaZPw5lMSLQeCahKHtb7WsjQ5jhug3pqr8pEHmaCgfLel32CmB3qs6DBZ28kdU5vZgltOtNmTl0KZiR8h-X_ic4ux2xMJ8oDkUibmExkLegsyzAMZbDX-4dxRmo4YXCQ0ku2lU-FBQbtA/s320/Boi%CC%82te%20jouets%20Noe%CC%88l.jpg" width="293" /></a></span></div><span style="font-size: large;"> </span><p></p><p><span style="font-family: arial;"><span style="font-size: large;">Reconstitué par une amatrice zélée de l'illustrateur ( Marianne Chambrette, restauratrice de jouets anciens à Tulle ) voici un bel assortiment des trésors variés qu'on pouvait y trouver :<br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJO0idZ95cFicgibnK3pepEATTIka4OJ4dCfzJ3ehFFVM-AyNTKxZrXFCG4s06dIcFiu4wYjl3eY3Pp4iSxvx9_RcWfHwjud7G6DDXv_xAxozeD2Q-JBGpz5K4m76ZOEhtGLELG3vsQ7yp9-F-e4Kel4d5-x4uji3m3g0CESZ_tUHLHfkyEr7KohXsg/s3673/P99.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3673" data-original-width="3335" height="564" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJO0idZ95cFicgibnK3pepEATTIka4OJ4dCfzJ3ehFFVM-AyNTKxZrXFCG4s06dIcFiu4wYjl3eY3Pp4iSxvx9_RcWfHwjud7G6DDXv_xAxozeD2Q-JBGpz5K4m76ZOEhtGLELG3vsQ7yp9-F-e4Kel4d5-x4uji3m3g0CESZ_tUHLHfkyEr7KohXsg/w514-h564/P99.jpeg" width="514" /></a></span></div><span style="font-size: large;"><br /><br /> </span><p></p><p><span style="font-family: arial;"><span style="font-size: large;"> </span></span><span style="font-family: arial;"><span style="font-size: large;"> </span></span></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-64164802333954435732022-10-01T20:46:00.001+02:002022-10-02T12:04:01.310+02:00ARCHE de NOÉ à TRICOTER<div class="separator"><div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><br /></div></div><h1 class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: center;"><span style="color: black; font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"><span><span><span><span><span style="font-size: x-large;"><span><span style="color: #cfe2f3;"> </span></span></span></span></span></span></span></span></h1><h1 class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: center;"><span style="color: black; font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"><span><span><span><span><span style="font-size: x-large;"><span><span style="color: #cfe2f3;">ARCHE de NOÉ
à TRICOTER</span> </span></span></span></span></span></span><br /></span></h1><div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><br /><span style="font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"> </span></div><p>
</p><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"><span><span style="font-weight: normal;"> </span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1456" data-original-width="1099" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgztIWM2EpgIMamiiA2yH5y1V_wslJOdnG-AjejDTNcJ_qyXxnUmc0JxNRf6y9xSuVBQk1DetrNaW3SGCul-5OOYSgaN0L3_iD4HYl_62FRPddZIyRrqjx1lfEO3Fh_8XC1FWb0Hgw1diRxvBaZQ1f7NGlxE_M1EL1x0U0njDIPLVso_9V9Afj6e3JpgQ/w251-h332/1.JPG" width="251" /> <img border="0" data-original-height="500" data-original-width="359" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi20ytefnejgd0-QB6jO9QmyAKVEO2Ooe-C4CafrTyC1quk5JcI5vSXhyb19PdDtYcj_Dt0aeUzx_isi78SMdC9fXVRJ9_SNeo8sMB6bkCICoeZmIdUXmAcssxRwwjxKlSX6dK46U1kstakMXWTifQIyCH7Rtt4rCk4TzvlRlXjuYrZ7Tto7cefk8EXEw/w241-h334/2.jpg" width="241" /><span style="font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"> </span></div></div><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: justify;"><span style="font-size: large;"><span style="font-family: arial;"><span><span style="font-weight: normal;"> </span></span></span></span></div><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: large;"><span style="font-family: arial;"><span style="font-weight: normal;">Les portraits
animaliers qu’André Hellé conçut pour ses albums <i><span>Drôles de bêtes</span></i> (Ed. Tolmer, 1911) et <i><span>l’Arche de Noé</span></i> (Ed. Garnier, 1925) ont souvent inspiré des
travaux d’aiguilles - broderies au <span>point
compté</span>, canevas au <span>point de
croix</span>, tissus appliqués etc. - le trait enfantin de l’artiste se prêtant
facilement à ces minutieux exercices. Rappelons ici que Mme Angèle Hellé<span style="color: #ffa400;"><span style="font-size: small;"> 1</span></span>,
professeure de dessin et brodeuse émérite, s’y employa la première dès
1911, en brodant "le défilé des animaux" sur les voiles de lit
d’une chambre d’enfant entièrement composée par son mari, autour du thème
biblique. <span style="mso-no-proof: no;"> </span></span></span></span></span></div><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: center;"><span style="color: #cfe2f3;"><span style="font-size: large;"><span style="font-family: arial;"><span style="font-weight: normal;"><span style="mso-no-proof: no;"> </span></span></span></span></span><h3 style="text-align: left;"><span style="color: black;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhtmjpoe7GAZP294lRwidLPorqOO14XZVkdrbtw3Oqt5zcNMQ9zhhYAATLna6zBmyUmH4D-oRUSthZ8oltpvdT659CT98kytoDZNFr2SZtvU3xfFehaXJNMSw6nc2hfsZWsjKVLZkWSum1uyhkROr73mB7AJybgkEq371oeJc9f_EH3FMNjy5KKLUszyA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="342" data-original-width="1363" height="153" src="https://blogger.googleusercontent.com/img/a/AVvXsEhtmjpoe7GAZP294lRwidLPorqOO14XZVkdrbtw3Oqt5zcNMQ9zhhYAATLna6zBmyUmH4D-oRUSthZ8oltpvdT659CT98kytoDZNFr2SZtvU3xfFehaXJNMSw6nc2hfsZWsjKVLZkWSum1uyhkROr73mB7AJybgkEq371oeJc9f_EH3FMNjy5KKLUszyA=w612-h153" width="612" /></a></span></h3></div><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: large;"><span style="font-family: arial;"><span style="font-weight: normal;"><span style="mso-no-proof: no;"> </span></span></span></span></span></div><div class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: large;"><span style="font-family: arial;"><span style="font-weight: normal;"><span style="mso-no-proof: no;">C’est en
passant des laines à broder aux laines à tricoter, que nous découvrons aujourd'hui cette étonnante
interprétation de l'album de 1925. Une fois déplié, le majestueux
leporello (hauteur : 28 cm) affiche une sélection d’images transposées au <span style="mso-bidi-font-style: italic;">point jacquard<i>, </i></span>dans un
encadrement réalisé <span style="mso-bidi-font-style: italic;">au point de
riz</span>. Baleine, tigre, mouton, chameau, oie, éléphant, marabout et singe,
TOUS se réfèrent avec tendresse et fidélité aux planches d’origine.
L’illustrateur aurait apprécié cet hommage tricoté en laines chatoyantes !</span></span></span></span></span></div><h3 style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><div style="text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: large;"><span style="font-family: arial;"><span style="font-weight: normal;"><span style="mso-no-proof: no;"> </span></span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 19pt; mso-no-proof: no;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY6eN2APo8edONIMAvOr3xEPsLoteYGdDqKtzuV25nvZE0LzPh1UrDOGowPTNo9ai--gnwVwhvNAunHAJ_yTPPPGqTHTlgq_qVH9ovoLZxlAg9SgTn5oqZyBFDdNQLA9_WLDf0wTHKlgxJEWLe5Hv7SUGM1mu0NWDpptdB7uzn_2Qy3XD-yVDFPf79rQ/s2016/4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1512" data-original-width="2016" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY6eN2APo8edONIMAvOr3xEPsLoteYGdDqKtzuV25nvZE0LzPh1UrDOGowPTNo9ai--gnwVwhvNAunHAJ_yTPPPGqTHTlgq_qVH9ovoLZxlAg9SgTn5oqZyBFDdNQLA9_WLDf0wTHKlgxJEWLe5Hv7SUGM1mu0NWDpptdB7uzn_2Qy3XD-yVDFPf79rQ/w402-h302/4.jpg" width="402" /></a></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 19pt; mso-no-proof: no;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMPsfkTS4kov21d08ahJENki9OQdPDPUXEec-9sg5baXit53JOmglaNw0RLEy2jXlFEkWe7NOhyH9_5tYPzpY223IJQar3jF-mVsF2VVnyMCc0Drm7rnGxA5HotEj0aj_Vh56T0aockjIJcMjWg1MpHjXBhOQrdpQR1iMwTSTAlbU-WFi_P9SCAHGnzg/s2016/5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1388" data-original-width="2016" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMPsfkTS4kov21d08ahJENki9OQdPDPUXEec-9sg5baXit53JOmglaNw0RLEy2jXlFEkWe7NOhyH9_5tYPzpY223IJQar3jF-mVsF2VVnyMCc0Drm7rnGxA5HotEj0aj_Vh56T0aockjIJcMjWg1MpHjXBhOQrdpQR1iMwTSTAlbU-WFi_P9SCAHGnzg/w400-h276/5.jpg" width="400" /> </a></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 19pt; mso-no-proof: no;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtYrM_MwIbRnbAo1C1ZH3iNSP2WiAJlEhnAFloXMbO-SIZ-rfNN93zmUjx0U60xa0-PVNyDGUo-opiq67EV2gk6JsNEhUaFGlStOgB2Au9dcR0szYBRoNqX3CccE5Pa5eerPL-KoDiRnAJHmaNkDImqlTU-gKCxbspXKxeT4Qwoph6gVU_n5xmTNEZuA/s1677/6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1124" data-original-width="1677" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtYrM_MwIbRnbAo1C1ZH3iNSP2WiAJlEhnAFloXMbO-SIZ-rfNN93zmUjx0U60xa0-PVNyDGUo-opiq67EV2gk6JsNEhUaFGlStOgB2Au9dcR0szYBRoNqX3CccE5Pa5eerPL-KoDiRnAJHmaNkDImqlTU-gKCxbspXKxeT4Qwoph6gVU_n5xmTNEZuA/w405-h270/6.jpg" width="405" /></a></div></span></span><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1187" data-original-width="1712" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJr0JSuaAkh2T3_pu0Y_IXGqiv_-S9A3Tv8P15It1ctGuM8OE6ZqlpqEZsi_c8zasKebbr0sQ3ANMvl1trk08F376gSR5vcQ3635YkkZCjCKkLQACt3vefE6JFkckff_lHAHA5Bc6r3vA7c9c7sLlLuAjMHRLuVIIG8mjN7M0QBuPJywLZqObXxfR5Xw/w407-h282/7.jpg" width="407" /> </div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"> </div><div class="separator" style="text-align: justify;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cfe2f3;"> </span></span></span></span></div><div class="separator" style="text-align: justify;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cfe2f3;"> </span></span></span></span></div><div class="separator" style="text-align: justify;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cfe2f3;">La lecture
fantaisiste de la tricoteuse et la conception originale du présent
livre-accordéon <span style="color: #ffa400;"><span style="font-size: small;">2</span></span>, confirment l’esthétique de la transposition dans
le respect de l’œuvre initiale. Nulle transgression dans le passage du pinceau
au tricot, mais l’exploration féconde d’un autre domaine d’expression et la
démonstration de la modernité graphique de M. Hellé (1871-1945), offerte à
l’imagination d’autres créateurs. </span></span></span></span></div><div class="separator" style="text-align: justify;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cfe2f3;"> </span></span></span></span></div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: left;"><span style="font-weight: normal;"><span style="font-size: large;"><span style="font-family: arial;"><span style="color: #cfe2f3;">B. M. </span></span></span></span> </div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"><br /></div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cfe2f3;"><span style="font-size: x-small;"><span style="font-family: arial;"><span style="font-weight: normal;">NB : L'image d'origine s'affiche au verso de chaque volet du leporello..</span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cfe2f3;"><span style="font-size: x-small;"><span style="font-family: arial;"><span style="font-weight: normal;"> </span></span></span></span><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgndZ3k0v6FaulYjzYUWzuFtmxJ3O_W5iB4y8rUfIikHC-Mew2LTbavIoaR8PsofiXNy4kkGaZ9J2N4l91cU2OVgplQCi_cN2F5U-mJWOU734aJta-Ac99ZkU9UZErwo2mQ1uCwgJB_AN3myERPH0j5ha0hV6NQQ1qzC0plp8kh14IFmiWBsSt1LTWx-A/s1464/11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1154" data-original-width="1464" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgndZ3k0v6FaulYjzYUWzuFtmxJ3O_W5iB4y8rUfIikHC-Mew2LTbavIoaR8PsofiXNy4kkGaZ9J2N4l91cU2OVgplQCi_cN2F5U-mJWOU734aJta-Ac99ZkU9UZErwo2mQ1uCwgJB_AN3myERPH0j5ha0hV6NQQ1qzC0plp8kh14IFmiWBsSt1LTWx-A/w495-h391/11.jpg" width="495" /></a></span></div><div class="separator" style="clear: both;"><span style="font-size: medium;"> </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: medium;"><i><span style="font-weight: normal;"><span style="font-family: "Times New Roman";">1) Angèle
Hellé ( 1876-1916) transposa en broderie bien d’autres compositions de son mari
- coussins, rideaux de vitrage, dossiers pour fauteuil, portière,
abat-jour, frise murale etc - qu’elle exposa régulièrement au Salon
d’automne, avec les oeuvres de l'illustrateur. </span></span></i></span><span style="font-size: medium;"><i><span style="font-weight: normal;"><span style="font-family: "Times New Roman";"> </span></span></i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: medium;"><i><span style="font-weight: normal;"><span style="font-family: "Times New Roman";"> </span></span></i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: medium;"><i><span style="font-weight: normal;"><span style="font-family: "Times New Roman";">2) Tous nos
compliments à Laurence (la tricoteuse) et François Hénaff (le maquettiste),
les deux virtuoses interprètes de l’album initial.</span></span></i></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="color: #cfe2f3;"><span style="font-size: medium;"><i><span style="font-weight: normal;"><span style="font-family: "Times New Roman";"> </span></span></i></span></span></div></div><div class="separator" style="margin-left: 4em; text-align: justify;"><div class="separator" style="clear: both;"><span style="font-size: medium;"><i><span style="font-weight: normal;"></span></i></span><span style="font-size: medium;"><i><span style="font-weight: normal;"></span></i></span>
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{page:WordSection1;}</style> <br /></div><br /> <br /></h3><br /><p></p><p class="MsoNormal" style="line-height: 22pt; margin-bottom: 14pt; text-align: center;"><span style="color: black; font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"></span></p><span style="color: black; font-family: "Times New Roman"; font-size: 18.5pt; mso-no-proof: no;"></span><p></p>
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{page:WordSection1;}</style></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-45437690354215133352022-07-19T07:40:00.000+02:002022-07-19T07:40:03.281+02:00À LA BELLE FERMIÈRE, histoire d'une enseigne.
<p class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: center;"><span style="font-family: "Times New Roman"; font-size: medium; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> </span></p><div class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: center;"><span style="font-size: large;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;">Où l’on verra comment André Hellé <span style="font-size: small;">(1871-1945)</span> illustra Honoré
de Balzac <span style="font-size: small;">(1799-1850)</span> </span></span></span></div><div class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: center;"><span style="font-family: "Times New Roman"; font-size: medium; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> </span></div><div class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: left;"><span style="font-family: "Times New Roman"; font-size: medium; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYknrU6Pwd88JrYk3oJvBeQ8FnFEWfeuWm44G7SL7J30aNf6HuYlIhT0wJtvepe73MRlqMjRqYGQLvA8jNZkL14bp4PL9zzH04j_cY_ozeRRVZVjhTdMkMa8ntgNj-6lcWqEvy9gy26yG6qsodQSws7HPd_UL4zm3ZMEfEJZCHn-JZYPA48ZqTTdQ3A/s1341/1.%20COUV%20Petit_dictionnaire.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1341" data-original-width="757" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYknrU6Pwd88JrYk3oJvBeQ8FnFEWfeuWm44G7SL7J30aNf6HuYlIhT0wJtvepe73MRlqMjRqYGQLvA8jNZkL14bp4PL9zzH04j_cY_ozeRRVZVjhTdMkMa8ntgNj-6lcWqEvy9gy26yG6qsodQSws7HPd_UL4zm3ZMEfEJZCHn-JZYPA48ZqTTdQ3A/s320/1.%20COUV%20Petit_dictionnaire.jpg" width="181" /></a><span style="font-family: "Times New Roman"; font-size: medium; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> <br /></span></div></span></div>
<div class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;"><h1><span style="font-family: arial;"><span style="font-size: large;"><span class="fn"><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"> <span style="font-weight: normal;"><span><span> <span><span><span>C’est en 1826 que paraît anonymement <i>Le Petit dictionnaire
critique et anecdotique des enseignes de Paris - par un batteur de pavé</i></span></span></span></span></span></span></span></span><span style="font-weight: normal;"><span><span><span><span><span><span style="mso-fareast-font-family: "Times New Roman";">, </span><span style="mso-bidi-font-size: 12.0pt; mso-no-proof: no;">huitième ouvrage tiré sur les presses de
l’imprimerie Balzac, rue des Marais-Saint-Germain (aujourd’hui rue Visconti). Ce
guide de 160 pages, très probablement écrit par Balzac lui-même</span><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">, décrit de façon lapidaire et quelque peu narquoise, les séductions
commerciales relevées en devanture des magasins de la capitale: enseignes peintes,
banderoles flottantes, affichettes et <span style="mso-spacerun: yes;"> </span>étalages
en trompe l’oeil etc. Notons au passage, que certaines de ces enseignes <span style="mso-spacerun: yes;"> </span>(<i>Le Boeuf à la Mode, Le Petit Matelot ou Le-chat-qui-pelote</i></span><span style="mso-fareast-font-family: "Times New Roman";">)</span><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"> figureront sous
peu dans les pages de la <i>Comédie humaine</i>.</span></span></span></span></span></span></span></span></span></h1></div><div class="MsoNormal" style="margin-left: -7.1pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;"><p><span style="font-family: arial;"><span style="color: white; font-size: large;"><span><span><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"> </span></span></span></span></span></p></div>
<p class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-no-proof: no;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-no-proof: no;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyVslIov2rNPvvCHa3IOjbpUxmucea1j0bwNwVqjCTRMn2Ugp_XSKtqRDq_ALbPSS4Nod_S0Fkb9OU1Zkuy_o8oijHCpu2H8PduiABQTKjTT5IZjt93Vho3oHUa0CDspc159qnDZN3nOUaKWjDSDZ4OfWCSqNi-wf7lEvZgNDaIbAlZnFfbLjMfjn6w/s1203/2%20nvelle%20version.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1203" data-original-width="897" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyVslIov2rNPvvCHa3IOjbpUxmucea1j0bwNwVqjCTRMn2Ugp_XSKtqRDq_ALbPSS4Nod_S0Fkb9OU1Zkuy_o8oijHCpu2H8PduiABQTKjTT5IZjt93Vho3oHUa0CDspc159qnDZN3nOUaKWjDSDZ4OfWCSqNi-wf7lEvZgNDaIbAlZnFfbLjMfjn6w/s320/2%20nvelle%20version.jpg" width="239" /></a></span></div><div style="text-align: justify;"><h1><span style="font-family: arial;"><span style="font-size: large; mso-bidi-font-size: 12.0pt; mso-no-proof: no;"><span style="font-weight: normal;"> En 1945, </span><i><span style="font-weight: normal;">La Nouvelle Société d’édition</span></i><span style="font-weight: normal;"> décide de rééditer
l’ouvrage, en l’agrémentant de quelques illustrations délicatement coloriées au
pochoir. 42 artistes</span></span><span style="font-size: large;"><sup><span><span style="font-weight: normal;">1</span></span></sup></span><span style="font-size: large;"><span style="font-weight: normal;">
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{page:WordSection1;}</style><span style="mso-bidi-font-size: 12.0pt; mso-no-proof: no;"><sup><span style="color: red;"><span style="font-weight: normal;"> </span></span></sup><span style="font-weight: normal;">sont ainsi commissionnés
pour imaginer les différentes enseignes, sélectionnées en corrélation avec les
épigrammes. André Hellé se voit attribuer </span><i><span style="font-weight: normal;">La belle Fermière</span></i></span><span style="mso-bidi-font-size: 12.0pt; mso-no-proof: no;"><span><sup><span style="font-weight: normal;">2</span></sup></span><i style="mso-bidi-font-style: normal;"><span style="font-weight: normal;">
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{page:WordSection1;}</style><span style="font-weight: normal;">, </span></i><span style="font-weight: normal;">une boutique de "nouveautés" (entendez "confection") établie dans le
quartier de la Bastille et qui, de déménagement en expropriation, s’agrandira de
l’autre côté du Pont neuf, pour devenir le grand magasin de </span><i><span style="font-weight: normal;">La Belle jardinière</span></i><span style="font-weight: normal;">.</span></span></span></span></h1></div><h1 class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-weight: normal;"><span style="font-family: arial;"><span style="font-size: large; mso-bidi-font-size: 12.0pt; mso-no-proof: no;"> </span></span></span></h1><div class="separator" style="clear: both; text-align: center;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-no-proof: no;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQF5iZoKdL-cBuHC-egpzP5bdnm_upc600mqC89qKTKWB825wvx0nLZ4LEgADem4219zLYazTUyKQmTn993Z1S4PYsVa1Gl9VEtnnfAxjwl4xpr7BkqxQIz7rY_ZECzLCm5NzFXh9ZTJKpWVDuV9o8BM5BoER5s9Gg5JH0vPTM39xbJ8-RGhIzXrAoXQ/s2207/4%20la%20belle%20fermie%CC%80re%20pochoir.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1689" data-original-width="2207" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQF5iZoKdL-cBuHC-egpzP5bdnm_upc600mqC89qKTKWB825wvx0nLZ4LEgADem4219zLYazTUyKQmTn993Z1S4PYsVa1Gl9VEtnnfAxjwl4xpr7BkqxQIz7rY_ZECzLCm5NzFXh9ZTJKpWVDuV9o8BM5BoER5s9Gg5JH0vPTM39xbJ8-RGhIzXrAoXQ/w554-h426/4%20la%20belle%20fermie%CC%80re%20pochoir.jpg" width="554" /></a></span></div><div style="text-align: justify;"><h1><span style="font-size: large;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><span style="font-weight: normal;"> Hellé choisit de représenter ladite fermière sous
forme d’une sobre figurine de bois tourné (à la manière d’une quille), entourée
d’une basse-cour aux lignes cubistes. On reconnaît aisément le style de jouets artistiques
qu’il conçut pour les Magasins du Printemps dès 1911 (seul dans un premier
temps, puis avec son collègue Carlègle) et qui firent les beaux jours des catalogues
d’étrennes de l’époque. Le chalet rustique et les arbres en pommes de pin de
l’arrière-plan, montrent encore l’imprégnation des jouets populaires allemands
qui animèrent sa jeunesse, mais son inclination moderniste le conduira à
accentuer la géométrisation des volumes et déterminera son style propre. </span></span></span></span></h1></div><h1 class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span style="font-weight: normal;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> </span></span></span></span></h1><p class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiinesCkgFU-61XErmsFru5s8GiHZJ7Q5MCMVnmv0rrUeI-bzCnsON2MVdxg1jBuya5OBB5gCRYjGxbgVJRVM-6R7eYuat5i3JTr0bk4wDiQC4eW4gWCxD5cfCGMgPPdcTmpikmq65zVpiz1e8TtPWSAEYBA4L3Ddhu-x6IfOf7cH5K2mjhBrJIfqUU_w/s2062/5%20Quillembois%201919.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="975" data-original-width="2062" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiinesCkgFU-61XErmsFru5s8GiHZJ7Q5MCMVnmv0rrUeI-bzCnsON2MVdxg1jBuya5OBB5gCRYjGxbgVJRVM-6R7eYuat5i3JTr0bk4wDiQC4eW4gWCxD5cfCGMgPPdcTmpikmq65zVpiz1e8TtPWSAEYBA4L3Ddhu-x6IfOf7cH5K2mjhBrJIfqUU_w/w320-h151/5%20Quillembois%201919.jpeg" title="Histoire de Quillembois, soldat (Ed Berger-Levrault 1919)" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><i>Histoire de Quillembois, soldat</i> (Ed
Berger-Levrault 1919)</span> </span><br /></span></span></td></tr></tbody></table><h1 class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: arial;"><span style="font-size: large;"><span style="font-weight: normal;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> Les amateurs d’enfantina ne sont pas en reste, qui identifient
en transparence la patte graphique de l’illustrateur, son mode de représentation
par le jouet, et son talent à simplifier les lignes. Au fil de ses albums, André Hellé s’entêta à préserver la
vision enfantine du monde qui l’entourait et revint incessamment à la <i>Boîte à
joujoux</i> de son enfance, comme s’il souhaitait contresigner à nos yeux, sa
double carrière d’imagier et de créateur de jouets. <br /></span></span></span></span></h1><h1 class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: arial;"><span style="font-size: large;"><span style="font-weight: normal;"><span style="mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;">BM. </span></span></span></span></h1><p class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> </span><span style="font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"></span></p><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="982" data-original-width="748" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrCG3Op9CCVTrsoAQ2AwuJnnaHELZUdPg9p4erw_gotkh0dX3yKE_2Sl3IGRP-dvwO2paDcQA-aJkwTjWFWP_yhNpAZys18HUXtJoJ6VV-aEqVSAmITB-PNItcB0a-HpHH5snZ9iOjBm5wJCHd4AFnpAr0Kantlwh88qWZBXKDs2LoK3XI7otqQ4jSxQ/w244-h320/6%20Isabelle%20G.%20Schreiber%201935%20les%20be%CC%82tes%20parlent%20.jpg" width="244" /> <span style="font-family: "Times New Roman"; margin-left: 1em; margin-right: 1em; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><img border="0" data-original-height="884" data-original-width="782" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK3QX3-JE1nqIcmGmxihsukk7g3oHbuYOyeS6ZZ1dNQRTXJ39ITnAorIWLByDLyGI-qXUlF0oI-0m4mjdiImlzxN4G4_rG-Nbyt7R6jdA1dWcrwd-TOknZwCA2sZNfqR-yikdPfYm-lE9hl4GdGg_YC_uRW8zFoe1QVztAWQBn5ekGgh6DLKl9U1yn-A/s320/7%20Ferme%201918.jpg" width="283" /></span></div><div style="text-align: left;"></div><p><span style="font-family: "Times New Roman"; font-size: small; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"> <span style="font-family: arial;"> <span style="font-size: x-small;"><i>Les Bêtes parlent</i> (Ed
Delagrave 1935) </span></span></span><span style="font-family: arial;"><span style="font-size: medium; mso-bidi-font-size: 12.0pt; mso-bidi-font-weight: bold; mso-no-proof: no;"><span style="font-size: x-small;">Hellé-Carlègle,
catalogue jouets Printemps 1918</span></span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"> <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>NOTES</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"> </span></span></p><span style="font-family: arial;">
</span><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: small;"><span>1) 42 illustrateurs : G.Arnoux, H.Baille, S.Baudoin,
Bernard, Beuville, L.Boucher, J.Boullaire, Bourg, Brunelleschi, P.Caplen,
A.Collot, J.-P.Delhumeau, Ch.-A.Edelmann, Eny, A.Foy, France Chadar,
P.Fromentier, Chr. Genty, Grau-Sala, Hautot, A.Hellé, J.Hémard, Lavalley, Maès,
V.Mare, H.Monier, Nelpac, N.Noël, P.Noël, Philip, J.Pichard, Poulbot,
Cl.A.Ramey, Randelys, Roubille, P.Roy, Sauvayre, Serge, J.Touchet, G.Tolmer,
A.Vallée et Van de Beuque. </span></span></span></p><span style="font-size: small;">
</span><p class="MsoNormal"><span style="font-size: small;"><span style="font-family: "Times New Roman";"> </span></span></p><p class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><span style="font-size: small;"><span>2) </span><span><i>A la
Belle Fermière</i> </span><span>: confection de vêtements et de
nouveautés, établi au 5-7 rue du Fg St Antoine dans le quartier de la Bastille à l'époque de Balzac. Le magasin sera
transféré sur l'île de la Cité, à deux pas du marché au fleurs, sous le nom renouvelé
de <i>La Belle Jardinière</i> (l’enseigne figurait alors une jardinière en train
d'arroser des fleurs) puis sera exproprié dans le cadre de la construction de l’Hôtel
Dieu (hôpital). C’est ainsi que l’enseigne franchira la Seine, pour s’établir en
Grand magasin sur le quai de la Mégisserie, à deux pas du Pont Neuf. Ebranlée
par la concurrence, <span class="s1"><i>La Belle Jardinière</i> cessera son activité en
1972.</span></span></span></span></p>
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{page:WordSection1;}</style>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-84034806441511233802022-06-25T17:52:00.000+02:002022-06-25T17:52:28.604+02:00La croisière s'amuse<p style="text-align: right;"><span style="font-size: large;"> <br /><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNrzCIklO7bjGSp06NWujintRsffWYfelXDDro7iC11t39q0ie5LggLNGmhler_ULh2AGOw3dRAF7UsP3OiKsIAuSiPAzlbPeExmrIsNKOQSQwog9qkZ8Apz5a5kCNMx6_VTcvWrYodH1Y_PY1jlV9lbT4Ppfh42YcnQAOTHKIpRQN1NBaz6TeAX8lg/s1378/IMG_3446.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="916" data-original-width="1378" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNrzCIklO7bjGSp06NWujintRsffWYfelXDDro7iC11t39q0ie5LggLNGmhler_ULh2AGOw3dRAF7UsP3OiKsIAuSiPAzlbPeExmrIsNKOQSQwog9qkZ8Apz5a5kCNMx6_VTcvWrYodH1Y_PY1jlV9lbT4Ppfh42YcnQAOTHKIpRQN1NBaz6TeAX8lg/w643-h428/IMG_3446.jpg" width="643" /></a></div><p></p><p><span style="font-size: large;"> </span><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
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</p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">Quand André Hellé se pique de prendre la plume, c’est pour
inventer des histoires complètement farfelues, comme en témoigne cet album
fantaisiste qu’il livra, texte et images, aux éditions Berger-Levrault en 1933.
</span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"><i></i></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgH-ity9W4C5uXwzxscs6bZcoKHFaVi_4N-efsvj1wDyy6pJqt0VTKIac8S3ywXkW1ZS26ltjfHSyJXMxH3R96R-4AQSBEq05rFSlhywoXjiini3oRyHPQPzoRGBqGoLhICrSSp9LoPIz1roqrJxdBazm1173VDEH7XqW35LR1D8SJcnra6UfUZ3Cv6w/s1299/1%20couverture.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1299" data-original-width="1030" height="591" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgH-ity9W4C5uXwzxscs6bZcoKHFaVi_4N-efsvj1wDyy6pJqt0VTKIac8S3ywXkW1ZS26ltjfHSyJXMxH3R96R-4AQSBEq05rFSlhywoXjiini3oRyHPQPzoRGBqGoLhICrSSp9LoPIz1roqrJxdBazm1173VDEH7XqW35LR1D8SJcnra6UfUZ3Cv6w/w469-h591/1%20couverture.jpeg" width="469" /></a></i></span></div><p></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"><i><br />La Croisière des enfants</i> abonde en effet en situations
abracadabrantesques et raconte comment des parents (excédés) expédient leur
progéniture (indisciplinée) en « croisière de santé », sur un navire rafistolé
(un brick tiré par un âne et une paire de bœufs) commandé par un faux
capitaine, doublé d’un véritable escroc. Parti par voie terrestre de la place
de la Défense, « le Sartrouville » ainsi tracté, traversera la Sologne et le
Nivernais, escaladera le Massif central et bondira au-dessus du Languedoc pour
prendre enfin la mer au vieux port de Marseille, où il finira tout de même par
couler !</span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">L’argument n’a évidemment ni queue ni tête et se déploie, à
rythme soutenu, sur 15 chapitres entrecoupés (au moins au début) par des
couplets versifiés qui évoquent l’art de la comédie-vaudeville. On ne sait si
l’album rencontra son public enfantin, tant les péripéties excentriques embrouillent
et fatiguent le lecteur contemporain. Visiblement, le comique de situations
s’est épuisé avant d'arriver au XXIe siècle.<br /></span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyjzV8EI-eYyNtwsp7pQ6Igswr09U4T6jrub8MkclYg_9E_i4cyToMODP4MjlUlVYN9tZ5-x2f21dkqArUPjq_5GWIi9Z5HTHCbucGqzyGgFAnaOb1-eqrzOdBihy4R7C5tZiG02oSEbgGzNkbn20wg_ds7zXRToi9Q0X-ov5-QaZiZHCPBRjgbj3Jrw/s2008/2%20Pub.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1321" data-original-width="2008" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyjzV8EI-eYyNtwsp7pQ6Igswr09U4T6jrub8MkclYg_9E_i4cyToMODP4MjlUlVYN9tZ5-x2f21dkqArUPjq_5GWIi9Z5HTHCbucGqzyGgFAnaOb1-eqrzOdBihy4R7C5tZiG02oSEbgGzNkbn20wg_ds7zXRToi9Q0X-ov5-QaZiZHCPBRjgbj3Jrw/w642-h424/2%20Pub.jpg" width="642" /></a></span></p><p class="MsoNormal" style="text-align: justify;"><br /></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">Deux vrais-faux documents insérés dans le texte, nous
invitent cependant à entrer dans le jeu burlesque : la publicité honteusement
mensongère du capitaine Lecoin-Duquest (appréciez le jeu de mots) et le «Journal de bor» du jeune Janjan Mirlithonton (idem), naïvement illustré et
exagérément bourré de « fotes ». Il suffisait d’y croire, en 1933 !</span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">Un récent salon de bibliophilie nous révèle aujourd’hui
qu’André Hellé souhaita probablement donner une suite théâtrale à son album,
puisqu’il rédigea un « projet de présentation à la scène », sous forme d’un ravissant
livret in-8 oblong de 11 feuilles manuscrites, ornementées de vingt esquisses
et dessins originaux en couleur, ainsi que de diverses notes et indications à
l’encre noire sur les décors, les différents personnages et la mise en scène.
Le projet resta inabouti, mais laisse entrevoir de nouvelles pistes de recherche
autour de l’artiste. </span></p><span style="font-size: large;"></span><span style="font-size: large;"> <br /></span><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvIxKALo83YTFGgMjlnoC5oMmSIPmvSNVxtpnvLe1Ug0CTrRvfyQ-gCrB3kzA2_7cUyp6zRgyg87QVVlgQcStaZ7KK_ZrNHSIkHG6Cau9MLAuVuL_eahDjs5uIXVZogwc8whYZ5N8tszG1KpJiN0hDpJ33dPBEQXcoccO8erVLcCEPrHU-ArYJIHxWjQ/s3486/3%20Mise%20en%20sc%C3%A8nejpg.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2888" data-original-width="4028" height="414" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4LrG5sc2naeYj-ZEk0dNiW34m908VRM7RCJlhrvCXLB0XvEurx5geH9_SatLgPx03-rw4hboePP-zrAwBTeWchRtfuXkFkvHxWSQN4QA5XXVtkG6_DShLVhviRwDH0wEqWHxoCiiPP1AmFI1MLZBGUKeOoylW-jbTRBgrxtu67-OoAwlBg0nqJfijw/w578-h414/4%20Ier%20tableau.jpeg" width="578" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"> </span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><img border="0" data-original-height="2298" data-original-width="3486" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvIxKALo83YTFGgMjlnoC5oMmSIPmvSNVxtpnvLe1Ug0CTrRvfyQ-gCrB3kzA2_7cUyp6zRgyg87QVVlgQcStaZ7KK_ZrNHSIkHG6Cau9MLAuVuL_eahDjs5uIXVZogwc8whYZ5N8tszG1KpJiN0hDpJ33dPBEQXcoccO8erVLcCEPrHU-ArYJIHxWjQ/w579-h381/3%20Mise%20en%20sc%C3%A8nejpg.jpg" width="579" /></span></div><p></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><br /></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">BM & JD, juin 2022</span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><span style="font-size: large;">
</span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;">PS : Que la librairie Eric Grangeon Rare Books, détentrice du manuscrit, soit ici
remerciée d’avoir autorisé les photos jointes.</span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"> </span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6AiEIM1cII7CvYjzPboBIwF-1mfpdhflMQHqXa5NwtnpZEnw1WpNmaUqKNNYRdyzziy8yUSZ1R1P-wuio5Xn1dbTNf8OIwwmZl6NuBXmAsKvywkHmGdnxtjtEK3l6Q2RKotjHdcn_Q4VaEu41514mrHRaUbajzy7WdalO2-etRvciqU62IFJMfCZnCA/s3123/5%203e%20tableau.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2171" data-original-width="3123" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6AiEIM1cII7CvYjzPboBIwF-1mfpdhflMQHqXa5NwtnpZEnw1WpNmaUqKNNYRdyzziy8yUSZ1R1P-wuio5Xn1dbTNf8OIwwmZl6NuBXmAsKvywkHmGdnxtjtEK3l6Q2RKotjHdcn_Q4VaEu41514mrHRaUbajzy7WdalO2-etRvciqU62IFJMfCZnCA/w560-h389/5%203e%20tableau.jpg" width="560" /></a></span></div><span style="font-size: large;"><br /> </span><p></p><span style="font-size: large;">
</span>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-91714201016079710662021-11-15T22:30:00.000+01:002021-11-15T22:30:18.674+01:00<p style="text-align: justify;"><br /></p><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX0TIaqBEYmA84qOdxa9Ifkwe4byVY9jPLvXG7gsRpmZlL0CTyyQp_nSsWI8juGX6VjkeB8a8m0F9pj4BjoJbycsF-HGOykLOw9yewE7y2TKPPvJrWLElAcgk5iMkHzFAT_xD-3B1Qdi4/s640/2.Re-population+19.01+1907.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="480" height="724" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX0TIaqBEYmA84qOdxa9Ifkwe4byVY9jPLvXG7gsRpmZlL0CTyyQp_nSsWI8juGX6VjkeB8a8m0F9pj4BjoJbycsF-HGOykLOw9yewE7y2TKPPvJrWLElAcgk5iMkHzFAT_xD-3B1Qdi4/w543-h724/2.Re-population+19.01+1907.jpeg" width="543" /></a></div><br /><br /><p style="text-align: justify;"></p><p style="text-align: justify;"><span style="font-size: large;">Fondé à la Belle Epoque par Félix Juven, <b class="">Le Rire </b>se définissait lui-même comme le « premier journal <b class="">humouristique</b> (<em class="">sic</em>)
français, vraiment artistique et vraiment bon marché ». </span><span style="font-size: large;"><span style="font-size: large;">Effectivement, à</span> partir de
1894 l'hebdomadaire remporte un immense succès populaire
et attire les meilleurs illustrateurs-caricaturistes du temps, avec un
tirage dépassant souvent les 300.000 exemplaires : Steinlein, Caran
d'Ache, Toulouse-Lautrec, Forain, Léandre, Roubille etc... y feront
grincer bien des dents. </span></p><p style="text-align: justify;"><br /></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhghmXE4u1yXv-Fwmsoi3l9uQUw479iGMWuCk-9f08wFCqjgQZxLKF8fDXJAOOuZFjgF6PAw0q8AcddccR9y5gScSacXmT_Kp51G7BcC8sFFLoL7bjWQeCEq9ydyp87JNTE-L8-ZoJX-mI/s1600/1.Le+rire+19+01+1907.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1316" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhghmXE4u1yXv-Fwmsoi3l9uQUw479iGMWuCk-9f08wFCqjgQZxLKF8fDXJAOOuZFjgF6PAw0q8AcddccR9y5gScSacXmT_Kp51G7BcC8sFFLoL7bjWQeCEq9ydyp87JNTE-L8-ZoJX-mI/w324-h395/1.Le+rire+19+01+1907.jpg" width="324" /></a></p><p style="text-align: justify;"><span style="font-size: large;"> <br class="" />Moins
virulent que ses confrères, André Hellé y exerce sa verve comique dès
1899, et se gausse des moeurs contemporaines autant que des scandales
politiques, avec l'humour-bonhomme qui convient à son trait enfantin. Il
se distingue particulièrement dans les séquences polissonnes
qu'affectionne le journal, et c'est dans le numéro 207 du 19 janvier
1907, qu'il aborde le sujet de la <i class="">Repopulation - une histoire en un acte et sans paroles. </i>On
y voit un lit conjugal se transformer progressivement en chou maraîcher
et donner naissance, comme il se doit, à un bébé potelé.</span></p><p style="text-align: justify;"><br /></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-yWC6yImEzQuaghH6gafptes60iHwF7UeJ1DPI64-a1-EY6zMePTzN4lAMbiDkdWsmUm2fGgwEbxwg9-RX-dLoEue1UcgVqrBOxk45hdCST_WEwwHyp2cpNkS6nSyM5a5ePvEv9-UxQk/s1274/3.R%25C3%25A9duction+CPA+le+chou.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1274" data-original-width="876" height="673" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-yWC6yImEzQuaghH6gafptes60iHwF7UeJ1DPI64-a1-EY6zMePTzN4lAMbiDkdWsmUm2fGgwEbxwg9-RX-dLoEue1UcgVqrBOxk45hdCST_WEwwHyp2cpNkS6nSyM5a5ePvEv9-UxQk/w463-h673/3.R%25C3%25A9duction+CPA+le+chou.jpg" width="463" /></a></p><p style="text-align: justify;"><span style="font-size: large;"> </span></p><p style="text-align: justify;"><span style="font-size: large;">Le
sujet dut plaire au delà du journal, puisqu'il fut promptement ré-édité
par l'imprimeur-éditeur Kossuth, sous forme de carte postale en noir et
blanc, puis d'estampe colorisée (50 x 65 cm) que l'artiste re-baptisa
opportunément: <b class="">LE CHOU. </b>Il est fort probable qu'il calligraphia lui-même ce nouveau titre sur l'estampe, pour en augmenter l'impact visuel.</span></p><p style="text-align: justify;"><span style="font-size: large;">PS :
Merci à A.P de nous avoir communiqué la photo de l'estampe en question -
estampe qui trônait dans la chambre de son arrière grand-mère, pour son
plus grand amusement !</span></p><p style="text-align: justify;"><br /></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVb-2uE6B1KBAXusrjYYw9AFv7rRPXeY5lW2IckiiI2ngW-nn_RIz9Ni7T80v1EMCdOZA8syghzOK2z0xgH4qMgflrD9DvfjhCTJ1LoYFOpKxDtFLrF-TVGEbkA0eYV_o-5LBlcbcYQk/s1406/4.Estampe+LE+CHOU+Kossuth+Edit.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1406" data-original-width="1124" height="754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVb-2uE6B1KBAXusrjYYw9AFv7rRPXeY5lW2IckiiI2ngW-nn_RIz9Ni7T80v1EMCdOZA8syghzOK2z0xgH4qMgflrD9DvfjhCTJ1LoYFOpKxDtFLrF-TVGEbkA0eYV_o-5LBlcbcYQk/w603-h754/4.Estampe+LE+CHOU+Kossuth+Edit.jpeg" width="603" /></a></p><p style="text-align: justify;"><br /></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-85817376678317713032021-11-10T16:50:00.003+01:002021-11-15T21:46:04.026+01:00Art total<p><span style="font-size: large;"><span> </span></span></p><p style="text-align: center;"><span style="font-size: large;"><span> </span></span><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhvE2Fveh9iYh7yMf3OiTb53mlfPGXfXKaDsDnZuG_hoOZewIQISDmNLqp2qLgCD_tXhRq3YnskD0kVb5zeLtSAL6XKpfbHT8vF9aa8eKTxouzeGHCWkPXH_bYK81rE5rt5I1v5BSUBWQ/s2048/hell%25C3%25A9+meubles+Catal+special+e+be+nisterie-Printemps+1911.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1395" height="947" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhvE2Fveh9iYh7yMf3OiTb53mlfPGXfXKaDsDnZuG_hoOZewIQISDmNLqp2qLgCD_tXhRq3YnskD0kVb5zeLtSAL6XKpfbHT8vF9aa8eKTxouzeGHCWkPXH_bYK81rE5rt5I1v5BSUBWQ/w645-h947/hell%25C3%25A9+meubles+Catal+special+e+be+nisterie-Printemps+1911.jpg" width="645" /></a></i></p><p style="text-align: justify;"><span style="font-size: large;"><span><span style="font-size: large;"><span>Cette annonce figure dans le catalogue spécial ébénisterie du Printemps pour 1911. </span></span></span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span><span style="font-size: large;"><span> </span></span></span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span>Nous connaissions déjà ce dessin, mais la bibliothèque Forney vient la numériser dans une très bonne qualité. On y découvre au passage les dimensions et prix de ces meubles. </span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span> </span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span>On y redécouvre "l'art total" de Hellé, qui est le "designer" de l'ensemble de ces meubles, jouets, objets, gravure, et, pour boucler la boucle, auteur du visuel publicitaire !</span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span><br /></span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span>Pour mémoire, les deux autres versions connues, une gravure et le catalogue du Printemps en 1910.</span></span></p><p style="text-align: justify;"><span style="font-size: large;"><span><br /></span></span></p><p style="text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIaSE2IcZY6rMf9EHnXGz4JoIHClpm0oco4A9F6fre_dYSIMNNMfU1DoT5d9cyVcEMd3cko7yIIixnD8q_xFmWl1sK6bz2Hrd0lbC1BqmTOWrHe_oeocDwEDea2YRZlznRKc6mE1jOeok/s565/1910-Printemps+.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="480" height="673" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIaSE2IcZY6rMf9EHnXGz4JoIHClpm0oco4A9F6fre_dYSIMNNMfU1DoT5d9cyVcEMd3cko7yIIixnD8q_xFmWl1sK6bz2Hrd0lbC1BqmTOWrHe_oeocDwEDea2YRZlznRKc6mE1jOeok/w572-h673/1910-Printemps+.jpeg" width="572" /></a></span></p><p style="text-align: justify;"><span style="font-size: large;"><span></span></span></p><p style="text-align: justify;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHMyrOfSnpjzWE3ZJ-SWHdWZT3LRSPFH6KBWxwfADuyjvPC1RjAfRtWe_zh0r0SdKtdIRU6K1UW_2Dy99rRVO46L7dJte8PLliGPD6BOTplvqjrvzg_r9IJSY_PfbwR8TuwsyYQHeexo/s632/Litho+originale.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="632" height="439" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHMyrOfSnpjzWE3ZJ-SWHdWZT3LRSPFH6KBWxwfADuyjvPC1RjAfRtWe_zh0r0SdKtdIRU6K1UW_2Dy99rRVO46L7dJte8PLliGPD6BOTplvqjrvzg_r9IJSY_PfbwR8TuwsyYQHeexo/w578-h439/Litho+originale.jpeg" width="578" /></a></span></div><span style="font-size: large;"><br /><br /><span><br /></span></span><p></p><p><i></i></p><p><i> </i></p><p><i></i></p><br /><p></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-84537432090344926022021-06-23T15:14:00.002+02:002021-06-23T15:14:39.886+02:00Des manuscrits d'Hellé numérisés ! <p style="text-align: center;"><span style="font-size: large;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiawQ2b95SlcWGI7pscNT1qTS87rF-HR8XDXXRVtwBGBPzZjZMq_R3oT2tiv6v_PdhgB5RzpkeUO59nOSC4-Igb7XCD-waXvA8_4Pfk6yUZ1cqgVdnGzS1ekOl3tN6CJ217cKvgjpfbNQE/s1332/%2527Mik_et_Miquette_au_pays_%255B...%255DHell%25C3%25A9_Andr%25C3%25A9_btv1b55013889d.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1332" data-original-width="1024" height="650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiawQ2b95SlcWGI7pscNT1qTS87rF-HR8XDXXRVtwBGBPzZjZMq_R3oT2tiv6v_PdhgB5RzpkeUO59nOSC4-Igb7XCD-waXvA8_4Pfk6yUZ1cqgVdnGzS1ekOl3tN6CJ217cKvgjpfbNQE/w500-h650/%2527Mik_et_Miquette_au_pays_%255B...%255DHell%25C3%25A9_Andr%25C3%25A9_btv1b55013889d.JPEG" width="500" /></a></span></div><span style="font-size: large;"><br /></span><p></p><p style="text-align: center;"><span style="font-size: large;">Très bonne nouvelle,</span></p><p style="text-align: center;"><span style="font-size: large;">Gallica a mis en ligne, en accès libre et gratuit, </span></p><p style="text-align: center;"><b><span style="font-size: large;">deux très intéressants manuscrits d'Hellé, </span></b></p><p style="text-align: center;"><span style="font-size: large;">conservés par la bibliothèque de l'Heure joyeuse </span></p><p style="text-align: center;"><span style="font-size: large;">(médiathèque Françoise Sagan). </span></p><p><span style="font-size: large;"><br /></span></p><p><span style="font-size: large;">1 - <b><i>Maman... les petits bateaux...</i></b>, album imprimé, texte manuscrit et esquisses (l'ensemble relié par René Kieffer, comme la plupart des autres originaux des albums d'Hellé). </span></p><p><span style="font-size: large;"> </span></p><p><span style="font-size: large;"><a href="https://gallica.bnf.fr/ark:/12148/btv1b55013888z/f121.planchecontact" target="_blank">En ligne ici</a> </span><br /></p><p><span style="font-size: large;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhboyZk5AVS0VtAkPEAVs2BBDGXZWDb3oj4LlIJKMMkkL6XSNq7veKX-1XBBowPM7cjk9nLtwV6SeXE6nlW9l_G0-faHl86jqRRdn11tWdV-W-U5eIKFGKKE4sqdVe-ysCBUKJSkpk3ASs/s694/Maman...les+petits+bateaux...%252C+texte+et+dessins+par+Andr%25C3%25A9+Hell%25C3%25A9+2.++Gallica+-+Mozilla+Firefox.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="537" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhboyZk5AVS0VtAkPEAVs2BBDGXZWDb3oj4LlIJKMMkkL6XSNq7veKX-1XBBowPM7cjk9nLtwV6SeXE6nlW9l_G0-faHl86jqRRdn11tWdV-W-U5eIKFGKKE4sqdVe-ysCBUKJSkpk3ASs/s320/Maman...les+petits+bateaux...%252C+texte+et+dessins+par+Andr%25C3%25A9+Hell%25C3%25A9+2.++Gallica+-+Mozilla+Firefox.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTT05QzSF5U9qsaqcfTYkYj0TvxFJV7N8a5Be2MlpiQzPc3n9r4i8eTMv-i1yEuND8bg6rV8PePZ9M9XlkiB5EppvlcqnBGQ2zDkTdPinu0B6D_cRiXW7b1F54n9Q4P4EChUqDmOVRzOM/s555/Maman...les+petits+bateaux...%252C+texte+et+dessins+par+Andr%25C3%25A9+Hell%25C3%25A9.++Gallica+-+Mozilla+Firefox.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="530" data-original-width="555" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTT05QzSF5U9qsaqcfTYkYj0TvxFJV7N8a5Be2MlpiQzPc3n9r4i8eTMv-i1yEuND8bg6rV8PePZ9M9XlkiB5EppvlcqnBGQ2zDkTdPinu0B6D_cRiXW7b1F54n9Q4P4EChUqDmOVRzOM/w334-h319/Maman...les+petits+bateaux...%252C+texte+et+dessins+par+Andr%25C3%25A9+Hell%25C3%25A9.++Gallica+-+Mozilla+Firefox.jpg" width="334" /></a></div><br /><br /><p><span style="font-size: large;"><br /></span></p><p><span style="font-size: large;">2 - <b><i>Mik et Miquette au pays des songes</i></b>, dans lequel Hellé reprend toute sa thématique du pays des jouets. Cet album n'a jamais été publié, il est inédit ! </span></p><p><span style="font-size: large;"> </span></p><p><span style="font-size: large;"><a href="https://gallica.bnf.fr/ark:/12148/btv1b55013889d/f11.planchecontact" target="_blank">En ligne ici</a></span></p><p><span style="font-size: large;"> </span></p><p><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj10CF06FSCGsECUsRaTr1752BMiCHBe-qIF_YFb8RuktiVZEK3-FYiXAYTyBoG-j3avkoPINC3_kuow5jMQXttZLFG3nfqbXYSMcpWCjfcJEpolaier2NiZIpVtMmmyM7BTDwrG6dVdIw/s1371/%2527Mik_et_Miquette_au_pays_%255B...%255DHell%25C3%25A9_Andr%25C3%25A9_btv1b55013889d2.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1371" data-original-width="1024" height="727" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj10CF06FSCGsECUsRaTr1752BMiCHBe-qIF_YFb8RuktiVZEK3-FYiXAYTyBoG-j3avkoPINC3_kuow5jMQXttZLFG3nfqbXYSMcpWCjfcJEpolaier2NiZIpVtMmmyM7BTDwrG6dVdIw/w543-h727/%2527Mik_et_Miquette_au_pays_%255B...%255DHell%25C3%25A9_Andr%25C3%25A9_btv1b55013889d2.JPEG" width="543" /></a></span></div><span style="font-size: large;"><br /> <br /></span><p></p><p><br /></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-32157252636384597932021-06-23T13:25:00.003+02:002021-06-23T13:25:28.234+02:00Hellé et la Commune<p> </p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgddaWfl9PyWQg4g08beW5dCPTO2m_oYD5zo4iM5ltOl00PHitaNWh9KJVFLlm0EzfKInnX2May1nnkddylvOKHrEdXOOYG8T_plvHakqIwp4K4KWHF8NTGqhnRldBYCSpCjGrBfjSADA4/s749/Ribambelles+et+Ribambins+La+commune+de+Paris+vue+par+Andr%25C3%25A9+Hell%25C3%25A9.+-+Mozilla+Firefox.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="749" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgddaWfl9PyWQg4g08beW5dCPTO2m_oYD5zo4iM5ltOl00PHitaNWh9KJVFLlm0EzfKInnX2May1nnkddylvOKHrEdXOOYG8T_plvHakqIwp4K4KWHF8NTGqhnRldBYCSpCjGrBfjSADA4/w455-h375/Ribambelles+et+Ribambins+La+commune+de+Paris+vue+par+Andr%25C3%25A9+Hell%25C3%25A9.+-+Mozilla+Firefox.jpg" width="455" /></a></div><br /><p></p><p> </p><p style="text-align: center;"><span style="font-size: x-large;">En cette année anniversaire, intéressant rappel de l'excellent blog Ribambelles & Ribambins : </span></p><p style="text-align: center;"><span style="font-size: x-large;"><br /></span></p><p style="text-align: center;"><span style="font-size: x-large;">La Commune de Paris racontée par Hellé dans ses "Souvenirs d'un petit garçon". </span></p><p style="text-align: center;"><span style="font-size: x-large;"><br /></span></p><p style="text-align: center;"><span style="font-size: x-large;"><a href="http://www.ribambins.net/2021/03/la-commune-de-paris-vue-par-andre-helle.html">En ligne ici</a></span></p><p style="text-align: center;"><span style="font-size: x-large;"> </span></p><p style="text-align: center;"><span style="font-size: x-large;"> </span><br /></p><p> </p><p><br /></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-84678956281765272682021-03-25T16:24:00.002+01:002021-03-26T20:12:39.182+01:00Economisons le papier ! <div style="text-align: justify;"><br /></div><p style="text-align: center;"><span style="font-size: large;"><span class="Apple-style-span_sandBox"> </span></span><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7mGdIkk0hfv7NcR83kcL6MDXLTI0-JDJyOHFnkkzN9fnlvvpRRoeX7YDFscrGUI-7Cf-VfhM9TLT6zJgIMkaee7pYkpnC7V_2LAdjrhuCx_B7LSJuUohfCHmgxpEqxgOtZZI4HHNF474/s448/1+image+C.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="291" data-original-width="448" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7mGdIkk0hfv7NcR83kcL6MDXLTI0-JDJyOHFnkkzN9fnlvvpRRoeX7YDFscrGUI-7Cf-VfhM9TLT6zJgIMkaee7pYkpnC7V_2LAdjrhuCx_B7LSJuUohfCHmgxpEqxgOtZZI4HHNF474/w633-h412/1+image+C.jpg" width="633" /></a></div><br /><p style="text-align: left;"><span style="font-size: large;"><span class="Apple-style-span_sandBox"></span></span></p><p style="text-align: left;"><span style="font-size: large;"><span class="Apple-style-span_sandBox"> </span></span><span style="font-size: large;"><span class="Apple-style-span_sandBox"> </span></span></p><p style="text-align: left;"><span style="font-size: large;"><span class="Apple-style-span_sandBox">Six images de restriction de la Grande guerre</span></span></p><div style="text-align: left;"><h2><span style="font-size: large;"><span class="Apple-style-span_sandBox"><span class="Apple-tab-span_sandBox" style="white-space: pre;"></span> par André Hellé</span></span></h2></div><div style="text-align: left;"><span style="font-size: large;"><span class="Apple-style-span_sandBox"><br /></span></span></div><div style="text-align: left;"><div style="text-align: justify;"><span style="font-size: large;"> Selon leur dénomination ultérieure, ces six "images de propagande"<span class="Apple-style-span_sandBox"> (1</span>)
furent commandées à l'illustrateur André Hellé par le Ministère de
l'instruction publique, en vue d'une distribution en milieu scolaire. De
fait, elles relevaient bien davantage des "mesures de restriction", qui
encourageaient l'ensemble de la population française à se plier aux
économies de guerre, imposées par le premier conflit mondial. </span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZ_Z8K0x4hc7czvk0grXJR3v0nCcxW4KG5OGxcT1_31ztzJsJ6njiqocmNrJzHgCHsG6DYZV0LHt8FtqgTkjwcVns5RLaYOU1LMU2Y433Ke3O93Pl081Ygk5hVNfSVVmhcJqBVjbBiWM/s420/2+images+B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="420" height="459" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZ_Z8K0x4hc7czvk0grXJR3v0nCcxW4KG5OGxcT1_31ztzJsJ6njiqocmNrJzHgCHsG6DYZV0LHt8FtqgTkjwcVns5RLaYOU1LMU2Y433Ke3O93Pl081Ygk5hVNfSVVmhcJqBVjbBiWM/w612-h459/2+images+B.jpg" width="612" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAplQMkpw1knoDxlxWHhMGGdN2B00qYKGF_oxrRqlOq6pqpSecQgbQZ_EV0S8qJwZRT-lfbaenHNeDBLeEZKrbany32dbUtzFBnBPzhZP21aYlHmZ5XoW9a9uDhcVttUIANZMpvXKVY4/s413/2+images+A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="310" data-original-width="413" height="453" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAplQMkpw1knoDxlxWHhMGGdN2B00qYKGF_oxrRqlOq6pqpSecQgbQZ_EV0S8qJwZRT-lfbaenHNeDBLeEZKrbany32dbUtzFBnBPzhZP21aYlHmZ5XoW9a9uDhcVttUIANZMpvXKVY4/w604-h453/2+images+A.jpg" width="604" /></a></div><br /><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhADKFeqHxVxHWAi_bO9lgEq6mOF_mvljOeqP2MbuFYao3ji0VOLufozoAMAnXhAkxfmxWqZ2T20jhBagWBmOGzItd37kelAH4142mlFiFIH54R3Q435O_3RfkaHhOlAToWJXYuQup5cnA/s454/Image+D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="291" data-original-width="454" height="383" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhADKFeqHxVxHWAi_bO9lgEq6mOF_mvljOeqP2MbuFYao3ji0VOLufozoAMAnXhAkxfmxWqZ2T20jhBagWBmOGzItd37kelAH4142mlFiFIH54R3Q435O_3RfkaHhOlAToWJXYuQup5cnA/w598-h383/Image+D.jpg" width="598" /></a></div></span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;">
Dès la rentrée 1914, les écoliers avaient dûment été associés à
l'organisation d'une propagande de guerre, par le prisme de leurs
loisirs (jouets, dessins, albums, périodiques), de leurs travaux
scolaires (la guerre est désormais inscrite au cœur de leur
programme), et de leurs devoirs patriotiques (levées de fonds, haine de
l'envahisseur, héroïsation de l'enfant-soldat). </span></div><div><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;"> L'école devient rapidement "l'un des vecteurs privilégiés de la mobilisation intellectuelle et morale de l'enfance"<span class="Apple-style-span_sandBox"> (2). L</span>'intégration des plus jeunes à l'effort de guerre passe également par
les difficultés matérielles et les commandements économiques du monde
adulte. Les consignes véhiculées par ces six images en attestent : </span></div><div style="text-align: justify;"><span style="font-size: large;"><i style="font-weight: bold;"> </i></span></div><div style="margin-left: 40px; text-align: justify;"><span style="font-size: large;"><i style="font-weight: bold;">Pour
vivre le mieux possible, produisons le plus possible - Récoltons les
plantes médicinales, les fruits, les légumes - Travaillons beaucoup,
parlons peu - Réservons les transports pour le front, et ne faisons
venir que l'indispensable - Économisons le papier neuf, Revendons le
papier vieux - Ne laissons perdre ni les bouteilles, ni la ferraille. </i> </span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;"> Nous noterons que ces conseils d'un autre temps, prennent de nos jours, une couleur singulièrement écologique !</span></div><div><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;"> Editées par Berger-Levrault à Nancy, sans datation aucune, ces images aux dessins naïfs et aux couleurs chatoyantes<span class="Apple-style-span_sandBox"> (3</span>) étaient souvent décrites comme des "cartes postales" par les vendeurs
professionnels (carte de 14 x 9 cm), alors même que leur dos muet,
n'indiquait aucune trace de circulation. Ce n'est que récemment que
l'une d'elle, de format identique (voir ci-dessous), afficha le dos
imprimé d'une véritable carte postale, ayant circulé le 17 août 1915. L'exemple
reste unique dans nos archives, mais démontre que de telles cartes
postales furent utilisées pour la correspondance militaire et civile à
partir de 1915, en même temps qu'elles furent distribuées, en quantité
plus conséquente et de manière plus réitérée, dans le cadre scolaire.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;">NB : Nous continuons parallèlement de rechercher "les assiettes pour
enfants, du temps des restrictions", présentées par Hellé à la <i>Société Nationale des Beaux Arts <span class="Apple-style-span_sandBox">1</span></i> (SNBA)
en 1919, dont nous avons toute raison de penser qu'elles présentaient
en leur centre, les mêmes motifs illustrés. Un collectionneur
d'assiettes parlantes, saura-t-il nous le confirmer ? </span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div><div style="text-align: justify;"><span style="font-size: large;"><span class="Apple-tab-span_sandBox" style="white-space: pre;"></span>B. M.</span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"> <span class="Apple-tab-span_sandBox" style="white-space: pre;"></span> - Carte postale manuscrite, verso et recto, 17 septembre 1915 </span></div><div><span style="font-size: large;"> </span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPV6Dg8BRNc0OmpQDHnT6bwBL_bBnfEhdQAz_VW8aJWnbURiMXdtbzNpX8zFb9GH_S59cIa9TgHK779S5g-hVS4RV2LiUBTOiH-7buebwYtxDnGHOJuPQ1giEyJz-vBPzyZGUJjMMeq90/s2048/CPA+circul%25C3%25A9e.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1588" data-original-width="2048" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPV6Dg8BRNc0OmpQDHnT6bwBL_bBnfEhdQAz_VW8aJWnbURiMXdtbzNpX8zFb9GH_S59cIa9TgHK779S5g-hVS4RV2LiUBTOiH-7buebwYtxDnGHOJuPQ1giEyJz-vBPzyZGUJjMMeq90/w606-h470/CPA+circul%25C3%25A9e.jpeg" width="606" /></a></div><br /><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div><div><span style="font-size: large;"><span class="Apple-tab-span_sandBox" style="white-space: pre;"></span><span class="Apple-style-span_sandBox" style="color: #203af9;">NOTES :</span></span></div><div><span style="font-size: large;"><span class="Apple-style-span_sandBox" style="color: #203af9;"> </span></span></div><div style="text-align: justify;"><span style="font-size: large;">1)
Ces images (n° 3008) furent officiellement présentées au salon de la
SNBA en 1919. Les assiettes parlantes apparaissent sous le numéro
suivant : <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAiVn12yfSb5zimyFd8oS_lk-y5WsgcC8keP6twYi8xcJLAKMaTy_wXT0eBozDBfr121yvQdTVO6fo1eNMGtp67e5UrRCx-vj2HmCjRrAGA-0U3k8S7AfScanm81egthHjtUTySlsSsZo/s506/B+dico+Dugnat-Sanchez-graveur-ill-aff+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="38" data-original-width="506" height="48" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAiVn12yfSb5zimyFd8oS_lk-y5WsgcC8keP6twYi8xcJLAKMaTy_wXT0eBozDBfr121yvQdTVO6fo1eNMGtp67e5UrRCx-vj2HmCjRrAGA-0U3k8S7AfScanm81egthHjtUTySlsSsZo/w641-h48/B+dico+Dugnat-Sanchez-graveur-ill-aff+.jpg" width="641" /></a></div></span></div></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;">2) </span><span style="font-size: large;"><span style="font-size: large;">Stéphane Audouin-Rouzeau,</span><i> La guerre des enfants 1914-1918</i>, Armand Colin, 2004.</span></div></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;">3)
D'importantes variations de coloris (couleurs pâles ou vives), et de
support papier (grammage plus ou moins épais) indiquent qu'il y eut
plusieurs impressions de cette série d'images, et que leur diffusion se
prolongea probablement dans les écoles, de 1915 jusqu'à l'après-guerre
en 1919.</span></div><div style="text-align: justify;"><span style="font-size: large;"> </span></div>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-38203267519809341302021-01-02T12:23:00.005+01:002021-01-02T12:23:52.117+01:00Souvenir du 1er janvier 2021<p style="text-align: center;"><span style="font-size: large;"> </span></p><p style="text-align: center;"><span style="font-size: large;">Il y a près de 120 ans, </span></p><p style="text-align: center;"><span style="font-size: large;">André Hellé imaginait avec humour un réveillon médicalisé... </span></p><p style="text-align: center;"><span style="font-size: large;">Nous vous souhaitons une très belle année 2021,</span></p><p style="text-align: center;"><span style="font-size: large;"> une bonne santé et de jolies découvertes ! <br /></span></p><p style="text-align: center;"><span style="font-size: large;"> </span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9B97rJvKtQrtibt9UmiUSZCZxf51MrMqrcj_85cMtnxaN38_edkHr6hkggN4Ua1cmH6fmhh7hCI5kJ87WEyTRwKFyEtJhxLymFK8CawlYn6s1OqF99lTt_hlDwe3XCspGa6NnzonEoI/s1258/hell%25C3%25A9+1er+janvier.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1258" data-original-width="933" height="779" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9B97rJvKtQrtibt9UmiUSZCZxf51MrMqrcj_85cMtnxaN38_edkHr6hkggN4Ua1cmH6fmhh7hCI5kJ87WEyTRwKFyEtJhxLymFK8CawlYn6s1OqF99lTt_hlDwe3XCspGa6NnzonEoI/w576-h779/hell%25C3%25A9+1er+janvier.jpg" width="576" /></a></span></div><span style="font-size: large;"><br /> </span><p></p><p style="text-align: center;"><span style="font-size: large;"> <br /></span></p><p style="text-align: center;"><span style="font-size: large;"> </span><br /></p>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-16875207344416318542020-12-22T16:50:00.003+01:002020-12-22T16:50:42.983+01:00Le soldat et la poupée... <p><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;">INSPIRATIONS CROISEES</span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> de <i>Casse-Noisette</i> à <i>Petrouchka </i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"><i> </i>et du <i>Roman d’une poupée</i> à <i>La Boîte à Joujoux.</i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"><i> </i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEMs4UxbkCQFd-pYQPUU7bgCS7dP6bthAmgePo0pn3j1AJxdSRdnfS1n1IkM9LCB-ZASkayj8Z6uA1qcq90l0SgQuD8D4MTs441JdG-kKZcrZQENSDqc0QRSsgyOjYizuM5LMmjd0DaIc/s2048/1%2529+A+Couv+Roman+poup%25C3%25A9e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1592" data-original-width="2048" height="459" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEMs4UxbkCQFd-pYQPUU7bgCS7dP6bthAmgePo0pn3j1AJxdSRdnfS1n1IkM9LCB-ZASkayj8Z6uA1qcq90l0SgQuD8D4MTs441JdG-kKZcrZQENSDqc0QRSsgyOjYizuM5LMmjd0DaIc/w591-h459/1%2529+A+Couv+Roman+poup%25C3%25A9e.jpg" width="591" /></a></span></span></div><span style="font-family: georgia;"><span style="font-size: large;"><br /></span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>C’est en découvrant <i>Le roman d’une poupée</i>, un livret musical de 1906 signé d’un certain
Théodore Lack, qu’il nous sembla reconnaître en pointillés, le scénario du
ballet<i> La Boîte à Joujoux</i><sup>1</sup><i>,</i> créé et mis en images par André Hellé
en 1912, puis mis en musique par Claude Debussy aux prémices de la Grande
guerre. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjy0h4993xKBQZDThXs0_DPlchOfjaZFsmWzbBQxR21NO_4m1tJU6YkTDYIMB2UyDyRmwJdDee0sdz9zSQ_MRXoeG8fVVxGXvj7QDmI7UDx2_ZHEmrOjmZafKuG8vXMWUuwnruwmgCqp4/s1392/1%2529+B+Couv+B%25C3%25A0J.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="729" data-original-width="1392" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjy0h4993xKBQZDThXs0_DPlchOfjaZFsmWzbBQxR21NO_4m1tJU6YkTDYIMB2UyDyRmwJdDee0sdz9zSQ_MRXoeG8fVVxGXvj7QDmI7UDx2_ZHEmrOjmZafKuG8vXMWUuwnruwmgCqp4/w558-h293/1%2529+B+Couv+B%25C3%25A0J.jpg" width="558" /></a></span></span></div><span style="font-family: georgia;"><span style="font-size: large;"> </span><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>En 1912, Hellé venait justement de s’associer
à une joyeuse comédie de mœurs - la bien nommée revue <i>Mille neuf cent douze</i> - pour laquelle il avait composé un des
décors les plus kitsch : un gourbi marocain de carton-pâte <i><sup>2</sup></i>. </span></span></p><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> <br /></span></span></p><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1XrqXOMjl0crgLieVFXpjHrh-J5aDSXXUOan9SD01lIbl4dC7byDV7BmQU0FEY8IaCtY8lgZk6XJJcfo1z2YXwJFe1COgJ0NUKvkmUgGibRhw1RG_j0UCKZN4MetOrRKFYa8HSDX_dPU/s1894/2%2529+D%25C3%25A9cor+Revue+1912.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1447" data-original-width="1894" height="411" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1XrqXOMjl0crgLieVFXpjHrh-J5aDSXXUOan9SD01lIbl4dC7byDV7BmQU0FEY8IaCtY8lgZk6XJJcfo1z2YXwJFe1COgJ0NUKvkmUgGibRhw1RG_j0UCKZN4MetOrRKFYa8HSDX_dPU/w540-h411/2%2529+D%25C3%25A9cor+Revue+1912.jpeg" width="540" /></a></span></span></p><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggv5ANamIOAqz3rdab7uOQWEnuDwXwW6IR806rIGXCXUTd7fhXLaqSfQLg3lGW23roU4mK-JZgqEr-613uv6HHaU3k_-PYBn3vhRL8nvpamBH2OzoQ4JDUmEkt-bibvDqaXGE7eRcWa74/s1268/Affiche+Carl%25C3%25A8gle+1912.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="978" data-original-width="1268" height="417" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggv5ANamIOAqz3rdab7uOQWEnuDwXwW6IR806rIGXCXUTd7fhXLaqSfQLg3lGW23roU4mK-JZgqEr-613uv6HHaU3k_-PYBn3vhRL8nvpamBH2OzoQ4JDUmEkt-bibvDqaXGE7eRcWa74/w540-h417/Affiche+Carl%25C3%25A8gle+1912.jpg" width="540" /></a></span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">Il entrevoyait déjà une
carrière de costumier décorateur de théâtre, et dans ce contexte, avait
imaginé, un petit divertissement, mettant en scène « une poupée, un soldat
de bois et quelques jouets d’enfants ». La suite des évènements nous est
désormais familière, ainsi que l’intérêt inattendu du grand musicien pour ce
sujet enfantin, destiné à régaler Chouchou, sa fillette de 7 ans. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>Le thème des jouets qui s’animent à la nuit
tombée, n’est pas une idée originale de l’illustrateur. Bien au contraire… Depuis
le XIXe siècle, c’est l’un des ressorts récurrents de la littérature jeunesse,
qui encourage les poupées à écrire leurs mémoires, les casse-noisettes<i> </i>à déclarer la guerre au roi des souris,
et le<i> </i>vaillant soldat de plomb<i> </i>à s’enticher d’une danseuse en jupon
transparent<sup>3</sup>. Cette même fascination pour le royaume des jouets,
s’incarnait parallèlement dans le monde du ballet féerie, avec la vogue des
spectacles de pantins et marionnettes, amorcée en 1892 par le célèbre <i>Casse-noisette</i> de Tchaïkovsky, et
relancée en ce premier quart de XXe siècle, par l’étincelant <i>Petrouchka</i> d’Igor Stravinsky, qui fit si
grande impression sur Debussy lui-même. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><br /></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxP4T01QgaIYuk7DbawNv7L5V8JF2wJWmiNct531GdGUf4igy0vP0J3G8k6ohnPJnXfN5PRdMlV-9MxeSujZ-GkSu0CU13jhyB2zI52pWu8mR_oNnVvsZSckzt1rxuxUrtWp2pPFP3BbE/s1000/3%2529+A+Sc%25C3%25A9ne+du+ballet+Casse+noisette+1892+1892copie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="1000" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxP4T01QgaIYuk7DbawNv7L5V8JF2wJWmiNct531GdGUf4igy0vP0J3G8k6ohnPJnXfN5PRdMlV-9MxeSujZ-GkSu0CU13jhyB2zI52pWu8mR_oNnVvsZSckzt1rxuxUrtWp2pPFP3BbE/w612-h428/3%2529+A+Sc%25C3%25A9ne+du+ballet+Casse+noisette+1892+1892copie.jpg" width="612" /></a></span></span></p><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWspBUJkABDp0aeYuZAWELEs9WrUECYS6efJECV8AXSc7QFK9Fv5_1gUvPMr_9H_XmGTlhojm4QPWF9x6qQBaViHbihi9NoQZ5CtPeM-4eHEdbvTaVBY_A7cH8p9FjYAv9hfXuoZMIVE/s1187/3%2529+B+Nijinski-Petrouchka+1911.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1187" data-original-width="768" height="609" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWspBUJkABDp0aeYuZAWELEs9WrUECYS6efJECV8AXSc7QFK9Fv5_1gUvPMr_9H_XmGTlhojm4QPWF9x6qQBaViHbihi9NoQZ5CtPeM-4eHEdbvTaVBY_A7cH8p9FjYAv9hfXuoZMIVE/w394-h609/3%2529+B+Nijinski-Petrouchka+1911.jpg" width="394" /></a> </span></span></p><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span><span style="font-size: x-small;">Scène du ballet Casse Noisette, théâtre
Mariinsky, St Pétersbourg 1892</span><span style="font-size: x-small;">
</span></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: x-small;">Nijinski dans le rôle
de Pétrouchka, Théâtre du châtelet, Paris 1911</span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> <br /></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>Contentons-nous dans un premier temps, de
relever les ressemblances entre les livrets de MM. Lack et Hellé, en
nous penchant plus précisément sur l’illustration et l’intrigue, puisque le
versant musical n’est pas de notre ressort. Si la lecture de certains ouvrages
spécialisés nous apprend que Th. Lack livre ici d’amusants pastiches musicaux,
et que C. Debussy se plaît à truffer sa partition de comptines enfantines et de
parodies d’opéras connus ; nous attendrons de recueillir l’avis d’un
musicien averti pour aller plus avant, et lançons donc un appel à
contribution ! </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"><i><br /></i></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><br /><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjQuXeny0z-VqXDlGAKfc0nkZRiCj8ZJV9YQMAqkaHOIY-3S7varfXDZ4RkfDsy2xXYkxeV8POHoSEGwJ3cDRMRgqJGAR9B9WNZr05tKu_B1F315baf2hhyphenhyphen1-P-X-OqBTS8ojNb_mSOlM/s2836/4%2529+La+noce+.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1109" data-original-width="2836" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjQuXeny0z-VqXDlGAKfc0nkZRiCj8ZJV9YQMAqkaHOIY-3S7varfXDZ4RkfDsy2xXYkxeV8POHoSEGwJ3cDRMRgqJGAR9B9WNZr05tKu_B1F315baf2hhyphenhyphen1-P-X-OqBTS8ojNb_mSOlM/w611-h238/4%2529+La+noce+.jpg" width="611" /></a></i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"><i><span></span></i></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPgF5awuHAkgKIekWMjVrlWEyotngvN3SzQ_q_bKiC8ihyphenhyphenWc-oSlQibHCSJtH2q7T855utZtxsu6nZqK4cJULc0k-uyDYc4o2PRtzqy-fnR-AlQWDvtir_0ZfrsRHS4uuvqNd0z6KntTg/s2836/5%2529+La+noce+bis.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1109" data-original-width="2836" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPgF5awuHAkgKIekWMjVrlWEyotngvN3SzQ_q_bKiC8ihyphenhyphenWc-oSlQibHCSJtH2q7T855utZtxsu6nZqK4cJULc0k-uyDYc4o2PRtzqy-fnR-AlQWDvtir_0ZfrsRHS4uuvqNd0z6KntTg/w610-h238/5%2529+La+noce+bis.jpg" width="610" /></a><br /></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: center; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span><span style="font-size: large;"><span></span> <span style="font-size: x-small;">Les jouets vont à la noce, Le roman d’une
poupée, ill. Yvonne Lack, 1906</span></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">L’auteur
du <i>Roman d’une Poupée </i>- Théodore Lack
(1846-1921) - est un musicien prolixe, professeur au Conservatoire de Paris,
qui se fit essentiellement connaître pour ses recueils de partitions pour
débutants, dont une fameuse <i>Méthode
élémentaire de piano</i> en 1909, pour laquelle Debussy (tiens, tiens ?)
composa un morceau<sup> </sup>fort reconnaissable<sup>4</sup>. Les dessins de
jouets, qui ornent plaisamment le fascicule, sont de la main de sa fille
Suzanne Lack, nommément citée en première de couverture. Celle-ci s’inspire
d’évidence des jouets disponibles dans les magasins de l’époque : quelques
jouets français évidemment (Polichinelle, cheval-jupon, marotte à <span> </span>grelots, diable en boîte, poupart de Villers
Cotteret<sup>6</sup> etc.), mais aussi jouets populaires allemands de bois
tourné (poupée tourniquet, cavalier à cheval sur planche à roulettes, arbre conique,
danseurs montés sur crin, soldats de Nuremberg, etc.), ceux-là même qui
abonderont dans toute l’œuvre d’ André Hellé : de ses premiers dessins de
presse, aux albums pour enfants, jusqu’aux jouets d’artiste. Si leur
représentation graphique diffère grandement d’un livret à l’autre, les sujets,
eux, sont absolument identiques. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2KLUagsjcXLn8E3Jk4rN9kH9c23gzR_7WBu6OifZlsIuUjqmtoWSyGe3cvhV0HEm-jp9kF5JIrYLBbtiUF0b2Y-E22I25ouZEMa8b6WHkXLWqXzxWgP_Lbe0JPAamwZnY005cLEHcZ74/s2048/6%2529+Mi-car%25C3%25AAme+des+Joujoux.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1962" height="626" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2KLUagsjcXLn8E3Jk4rN9kH9c23gzR_7WBu6OifZlsIuUjqmtoWSyGe3cvhV0HEm-jp9kF5JIrYLBbtiUF0b2Y-E22I25ouZEMa8b6WHkXLWqXzxWgP_Lbe0JPAamwZnY005cLEHcZ74/w600-h626/6%2529+Mi-car%25C3%25AAme+des+Joujoux.jpeg" width="600" /></a><br /></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">En
bon professionnel du dessin, Hellé les stylise, les interprète à sa tendre
mesure, et les anime avec humour, au gré des situations. De 1910 jusqu’à sa
mort (1945), il les matérialisera avec succès, dans une série de jouets de bois
tourné<sup>5</sup>, qui séduiront nombre de catalogues de Noël et d’étrennes. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>De son côté, Mlle Lack (27 ans), dont nous
devinons rapidement « le joli coup de crayon », s’attache à
reproduire les mêmes jouets de façon plus réaliste, presque scolairement en
respectant leurs véritables dimensions et leur raideur originelle de bouts de
bois. C’est avec une charmante naïveté, et une honnête application, qu’elle
décore la partition paternelle, mais reste bien en deçà de la patte d’un
professionnel de l’illustration. </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMGMkhM60NG7Zpa96LqqXj4XaPcIOCaaj1WkHdHt7yIGxaHjmvuylwsvEaMSbJBqcVB6pd9zuXuwqQy9itsfIwhNuIhFQ1fPRUpgUF7G3A_PBqNodNix03fRSnC_fyBPz_7GYchG2ZxxU/s610/7%2529+valse+tricolore.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="607" data-original-width="610" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMGMkhM60NG7Zpa96LqqXj4XaPcIOCaaj1WkHdHt7yIGxaHjmvuylwsvEaMSbJBqcVB6pd9zuXuwqQy9itsfIwhNuIhFQ1fPRUpgUF7G3A_PBqNodNix03fRSnC_fyBPz_7GYchG2ZxxU/w491-h488/7%2529+valse+tricolore.jpeg" width="491" /></a><br /></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><i><span>
</span></i>L’avertissement qui précède la partition de M. Lack,
préfigure clairement, le prologue qu’écrira Hellé six ans plus tard pour <i>La boîte à joujoux</i>. Jugez par vous-même : </span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">1)
Lack : <i>« L’histoire que je vais vous
raconter, se passe dans ces palais enchantés que vous connaissez tous bien, et
qu’on appelle un magasin de jouets. Au milieu de mille merveilles, un beau
capitaine et une adorable petite poupée provoquaient l’admiration. » </i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">2)
Hellé : « <i>Cette histoire s’est
passée dans une boîte à joujoux. Les boîtes à joujoux sont en effet des sortes
de villes dans lesquelles les jouets vivent comme des personnes […] des poupées
dansaient, un soldat vit l’une d’elles et en devint amoureux. </i>» </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span>S’ensuit dans les deux cas, l’inévitable
romance entre le soldat et la poupée. Le premier scénario voit le capitaine « Sabre
au clair » s’éprendre d’une poupée sentimentale - la princesse Myosotis - qu’il
épouse sur-le-champ. Leur bébé n’est pas sitôt baptisé, que le magasin de
jouets se transforme en vaste champ de bataille, où le capitaine vient à mourir
en héros, emporté par un boulet de canon, « <i>presque aussi gros qu’un petit pois de Clamart </i>» ! Un
bouquet de « myosotis séché »<sup> </sup>sera retrouvé sur place. En
apprenant la funeste nouvelle, Mme Sabre-au-clair et sa fifille tombent à la
renverse et se brisent en 1000 morceaux. Tout le peuple des joujoux se réunit
alors pour suivre les funérailles, au rythme d’une marche funèbre,
« sombre et triste » précise le livret ! </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi11mpWLrsXJ9hyphenhyphenLZUX3bpTz5-6_AbJz62VuTx7Go8XGizh-7Dc66h8ylOQ3z5bE_NfQHdS5KcMMOUDi2ZwBqMGWd3Kk9y0_qmYP2OUk6GXvZWvmYasnTSQLqM6vEd8e5o95wiD_e3iEvY/s1990/8%2529+convoi+fun%25C3%25A9raire.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="1990" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi11mpWLrsXJ9hyphenhyphenLZUX3bpTz5-6_AbJz62VuTx7Go8XGizh-7Dc66h8ylOQ3z5bE_NfQHdS5KcMMOUDi2ZwBqMGWd3Kk9y0_qmYP2OUk6GXvZWvmYasnTSQLqM6vEd8e5o95wiD_e3iEvY/w621-h232/8%2529+convoi+fun%25C3%25A9raire.jpeg" width="621" /></a></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span> </span><span> </span>Hormis
quelques séquences anecdotiques, et une « happy end » diamétralement
opposée à la précédente, le schéma de <i>La
Boîte à joujoux</i> se découpe quasiment de la même façon : </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">1)
réveil des jouets à la nuit venue, </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">2)
naissance du sentiment amoureux entre un soldat et une poupée, </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">3)
guéguerre entre belligérants à coups de boulet-petits pois, </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">4)
une fleur comme gage de l’amour pur (myosotis/rose). </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">La
conclusion faussement dramatique de Th. Lack (les jouets finissent toujours par
casser, c’est bien connu !), se transforme en retraite plus consensuelle chez
A. Hellé, qui choisit de projeter son couple d’amoureux, 20 ans après, dans un
confortable chalet : le soldat « en barbe blanche » tenant à la
main une rose séchée (rappel du myosotis séché ?), et la poupée « considérablement
grossie », étant entourée d’une nichée de mouflets. <i>Ainsi va la vie dans la boîte à Joujoux</i>, soupire l’auteur avec
philosophie ! </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZEHtTUEoGX9KzFJ1ermlOmsfJyU3y9Urahysb-ORed1opbZIf1_8-yIHS0AuAQcSYOqUR7N0CGDbODH3erCXS-LJ2bVLSGoCi7C2GYySEqCFmLl0gBGHDuc7wXiZ_NGmWsSxvg21aYc/s1280/9%2529+20+ans+apr%25C3%25A8s.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1280" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZEHtTUEoGX9KzFJ1ermlOmsfJyU3y9Urahysb-ORed1opbZIf1_8-yIHS0AuAQcSYOqUR7N0CGDbODH3erCXS-LJ2bVLSGoCi7C2GYySEqCFmLl0gBGHDuc7wXiZ_NGmWsSxvg21aYc/w580-h408/9%2529+20+ans+apr%25C3%25A8s.jpeg" width="580" /></a><br /></span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;">Les arguments des
deux livrets musicaux ne cessent donc de s’entrelacer, et multiplient tant de
coïncidences, qu’on peut raisonnablement supposer qu’André Hellé (ou peut-être Debussy<sup>7</sup> ?)
ait eu connaissance du <i>Roman d’une poupée</i>.<i> </i>N’en découlera aucune réplique servile,
mais plutôt une version enrichie, prétexte à plus de développement musical. Si <i>La Boîte à Joujoux</i> suit effectivement
les méandres d’un scénario comparable, elle surpasse de fait la version de Th. Lack,
qui s’en tint à une partition pianistique illustrée. Le tandem Debussy-Hellé,
mené (il est vrai) par la forte personnalité du musicien, aura engendré de son
côté : un livret musical richement illustré + une partition orchestrée
(achevée après le décès de Debussy, par son disciple André Bachelet) + des
décors et des costumes pour un ballet devenu célèbre… Il aura même imposé un
style, si l’on en croit une aimable note du compositeur Arthur Honegger en 1925
: « <i>Depuis La Boîte à Joujoux il n’est pas une revue où l’on ne voit
subtilement la danseuse raidir les bras et les mouvoir en gestes saccadés,
tandis que son partenaire, habillé en soldat, fait semblant d’avoir les jambes
de bois. Cela est devenu une tradition ! »<sup> 8</sup></i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: georgia;"><span style="font-size: large;"><i> </i></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-indent: 14.2pt;"><span style="font-family: georgia;"><span style="font-size: large;"><span>B.M., novembre 2020</span></span></span></p><span style="font-family: georgia;"><span style="font-size: large;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqa5V4qCs3fxF4GiDlR2w-wsQonNEWH3CV-Hg650qUxwabGEs3ysN4bF7NNV0KKBdGeaU5Fftr6u6R5JpTiFIkzpTYo8rU6svp9LaGLczyjkKY49GUBxfE5RGR3Ux_lgo8IKHCyrTigac/s1175/10%2529+Sonate+pastorale+1906.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1175" data-original-width="890" height="533" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqa5V4qCs3fxF4GiDlR2w-wsQonNEWH3CV-Hg650qUxwabGEs3ysN4bF7NNV0KKBdGeaU5Fftr6u6R5JpTiFIkzpTYo8rU6svp9LaGLczyjkKY49GUBxfE5RGR3Ux_lgo8IKHCyrTigac/w403-h533/10%2529+Sonate+pastorale+1906.jpeg" width="403" /></a></span></span></div><span style="font-family: georgia;"><span style="font-size: large;"><br /></span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;">PS : Voici
quelques mois, un lecteur attentif avait attiré notre attention sur une
autre partition de Th. Lack - la <i>Sonate</i>
<i>pastorale - </i>pensant reconnaître un des
jouets de bois d’André Hellé, dans la vignette de couverture. Comme le présent
article tente de l’exprimer, les jouets illustrés par Yvonne Lack relèvent
davantage des jouets traditionnels de l’époque, que des jouets modernistes et
épurés d’André Hellé <sup>7</sup>. L’imagière produit ici une vignette très
ressemblante de « la gardeuse de moutons, sur planche à roulettes », un grand
classique des magasins de jouets et de bimbeloteries depuis le milieu du XIXe
siècle !</span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;"> </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: large;">NOTES : </span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: 14pt;"> </span></span></p><span style="font-family: georgia;">
</span><p class="MsoNormal" style="margin-left: 36.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><span style="font-size: 14pt;"><span style="mso-list: Ignore;"> 1<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;">
</span></span></span><span style="font-size: 14pt;">- Voir notre précédent billet : <i style="mso-bidi-font-style: normal;">La boîte à Chouchou (octobre 2020)</i></span></span></p><span style="font-family: georgia;">
</span><p class="MsoNormal" style="margin-left: 36.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;"> </span></i><span style="font-size: 14pt;"><span style="mso-list: Ignore;">2<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><i style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;">- Mille neuf cent douze </span></i><span style="font-size: 14pt;">:
revue en 7 tableaux de Ch. Muller et R. Gignoux, pour le Théâtre des arts à
Paris (17 avril 1912) : Musique de scène et ballet de Florent Schmitt,
décors et costumes de <i style="mso-bidi-font-style: normal;">G. Delaw, Ch.
Martin, M. Dethomas, F.Jourdain, J. Hémard et A. Hellé</i>. Contrairement à
certaines informations erronées, nulle trace de « boîte à joujoux »
dans le décor inventé par A. Hellé, mais « un gourbi avec palmier » de
carton-pâte.</span></span></p><span style="font-family: georgia;">
</span><p class="MsoNormal" style="margin-left: 36.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><span style="font-size: 14pt;"> <span style="mso-list: Ignore;">3<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><i style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;">- Cf. Mémoires d’une poupée</span></i><span style="font-size: 14pt;">,
Louise d’Aulnay (1838) ; <i style="mso-bidi-font-style: normal;">Les confidences
d’une poupée</i>, Timothée Trim (1867) ; <i style="mso-bidi-font-style: normal;">Casse-noisette
et le Roi des souris, </i>E.T.A Hoffmann (1816), adapté par Alexandre
Dumas ; <i style="mso-bidi-font-style: normal;">Histoire d’un casse-noisette
</i>(1844), <i style="mso-bidi-font-style: normal;">Le vaillant soldat de plomb</i>,
Hans Christian Andersen (1838).</span></span></p><span style="font-family: georgia;">
</span><p class="MsoNormal" style="margin-left: 36.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;"> </span></i><span style="font-size: 14pt;"><span style="mso-list: Ignore;">4<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><i style="mso-bidi-font-style: normal;"><span style="font-size: 14pt;">- « The Little Nigar » </span></i><span style="font-size: 14pt;">selon
le titre même de Debussy<i style="mso-bidi-font-style: normal;"> (Le Petit
nègre) :</i> ragtime où l’on perçoit déjà l’influence jazzy de la musique
noire américaine. Ce morceau semble être un premier jet du « Golliwog’s
cake-<span style="font-size: medium;">walk », publié simultanément dans <i>Children’s
corner</i> en 1909.</span></span></span></p><p class="MsoNormal" style="margin-left: 0cm; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><span style="font-size: medium;"> <span>2<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> 5 </span></span><i>- </i><span> </span>Voir nos
précédents billets : les jouets Hellé à l’Art institute de Chicago (21/07/2014),
La bergère, le berger et les Playmobil (28/05/2017), La guerre des jouets à
Marseille (11 01/2018) et Hellé Olé ! avec la course de taureaux
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<![endif]--></p><span style="font-family: georgia;"><span style="font-size: medium;">
</span></span><p class="MsoNormal" style="margin-left: 0cm; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><span style="font-size: medium;"><i> </i><span>3<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span>6 -
A voir dans la brouette de l’ami Pierrot : pouparts de carton (sans bras,
ni jambe) façonnés à Villers-Cotteret (Aisne) dans de vieux papiers de pain de
sucre, et peints à Paris. Avec 3 cailloux dans le ventre, ils faisaient
également office de hochet. </span></span></p><span style="font-family: georgia;"><span style="font-size: medium;">
</span></span><p class="MsoNormal" style="margin-left: 0cm; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: georgia;"><span style="font-size: medium;"> <span>4<span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> 7 </span></span>-
On sait par des courriers échangés, que Debussy insista auprès de
l’illustrateur, pour qu’il privilégie la rose dans un médaillon, en couverture
de <i>La Boîte à Joujoux</i>, Durand,
1913.</span></span></p><div style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: medium;">
</span></span></div><p style="text-align: justify;"><span style="font-family: georgia;"><span style="font-size: medium;"> <span> <span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> 8 </span></span>- Note d’Arthur Honegger dans <i>Théâtres de Musique</i> du 15 juin 1925.
Rappelons que le compositeur comptait parmi les amis d’Hellé, et vivait dans le
même immeuble que lui, au 72 rue Blanche à Paris 9<sup>e</sup>.</span></span><span style="font-family: georgia;"></span></p><span style="font-family: georgia;"></span>Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-44325004760824312392020-06-18T16:29:00.004+02:002020-06-18T16:29:54.189+02:00La Boite à Chouchou
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<span style="font-size: large;"><b><span><span> </span> </span></b></span></div>
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<div class="MsoTitle" style="margin-left: 70.8pt; text-align: justify; text-indent: 35.4pt;">
<span style="font-size: large;"><b><span>« LA
BOITE A CHOUCHOU »</span></b></span></div>
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<span style="font-size: large;"><span><br /></span></span></div>
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<span style="font-size: large;">« <i>Je me suis construit un théâtre
avec les grands livres reliés que grand-mère me prête pour ça. Devant le fond
qui est fait avec un bout de carton, j’arrange le mieux possible des soldats,
des maisons, des arbres, des barrières, des moutons, des bergers et des
bergères; on dirait vraiment que c’est un théâtre en petit </i>». Ainsi
s’exprimait le futur illustrateur André Hellé, à l’âge de 7 ans, dans son
cahier d’écolier<span style="font-size: small;"><sup>1</sup></span>. Ce sont les mêmes éléments que nous retrouverons
quelques années plus tard <i>«dans le
scénario qu’il mit en scène et dessina en 1912, et dont le compositeur Claude
Debussy écrivit la musique</i><span style="font-size: small;"><sup>1</sup></span><i> </i>». <span style="color: red;"></span></span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ7bld1kt-URs92Tla4gU0wxSUsZs8p3ndLWdG2LJNN0uAufUITm2WWpaHL5E_tdOWVWQc3xZfLCEeaTX0sbkGoelbtCD9oxsiPVHyIadc9vxO73cZJyBI4Z68KBZpbkn3-s6gWEO_iiA/s1600/1%2529+Page+titre+de+La+bo%252B%25C2%25ABte+%252B%25C3%25A1+Joujoux%252C+Ed+Durand+1913.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="729" data-original-width="1392" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ7bld1kt-URs92Tla4gU0wxSUsZs8p3ndLWdG2LJNN0uAufUITm2WWpaHL5E_tdOWVWQc3xZfLCEeaTX0sbkGoelbtCD9oxsiPVHyIadc9vxO73cZJyBI4Z68KBZpbkn3-s6gWEO_iiA/s640/1%2529+Page+titre+de+La+bo%252B%25C2%25ABte+%252B%25C3%25A1+Joujoux%252C+Ed+Durand+1913.jpg" width="640" /></a></span></div>
<span style="font-size: large;"> <span style="font-size: large;"> </span></span><br />
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<span style="font-size: large;">La partition pianistique du ballet «<b>La boîte à joujoux</b>», illustrée par l’artiste, sera publiée aux
éditions Durand pour les fêtes de fin d’année 1913, mais le déclenchement de la
Grande Guerre et la maladie du musicien, suivie de sa disparition prématurée,
en différèrent l’exécution jusqu’en 1919, au <i>Théâtre lyrique du Vaudeville</i> à Paris.<span> </span></span></div>
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<span style="font-size: large;">C’est dans le sillage du ballet « Petrouchka »<span style="font-size: small;"><sup>2</sup> </span>dont les
trois marionnettes de foire s’animaient par un « tour de passe-passe » musical
particulièrement réussi, mais surtout par dévotion pour sa petite fille
Chouchou, que le grand musicien Claude Debussy s’enthousiasma pour le projet de
l’illustrateur, rencontré au début de 1913: « <i>Vos dessins me ravissent</i> » écrit-il à Hellé, « <i>Faut-il vous les renvoyer ? Malgré le regret que j’en aurai</i> ».
Le manuscrit soumis, ressemble fort à un album pour enfants avec son
confortable format à l’italienne, son texte de présentation calligraphié par
l’auteur, et ses 20 planches d’illustration en couleurs. </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmNdE22u86TeJTFr6iiS_q1V2G0ekwRYnKzIOvlwJFq06r3Fpbvk2IG_sRNoaTsgzGGIJJIFeIEmLjN2k8l4uIoCGcNnbjl7nJkWJhsORt9odCQQY5-G7akFRBfMwwMzruoKT2aX23idI/s1600/2+planche+originale.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1052" data-original-width="1441" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmNdE22u86TeJTFr6iiS_q1V2G0ekwRYnKzIOvlwJFq06r3Fpbvk2IG_sRNoaTsgzGGIJJIFeIEmLjN2k8l4uIoCGcNnbjl7nJkWJhsORt9odCQQY5-G7akFRBfMwwMzruoKT2aX23idI/s640/2+planche+originale.jpg" width="640" /></a></span></div>
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<span style="font-size: large;">Les personnages stylisés et les accessoires de décor qui l’animent,
rappellent comme dans les précédents travaux de l’artiste, les jouets naïfs de
bois tourné de l’Erzgebirge<span style="font-size: small;"><sup>3</sup></span> qui peuplaient sa chambre d’enfant à
Boissy Saint Léger. Quant à la boîte à joujoux représentée en page titre, elle
renvoie clairement à la traditionnelle boîte de pin déroulé, qui servait
autrefois de coffret d’emballage, en Allemagne. Depuis le XIXe siècle en effet,
les catalogues de bimbeloterie attestent du contenu foisonnant de ces boîtes
oblongues, si caractéristiques : soldats aux uniformes colorés, pêle-mêle
d’animaux sculptés pour la ferme ou l’arche de Noé, bergeries bucoliques, harem
d’oies sur rondelle, arbres boules et moulins à vent à peine équarris…<span> </span>Tout l’univers graphique d’André Hellé est
ici convoqué ! </span></div>
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<span style="font-size: large;"><span style="color: red;"> </span></span><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFGyr1Ov9gnnwZFENv7Yu1XE7dzUjecIunvIflEwDhnyKHQ0cnEQhOf_Js_picgYcQSX-gDKiPFdhAbP-ue-Bpp8YbnDtBYK2WJCwY_OCyPjY7Ly1iocoOjQG8sX1WsFEjF8W2A-sYb6s/s1600/3%2529+bo%252B%25C2%25ABte+ferme+Sonneberg.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1052" data-original-width="1600" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFGyr1Ov9gnnwZFENv7Yu1XE7dzUjecIunvIflEwDhnyKHQ0cnEQhOf_Js_picgYcQSX-gDKiPFdhAbP-ue-Bpp8YbnDtBYK2WJCwY_OCyPjY7Ly1iocoOjQG8sX1WsFEjF8W2A-sYb6s/s640/3%2529+bo%252B%25C2%25ABte+ferme+Sonneberg.jpg" width="640" /></a></span></div>
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<span style="font-size: large;">Si l’on reconnaît distinctement les stéréotypes de certains jouets
populaires allemands dans les planches aquarellées de « La Boîte à joujoux »,
l’amateur de jouets anciens s’amusera à en dissocier <i>l’éléphant</i> et le <i>tigre</i>,
directement échappés d’un jouet de bois précédemment créé par
l’artiste :<span> </span>une Arche de Noé,
peuplée de 24 animaux, qu’il présenta au Salon d’Automne 1911, au sein d’un
ensemble mobilier complet (chambre d’enfant, frise de papier peint, voilage,
tentures et ménage de porcelaine). <span style="color: red;"></span></span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFKsM6TjZBhvpCzJsHyIKmWc2SLQbAQWmdqPaWBUzFKMtM9KvkcRFUFMJvs91EzosW5H0MOUWeYuCfTAI8eQDE9w5i1sFh2MbGPeXvTBJIF-XRwcNQHeyKOqIW5hqa-8fKMX0ePNi8CJI/s1600/4%2529+Arche+de+No%252B%25C2%25AE%252C+Andr%252B%25C2%25AE+Hell%252B%25C2%25AE+1911%252C+Mus%252B%25C2%25AEe+du+jouet+de+Poissy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1243" data-original-width="1600" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFKsM6TjZBhvpCzJsHyIKmWc2SLQbAQWmdqPaWBUzFKMtM9KvkcRFUFMJvs91EzosW5H0MOUWeYuCfTAI8eQDE9w5i1sFh2MbGPeXvTBJIF-XRwcNQHeyKOqIW5hqa-8fKMX0ePNi8CJI/s640/4%2529+Arche+de+No%252B%25C2%25AE%252C+Andr%252B%25C2%25AE+Hell%252B%25C2%25AE+1911%252C+Mus%252B%25C2%25AEe+du+jouet+de+Poissy.jpg" width="640" /></a></span></div>
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<span style="font-size: large;">Pour mieux cerner l’argument du ballet, empruntons le prologue à André
Hellé lui-même : «<i>Cette histoire
s’est passée dans une boîte à joujoux. Les Boîtes à joujoux sont en effet des
sortes de villes dans lesquelles les jouets vivent comme des personnes. Ou bien
les villes ne sont peut-être que des boîtes à joujoux dans lesquelles les
personnes vivent comme des jouets. Des poupées dansaient : <b>un soldat</b> vit l’une d’elles et en
devint amoureux : mais <b>la poupée</b>
avait déjà donné son cœur à un <b>Polichinelle</b>
paresseux, frivole et querelleur </i>». </span></div>
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<span style="font-size: large;"> </span><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5ITf_ykrVP7Unjw3rVmJhVgGn0_Kog_IcVj4EWiC3axwh9jJxVpO2dBUkLmzTAUFqRKA3V5qh7GxjHkijZ2Tp1aXnmfJkMP0u2Y1cwTcOFMSbjGTRTJAxanHzFPbhDFHKrCvjvZnscg/s1600/7%2529+Vignette+du+Polichinelle%252C+A.Hell%252B%25C2%25AE.jpeg" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: large;"></span></a><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbP_kTPye_ddF57XGAvqql3BWUlSltifyA6ifM4TBzjXwPGs4v_mUGtavPuAxQIsXfLqrSkULlBgjFDT5Wm7a8jTEIkDZYF7JAja7G17uVhC7VeQ5QVOV-kycjPLC3fl3YTSaGP0NlAjw/s1600/6%2529+Vignette+de+la+Poup%252B%25C2%25AEe%252C+A.Hell%252B%25C2%25AE.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="538" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbP_kTPye_ddF57XGAvqql3BWUlSltifyA6ifM4TBzjXwPGs4v_mUGtavPuAxQIsXfLqrSkULlBgjFDT5Wm7a8jTEIkDZYF7JAja7G17uVhC7VeQ5QVOV-kycjPLC3fl3YTSaGP0NlAjw/s320/6%2529+Vignette+de+la+Poup%252B%25C2%25AEe%252C+A.Hell%252B%25C2%25AE.jpeg" width="320" /></a></span></span></div>
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<span style="font-size: large;">L’illustrateur traduit avec une apparente naïveté une histoire d’amour
triangulaire dans un magasin de jouets. Le style volontairement schématique,
les contours frustes des personnages délimités par un franc cerné noir, la
simplification des lignes et les aplats de couleurs, donnent vie à une troupe
colorée de jouets endiablés qui s’égayent à la nuit tombée. De la rivalité
amoureuse naîtra une guerre miniature entre un régiment de soldats et une horde
de Polichinelles, dont les canons ne crachent que d’inoffensifs petits pois.
Moralité et humour feront bon ménage au final, puisque la poupée choisira le
soldat, et qu’ils auront, outre quelques moutons, toute une ribambelle
d’enfants. </span></div>
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<span style="font-size: large;">Une musique mobile accompagne ce sujet tragi-comique, scandé par trois
leitmotivs qui symbolisent les personnages principaux ; valse gracieuse
pour la poupée, sonneries de clairon pour le soldat, et allegro agressif
pour le Polichinelle. Debussy ne surestimait pas ce charmant divertissement,
qu’il truffa de comptines enfantines, d’effets de boîte à musique et de citations
parodiques d’opéras connus. Selon ses propres aveux, le musicien acheva le
premier tableau en arrachant « <i>des
confidences aux poupées de Chouchou</i> »; ce qui fit dire à un facétieux
musicologue de l’époque, qu’il « <i>puisait
dans la boîte à Chouchou !</i>». La maladie ne permettra pas à Debussy
d’en compléter l’orchestration<span style="font-size: small;"><sup>4</sup></span>, qui sera achevée après sa mort, par
son élève et disciple André Caplet.</span></div>
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<span style="font-size: large;">Très investi dans l’édition de l’album chez Durand -son éditeur musical
attitré- Debussy s’intéresse autant à la qualité artistique du livret qu’à sa
mise en page. Il convainc habilement l’illustrateur d’en modifier la
couverture, et de délaisser<span style="color: red;"> </span>le duo poupée-soldat
au profit d’un simple médaillon central contenant « la rose »
abandonnée.</span></div>
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<span style="font-size: large;"> </span><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkmWeo-l80sIqcnfOlShQsjBnPZk3CIYET5nGDL5HNvrIht41e4nhIXgP-jxG4vYLPR9AsmmSfmMwAe5i0vACRRoLNT3b_LS1BAoEFw5v5PkzlgsH3yG-ipP5lV166bWglD2g9j5flRcs/s1600/9%2529+Vignette+de+la+Rose%252C+A.+Hell%252B%25C2%25AE.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="373" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkmWeo-l80sIqcnfOlShQsjBnPZk3CIYET5nGDL5HNvrIht41e4nhIXgP-jxG4vYLPR9AsmmSfmMwAe5i0vACRRoLNT3b_LS1BAoEFw5v5PkzlgsH3yG-ipP5lV166bWglD2g9j5flRcs/s320/9%2529+Vignette+de+la+Rose%252C+A.+Hell%252B%25C2%25AE.jpg" width="318" /></a></span></div>
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<span style="font-size: large;">C’est le symbole du gage amoureux selon Debussy. « <i>En somme </i>» écrit-t-il à Hellé « <i>tout dans cette petite tragédie, tient à une
rose jetée ! Depuis qu’il y a des femmes et des roses, c’est l’éternelle
histoire </i>». Outre l’album musical, Hellé réalise également les décors,
les costumes et la mise en scène du ballet qu’il a initié. Première
représentation en décembre 1919 à Paris; Chouchou Debussy vient de disparaître,
victime de la diphtérie, quelques mois après son père. À chaque nouveau
spectacle, Hellé veillera à remanier les costumes autant que les décors de
scène. </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrW1CzHfVmRHPRfi39N-SiAPidY0uhDO3hFEWPW8_72knW_H45rbjVqK-lqTLs95JXI2msvFOp1mrAIcGA8TFotkpnBXOmj6Ww6MzgwkGK_yfSH92JH1z0aW3S9L4Qk0S9uU_ikbcUtxs/s1600/10%2529+Ballets+su%252B%25C2%25AEdois+1921.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="929" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrW1CzHfVmRHPRfi39N-SiAPidY0uhDO3hFEWPW8_72knW_H45rbjVqK-lqTLs95JXI2msvFOp1mrAIcGA8TFotkpnBXOmj6Ww6MzgwkGK_yfSH92JH1z0aW3S9L4Qk0S9uU_ikbcUtxs/s640/10%2529+Ballets+su%252B%25C2%25AEdois+1921.jpg" width="640" /></a></span></div>
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<span style="font-size: large;">En 1921, nouvelle mouture pour <i>les
Ballets Suédois </i>au théâtre des Champs-Élysées. En 1925, dernier remaniement
du vivant d’André Hellé, pour l’Opéra-Comique, avec un graphisme résolument
cubiste, qui culminera l’année suivante par l’édition d’un véritable album pour
enfants : <i>L’Histoire d’une boîte à
Joujoux</i> aux éditions Tolmer <span style="font-size: small;"><sup>5</sup></span>. Mais ceci est une autre histoire…</span></div>
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</span><div class="MsoBodyText" style="margin-right: 6.95pt; text-align: justify;">
<span style="font-size: large;">Béatrice
Michielsen </span></div>
<br />
<div class="MsoBodyText" style="margin-right: 6.95pt; text-align: justify;">
<br /></div>
<br />
<br />
<div class="MsoBodyText" style="margin-right: 6.95pt; text-align: justify;">
<br /></div>
<div class="MsoBodyText" style="margin-right: 6.95pt; text-align: justify;">
<span style="font-size: large;">Extrait d’un article publié
en 2009, dans le N°20 de <i>Mémoire d’Images</i>,
une remarquable revue à suivre sur</span></div>
<br />
<div class="MsoBodyText" style="margin-right: 6.95pt; text-align: justify;">
<span style="font-size: large;"><span style="color: #3366ff;"><a href="https://memoiredimages.net/"><span style="color: #3366ff;">https://memoiredimages.net/</span></a></span> et sur <span style="color: #3366ff;"><a href="https://www.facebook.com/groups/memoiredimages/"><span style="color: #3366ff;">https://www.facebook.com/groups/memoiredimages/</span></a></span><span style="color: #3366ff;"></span></span></div>
<span style="font-size: large;">
</span><div class="MsoBodyText" style="text-align: justify;">
<br /></div>
<span style="font-size: large;"></span><span style="font-size: large;"></span><div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span>NOTES :</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span><br /></span></span></div>
<div class="MsoNormal" style="margin-left: 38.0pt; mso-list: l0 level1 lfo1; tab-stops: list 38.0pt; text-align: justify; text-indent: -20.0pt;">
<span style="mso-bidi-font-family: Times;"><span style="mso-list: Ignore;">(1)<span style="font: 7.0pt "Times New Roman";"> </span></span></span>«<i style="mso-bidi-font-style: normal;">Souvenirs d’un petit garçon,1871-1883</i>»,
André Hellé, Berger-Levrault, Paris-Nancy, 1942. </div>
<div class="MsoNormal" style="margin-left: 38.0pt; mso-list: l0 level1 lfo1; tab-stops: list 38.0pt; text-align: justify; text-indent: -20.0pt;">
<span style="mso-bidi-font-family: Times;"><span style="mso-list: Ignore;">(2)<span style="font: 7.0pt "Times New Roman";"> </span></span></span><i style="mso-bidi-font-style: normal;">Petrouchka</i>, ballet russe de Diaghiliev,
Paris 1911, musique d’Igor Stravinsky sur un livret d’Alexandre Benois.</div>
<div class="MsoNormal" style="margin-left: 38.0pt; mso-list: l0 level1 lfo1; tab-stops: list 38.0pt; text-align: justify; text-indent: -20.0pt;">
<span style="mso-bidi-font-family: Times;"><span style="mso-list: Ignore;">(3)<span style="font: 7.0pt "Times New Roman";"> </span></span></span>Région
d’Allemagne, spécialisée dans l’industrie du jouet de bois et leader mondial du
secteur depuis le XIXe siècle.</div>
<div class="MsoNormal" style="margin-left: 38.0pt; mso-list: l0 level1 lfo1; tab-stops: list 38.0pt; text-align: justify; text-indent: -20.0pt;">
<span style="mso-bidi-font-family: Times;"><span style="mso-list: Ignore;">(4)<span style="font: 7.0pt "Times New Roman";"> </span></span></span>Signalons
aux amateurs, curieux d’approfondir la genèse de la partition et les
développements graphiques du livret original: «<i style="mso-bidi-font-style: normal;">André Hellé et </i><i style="mso-bidi-font-style: normal;"><span lang="CS" style="mso-ansi-language: CS;">La Boîte à joujoux</span></i>» par Denis Herlin,
Cahier Debussy N°30. Centre de documentation Claude Debussy 2006<span style="mso-spacerun: yes;"> </span>&<span style="mso-spacerun: yes;">
</span>« <i style="mso-bidi-font-style: normal;">Regard sur les collections, La
Boîte à joujoux </i>» par Annie Renonciat, revue de la BNF N°25/ 2007.</div>
<div class="MsoNormal" style="margin-left: 38.0pt; mso-list: l0 level1 lfo1; tab-stops: list 38.0pt; text-align: justify; text-indent: -20.0pt;">
<span style="mso-bidi-font-family: Times;"><span style="mso-list: Ignore;">(5)<span style="font: 7.0pt "Times New Roman";"> </span></span></span>Réédité
à l’identique, en tons directs, chez MeMo en 2012 :
https://www.editions-memo.fr/livre/histoire-dune-boite-a-joujoux/</div>
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<![endif]-->Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-41305462699413475312020-06-07T14:01:00.000+02:002020-06-07T14:01:10.067+02:00Hellé, Mariani et la coca
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiPlxUyLCBrdRNdceTqS4IT97iHZTEgjjKmF41i8fItWpinN7gtLfRVmjO99RuPHNKshluLsP7lD9Qc-iVia_QjwoWIi_1tW7pOjLBeR8bljSjcg5LNniXjchbMY4YYuIeeKNrwm9rxFg/s1600/aaaaa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="362" data-original-width="410" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiPlxUyLCBrdRNdceTqS4IT97iHZTEgjjKmF41i8fItWpinN7gtLfRVmjO99RuPHNKshluLsP7lD9Qc-iVia_QjwoWIi_1tW7pOjLBeR8bljSjcg5LNniXjchbMY4YYuIeeKNrwm9rxFg/s320/aaaaa.jpg" width="320" /></a><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm5kxxqnElgLRr_2QnA-Q6t9MxNz1XBCXcaGOg8b5Gu-7wa3eQxVth_rMhNlGR7KRC1VOgz7Rhx5-woeuidwYobMb2Apw4zPuqKV9Nh1H9Nx3vu7A0zI7wIqCxuqyHZAecvns-4oDoLvU/s1600/3+aaaaaaaaaaaaaVins+Mariani.jpg+-+Visionneuse+de+photos+Windows.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="408" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm5kxxqnElgLRr_2QnA-Q6t9MxNz1XBCXcaGOg8b5Gu-7wa3eQxVth_rMhNlGR7KRC1VOgz7Rhx5-woeuidwYobMb2Apw4zPuqKV9Nh1H9Nx3vu7A0zI7wIqCxuqyHZAecvns-4oDoLvU/s320/3+aaaaaaaaaaaaaVins+Mariani.jpg+-+Visionneuse+de+photos+Windows.jpg" width="230" /></a></span></span></div>
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<span style="font-size: large;">Inventeur d'un vin stimulant, à base de vin de Bordeaux et
de feuilles de coca (ancêtre du Coca Cola !), le préparateur en
pharmacie et génie de la publicité Angelo Mariani a l'idée de publier de
courtes notices biographiques, accompagnées d'un portrait gravé des célébrités
contemporaines, à qui il demande une dédicace autographe vantant son cordial. </span></div>
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<span style="font-size: large;">Il réalise ainsi à bon compte un véritable bottin mondain,
sous forme de témoignages publicitaires, dont il publie quatorze volumes de
1894 à 1925. "Les Albums Mariani" constituent depuis lors, une
importante base biographique et iconographique des personnalités connues, ou
aujourd'hui oubliées, de l'époque. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh98BBHLPScQAi5XLEo3fDWXuSgfqyeDd4Kxz20hfePb7i1dqZsPlQ6gge5aZkzMkp2NSy9skHbAIWgLV1Fyzb5vYATLurTZjrQhBbAsks2d7RfpWaU9JKYzeAJIXpW7HhFATOu20swsWs/s1600/1.+R%252B%25C2%25AEclame+Mariani.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="900" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh98BBHLPScQAi5XLEo3fDWXuSgfqyeDd4Kxz20hfePb7i1dqZsPlQ6gge5aZkzMkp2NSy9skHbAIWgLV1Fyzb5vYATLurTZjrQhBbAsks2d7RfpWaU9JKYzeAJIXpW7HhFATOu20swsWs/s640/1.+R%252B%25C2%25AEclame+Mariani.jpg" width="640" /></a></div>
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<span style="font-size: large;">C'est en 1913, que l'illustrateur André Hellé est sollicité
pour l'exercice. Son portrait gravé, est complété d'un dessin publicitaire
humoristique montrant les bienfaits du vin Mariani, emporté par deux cyclistes
lors d'une virée campagnarde. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsIW-4W4-TGJev0A-w2tgp4_s4RxnaQR31Sw2E2WTcXF1cRnRp6ThfE9eEndQz62m5zK5DtYEUrrZQ2yWYLvTuWw8cLO1vS_RdJ99D-wq0pA6aLK9eOuFjo099JakJ7X5w-JOWX7I6DNk/s1600/2+Hell%252B%25C2%25AE+Mariani+1913.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="679" data-original-width="1600" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsIW-4W4-TGJev0A-w2tgp4_s4RxnaQR31Sw2E2WTcXF1cRnRp6ThfE9eEndQz62m5zK5DtYEUrrZQ2yWYLvTuWw8cLO1vS_RdJ99D-wq0pA6aLK9eOuFjo099JakJ7X5w-JOWX7I6DNk/s640/2+Hell%252B%25C2%25AE+Mariani+1913.jpg" width="640" /></a></div>
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<span style="font-size: large;">Nous avons eu la chance de retrouver l'original de cette
réclame chez une grande amatrice de l'artiste. Merci à M.-C. H. de nous en
autoriser la reproduction. </span></div>
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<![endif]-->Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-18810870035414639842020-05-13T19:43:00.000+02:002020-05-13T19:43:38.196+02:00Galligâterie<br />
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<span style="font-size: x-large;">André Hellé à l'honneur sur Gallica.</span></div>
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<span style="font-size: x-large;">Avec des liens vers les albums numérisés.</span></div>
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<span style="font-size: large;">(Sauf le principal malheureusement, "Drôles de bêtes - L'Arche de Noé", dont la BnF ne possède toujours pas d'exemplaire !)</span></div>
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<span style="font-size: x-large;">Cliquer sur l'image :</span></div>
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<a href="https://gallica.bnf.fr/html/und/litteratures/andre-helle-1871-1945" target="_blank"><img alt=" https://gallica.bnf.fr/html/und/litteratures/andre-helle-1871-1945" border="0" data-original-height="543" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXWlvOQIT8AlNxx-wgdpQsNq5R-R-AFCF_T91U7TbUbmK5pCrdFE6W85azIO4E9y9h0ApEqF23QbhzWlA7KX5YIruudh6V-I_jf-rKHDB9ZNom-3NWay8SZcERSO38GmaLJ1brAYyLWig/s640/Andr%25C3%25A9+Hell%25C3%25A9+%25281871-1945%2529++Gallica+-+Google+Chrome.jpg" width="640" /></a></div>
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Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-62180159394877408192020-02-17T17:38:00.000+01:002020-02-17T17:38:03.963+01:00L'Arche de Noé et la petite bête<br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggUedjxcuPOs0NejJIFxjNM4W3xz4v9gwN27Jhy2wh7CAELpG_6_zXlb09tcKgWXDyWpEqnRkXID8IUGFD0oeXDRNHv8jb6eh71HtpdHkmJe8UefbnZT9qvce-Ni66I2qUkdE9TluF9VI/s1600/arche-drole-M.Tolmer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1549" data-original-width="1170" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggUedjxcuPOs0NejJIFxjNM4W3xz4v9gwN27Jhy2wh7CAELpG_6_zXlb09tcKgWXDyWpEqnRkXID8IUGFD0oeXDRNHv8jb6eh71HtpdHkmJe8UefbnZT9qvce-Ni66I2qUkdE9TluF9VI/s320/arche-drole-M.Tolmer.jpg" width="241" /><span style="font-size: large;"></span></a><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6YBltrrEEH-69qCUy4k1AJEIRc4YJVTYC30GFzIeB9YBh-UbH4wZZ5EEVTy18giv8NiYgFojR2J1hTjFq30ComeeA2pwHKikYClShO076_LO1UyYuj03FoCjtuMGntP8TB2YtClfuwg/s1600/Arche-M.Tolmer.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1204" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6YBltrrEEH-69qCUy4k1AJEIRc4YJVTYC30GFzIeB9YBh-UbH4wZZ5EEVTy18giv8NiYgFojR2J1hTjFq30ComeeA2pwHKikYClShO076_LO1UyYuj03FoCjtuMGntP8TB2YtClfuwg/s320/Arche-M.Tolmer.jpg" width="240" /></a></span></span></div>
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<span style="font-size: large;">Le livre majeur d'André Hellé, "Drôles de bêtes" ("L'Arche de Noé"), a été publié pour la première fois en 1911. Il a connu plusieurs versions, dont la datation est problématique. </span></div>
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<span style="font-size: large;">L'un des variantes, titrée "Grosses bêtes et petites bêtes", est ornée d'une couverture très différente des autres, représentant un singe qui dessine un tigre. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbOvZCPzDV4cNYrpxIW22_AxZsnWdu81gUICq_lxWPanXvw4gxgp9nHXL-oBA-gIIz-8rlUdLdtuhB61UF3WLoHcvojckE67whDu0ksapmPZsZFWIVYZawpdKr9s0cunc4k3yoizPh98o/s1600/Grosses+b%25C3%25AAtes.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="452" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbOvZCPzDV4cNYrpxIW22_AxZsnWdu81gUICq_lxWPanXvw4gxgp9nHXL-oBA-gIIz-8rlUdLdtuhB61UF3WLoHcvojckE67whDu0ksapmPZsZFWIVYZawpdKr9s0cunc4k3yoizPh98o/s640/Grosses+b%25C3%25AAtes.jpeg" width="474" /></a></div>
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<span style="font-size: large;">Il se trouve que cette édition est mentionnée dans un curieux entrefilet paru dans le journal radical-socialiste l'Oeuvre, en janvier 1919. L'auteur, anonyme, stigmatise cette amusante couverture comme étant de la "propagande bolcheviste". </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9FE3EsAxEnRSqk76gs2VbM1SsYT-RJqXw9rAYoiWRn9RErJwwE5R1aUau-R7uqQOG_-mnYoHmWbZgAnJK0RPeKSMu4zaup194Go0gpCRZ8bWjIQ-8hkZdoOJFbKK8AmEl-9FgHK_YPz8/s1600/droles+de+b%25C3%25AAtes+-+l%2527oeuvre+1919.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="403" data-original-width="494" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9FE3EsAxEnRSqk76gs2VbM1SsYT-RJqXw9rAYoiWRn9RErJwwE5R1aUau-R7uqQOG_-mnYoHmWbZgAnJK0RPeKSMu4zaup194Go0gpCRZ8bWjIQ-8hkZdoOJFbKK8AmEl-9FgHK_YPz8/s400/droles+de+b%25C3%25AAtes+-+l%2527oeuvre+1919.jpg" width="400" /></a></div>
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<span style="font-size: large;">Difficile de savoir ce qui a valu à Hellé cette charge incongrue (vague hypothèse : ce tigre peint par un singe aurait pu être compris comme une caricature du "Tigre", Georges Clémenceau...).</span></div>
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<span style="font-size: large;">Elle nous apporte cependant un information qui complète le puzzle : cette version venait de paraître, nous dit l'article. Elle a donc été publiée au moment des étrennes 1918-1919...</span></div>
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<span style="font-size: large;">Béatrice Michielsen a ainsi pu actualiser la notice qu'elle avait consacré à cette édition dans le catalogue de l'exposition "Drôles de jouets" du Musée de Poissy : </span></div>
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<span style="font-size: large;"><i>Grosses bêtes et Petites bêtes, Éditions A. Tolmer, [1919]</i></span></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<span style="font-size: large;"><i>Troisième métamorphose de l’album chez Tolmer, une mouture
d’après-guerre paraît en 1919, sous dos toilé. Une couverture inédite
au graphisme pressé, affiche un titre tout neuf : "Grosses bêtes et Petites bêtes".
</i></span></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<span style="font-size: large;"><i>Dans la logique des difficultés d’approvisionnement de
papier et d’encre, les plats sont ici revus à l’économie. Une grande étiquette
lithographiée sera dorénavant fixée sur une couverture de carton gris, le plus
souvent un improbable carton ondulé. </i></span></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<span style="font-size: large;"><i>Sous le titre sépia, toujours tracé à la main par Hellé, un
singe à lunettes dessine un tigre majestueux, à main levée. Les deux animaux,
tout droit sortis des pages de l’album, occupent efficacement le centre de
l’image dont ils balaient l’espace de leurs queues dressées, semblables à d’élégants
guillemets. Sous leurs pieds, le nom et l’adresse de l’éditeur restent
inchangés. </i></span></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;"><i>
</i></span><div class="MsoNormal">
<span style="font-size: large;"><i>En revanche, l’impression des couleurs montrera
d’importantes variations qualitatives d’un album à l’autre et laisse penser que
l’éditeur disposa – au moins au début – d’images découpées surnuméraires à ses
précédents tirages. Les albums les plus tardifs se différencient
malheureusement en effet, par une gamme de coloris ternis qui ne purent, à
l’évidence, bénéficier des performances techniques d’avant-guerre.</i></span></div>
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<span style="font-size: large;"><i>B.M.</i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal">
<br /></div>
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<br /></div>
Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-24468362358878778442020-01-01T15:01:00.004+01:002020-01-01T15:01:51.332+01:00Bonne année...<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Meilleurs vœux avec cette carte postale d'Hellé</span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">éditée en 1905. </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;"> Il s'amusait déjà du temps qui va trop vite, </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">à l'ère de la modernité... </span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg86tJDxr5tt2AjGfWgvuNsbFlW52P8ErFxvmVSFiB3Vqg5ovHcI6OQ26659xCvGBgRT7m5xheFyN5PNUcQV1-505TC2UxURMLZxvkUcHQWoJ5TeI8dkvi8xsVHqogOXtdeCp_VQIh_dbk/s1600/2020.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1048" data-original-width="1600" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg86tJDxr5tt2AjGfWgvuNsbFlW52P8ErFxvmVSFiB3Vqg5ovHcI6OQ26659xCvGBgRT7m5xheFyN5PNUcQV1-505TC2UxURMLZxvkUcHQWoJ5TeI8dkvi8xsVHqogOXtdeCp_VQIh_dbk/s640/2020.jpeg" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-large;"> </span></div>
Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-9050408903835978672019-10-17T13:59:00.000+02:002019-11-19T18:55:03.577+01:00André Hellé, Olé !<!--[if gte mso 9]><xml>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Un jouet inconnu d'Hellé, La Course de taureaux...</span><br />
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Entre 1893 et 1914, la France connaît
une vague d’enthousiasme pour les « courses de taureaux à la mode
d’Espagne », plus communément appelées « corridas ». Ces courses
tauromachiques, bientôt relayées dans les départements méridionaux, engendrent</span><span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">
la construction de monumentales arènes en province, mais aussi à Paris, dans le
cadre de l'Exposition universelle de 1889. C’est ainsi que verront le jour <i style="mso-bidi-font-style: normal;">Les Arènes Parisiennes</i>, <i style="mso-bidi-font-style: normal;">La Plaza de Toros de l'Exposition </i>et
surtout <i style="mso-bidi-font-style: normal;">La Gran Plaza de Toros du Bois de
Boulogne</i>. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHaiQtProWgih-6UQEDJlLya6T66YeYfhZKJ3C4LIu7TvPL5hF1ZNwg_z8yQeoSWbg_rE7kb_zSh_Hxx4BBRJ07Q4FlRdl-cH6zhY26Xv2csuBvBDLXNGy1Mxtt8OovJysIu6IYuXg5GE/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1214" data-original-width="932" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHaiQtProWgih-6UQEDJlLya6T66YeYfhZKJ3C4LIu7TvPL5hF1ZNwg_z8yQeoSWbg_rE7kb_zSh_Hxx4BBRJ07Q4FlRdl-cH6zhY26Xv2csuBvBDLXNGy1Mxtt8OovJysIu6IYuXg5GE/s640/1.jpg" width="490" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Affiche de 1889 (Gallica)</span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Les spectacles suscitent
d’innombrables articles, doublés d’une abondante iconographie et sont
rapidement encadrés par la Société Protectrice des Animaux (la SPA, fondée en
1845), qui préconise « un simulacre des véritables courses de taureaux,
sans maltraitance de l’animal, ni effusion de sang ». </span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">C’est à Paris en 1908, au second <i style="mso-bidi-font-style: normal;">Salon des Humoristes</i>, qu’André
Hellé, dessinateur et satiriste de presse, se saisit du sujet pour présenter
une version parodique, sous forme de pittoresques jouets de bois tourné et
peint (37 pièces au total). Rappelons que c’est dans cette même manifestation
annuelle que Caran d’Ache, Poulbot, Benjamin Rabier et bien d’autres
artistes-illustrateurs, pourront exposer leurs premiers jouets, dits
« artistiques ». Le « Renouveau du jouet français »
était en marche ! </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6oX5bcP1AlMtNnLSmqZP-zudJBAd6Zmv8XjmgZLtEC6Mp0WLCJP_aFqZNLMzMokmuNHVD7FVRS00dv2FMYi3Lh0NdDcJkogJOkhlYrGHZM-bwYP7A0CrZ-4U5_i6D5PWK-Vm67DIeZxo/s1600/2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="1600" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6oX5bcP1AlMtNnLSmqZP-zudJBAd6Zmv8XjmgZLtEC6Mp0WLCJP_aFqZNLMzMokmuNHVD7FVRS00dv2FMYi3Lh0NdDcJkogJOkhlYrGHZM-bwYP7A0CrZ-4U5_i6D5PWK-Vm67DIeZxo/s640/2.jpg" width="640" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">La course de taureaux, 1908 - Collection privée</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zI9QAy0ZbG6m6awMC5NAgF1C0k-5oR_VTU45KwGC63EBRMy-u_zDC8jtpz0EjcG7iQIqFriky3wLdX7GCgFodGE_FOiYxa1-2FACJv97fQ2kbWDS-dw-t8ACgKaRhDz5oUdd0WCQwn8/s1600/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1109" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zI9QAy0ZbG6m6awMC5NAgF1C0k-5oR_VTU45KwGC63EBRMy-u_zDC8jtpz0EjcG7iQIqFriky3wLdX7GCgFodGE_FOiYxa1-2FACJv97fQ2kbWDS-dw-t8ACgKaRhDz5oUdd0WCQwn8/s640/3.jpg" width="441" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Alguazil</span></span><span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"></span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Sous
l’œil amusé d’Hellé, rien ne manque au défilé officiel : ni les gendarmes du
spectacle, les « Alguaziles » lourdement vêtus de noir, qui incarnent l’autorité
en piste ; ni le « Picador », cavalier aux culottes jaunes et chapeau de feutre
à large bord ; ni le cheval à l’œil fermé d’un bandeau (pour masquer la vision
menaçante du taureau), ni les « Banderilleros » aux bras symboliquement
prolongés de deux flammes rouges (les banderilles) ; ni les quadrilles de «
Toreros » à pied, en cravate de soie, ceinture colorée, toque d’astrakan,
culottes resserrées aux genoux et bas de coton blanc ; ni le fier « Matador »
en habit de lumière, pointant son épée sur le taureau massif ; ni l’âne et son
muletier, destinés à évacuer le corps de l’animal selon la tradition espagnole.
</span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Tout
ici semble participer à une scène carnavalesque, un joyeux pastiche des jeux du
cirque, où, même les cornes gigantesques du taureau ne parviennent pas à gommer
son aspect gauche et débonnaire, si éloigné de la fureur des combats
traditionnels. Comme souvent chez l’artiste, la farce mène le crayon, le
pinceau et le tour à bois.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2zZMNNX3ZEcV7BVfhz0XkMNwbjdz7OfI00ikYM1n4uLyU5zAtI4yHPb_mC-KiFXXRa1DRljlbJEnNUFZYWXuM-vWY6IzggwowgJA8wlr0njjCUJS7r6Kq2BOi8TGkCB7OXQlv4alz-1c/s1600/4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1512" data-original-width="835" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2zZMNNX3ZEcV7BVfhz0XkMNwbjdz7OfI00ikYM1n4uLyU5zAtI4yHPb_mC-KiFXXRa1DRljlbJEnNUFZYWXuM-vWY6IzggwowgJA8wlr0njjCUJS7r6Kq2BOi8TGkCB7OXQlv4alz-1c/s640/4.jpg" width="352" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Picado</span></span><span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">r</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXC6YxgJl32RsKyTyk-xvFGM59Ikrdk-xsvQYTe94y2kPSQnPUmWyep3lDa2H4PP8dWzVjiRpGnyQIvSW04CxdBJK-c8TxOwhQIKvWYV4j0XNc_LOaJ2K1jtXSaiG6YyvsyG16mw0OFpw/s1600/6.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6cFYV34GAcvHRG06928YOwD_6jKroxFfepOOWpDV7bTQ77dLQfkYVqVXcCnGGpTdPr4UjRLOXM-m4iWaqjbLZmmemmvHnEsrj7S19KSIrk6B_3ZOAGczr1N9z3FnCLyyznZi5mE3GSMY/s640/5.JPG" width="640" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Poseur de banderilles</span></span></span></div>
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<img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXC6YxgJl32RsKyTyk-xvFGM59Ikrdk-xsvQYTe94y2kPSQnPUmWyep3lDa2H4PP8dWzVjiRpGnyQIvSW04CxdBJK-c8TxOwhQIKvWYV4j0XNc_LOaJ2K1jtXSaiG6YyvsyG16mw0OFpw/s640/6.JPG" width="640" /></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Matador</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDiAj_R8haS9rX3NlBrwQ66zqNbc98C7fqqGoPiZSVbPHnU5nWs3x0OzLwfq6me-tWGT7BKYxfH3NpBBgPaQ_329lsVd_ha5yrKSA-ZyUyR65vCg-WKbeu4gkW8AAsQ9A3WnYHlluQWUY/s1600/7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="514" data-original-width="1600" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDiAj_R8haS9rX3NlBrwQ66zqNbc98C7fqqGoPiZSVbPHnU5nWs3x0OzLwfq6me-tWGT7BKYxfH3NpBBgPaQ_329lsVd_ha5yrKSA-ZyUyR65vCg-WKbeu4gkW8AAsQ9A3WnYHlluQWUY/s640/7.jpg" width="640" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Toreros à pied</span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Malgré
un superbe état de conservation, l’exemplaire ici photographié, qui est le seul connu à ce jour, présente
quelques manques inévitables. Outre un torero manchot, l’âne a également perdu
ses longues oreilles, les chevaux - une ou deux pattes, le matador - sa cape
rouge (la muleta), le picador - sa longue hampe etc etc. Fort heureusement, une
gravure publicitaire d’époque, permet de compléter la scène des quelques accessoires
égarés par le temps. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJhpDvcfFfZ9DINn10XesPMRCiiulRVi2omUKiWoPFV76vGV-tVFX-cR9ZAd8gRmoSvLKfv6j9EpTy4l2eIUaeb8hrYmbgi2bXX30WE6YHfrtT4dBgZJZwEV1m-ImgcZ6B2Njur9pJnro/s1600/8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="390" data-original-width="913" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJhpDvcfFfZ9DINn10XesPMRCiiulRVi2omUKiWoPFV76vGV-tVFX-cR9ZAd8gRmoSvLKfv6j9EpTy4l2eIUaeb8hrYmbgi2bXX30WE6YHfrtT4dBgZJZwEV1m-ImgcZ6B2Njur9pJnro/s640/8.jpg" width="640" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Publicité américaine, NY 1915</span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">On
s’amusera également à relever le logo d’André Hellé, tamponné en rouge sur la
patte du taureau, autant que sur le pied torique de tous les personnages : un
cercle contenant ses initiales, qui s’apparente singulièrement à nos émoticônes
actuels. Preuve que ce marquage fut utilisé par l’artiste dès 1908, avant
le dépôt de marque en 1910 !</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQBmhqw7lOeE-Ih47XtRdgsq2SIJoNoas6r1krD5HNqdBIsQpwtn0g1AuKA83zLWQUcSG86AkvUEdz5xWZuTUg3f5_BvDswT3yddZFUzE71uYiZqBw8FyUUBRKLlYTXGpRRmrqGGotvmg/s1600/9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="401" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQBmhqw7lOeE-Ih47XtRdgsq2SIJoNoas6r1krD5HNqdBIsQpwtn0g1AuKA83zLWQUcSG86AkvUEdz5xWZuTUg3f5_BvDswT3yddZFUzE71uYiZqBw8FyUUBRKLlYTXGpRRmrqGGotvmg/s320/9.jpg" width="310" /></a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Dépôt de marque INPI 1910</span><br style="-webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" /><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"></span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Notons
enfin que la signature autographe et datée de
l’artiste figure sur la patte avant d’un des chevaux. C'est une indication très probable qu'il s'agit d'un exemplaire d'exposition, sans doute celui du Salon des Humoristes.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">B.M.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeWQ55WhkVT5_KipKZ-mFHB_l8a7kBFmyiDqWx61i5Y0sd-MIwaEf89Wlv5DD_QZPMTcoapPRwn8j9HkX_nieD88mctCKjI-i-KRhQHDi4IVli5EB9ws8atqoprGfAoTq3wWlD22XF13I/s1600/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="534" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeWQ55WhkVT5_KipKZ-mFHB_l8a7kBFmyiDqWx61i5Y0sd-MIwaEf89Wlv5DD_QZPMTcoapPRwn8j9HkX_nieD88mctCKjI-i-KRhQHDi4IVli5EB9ws8atqoprGfAoTq3wWlD22XF13I/s400/10.jpg" width="273" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj004hK4dOYSaOuNAGAroYBSw2CsvEIkRpVoX_Q-CoExILcePcZ01aPshYXHiu95ux8sXPGYeXgY5fDwzVS2nt3J124QwDV1d4hawnTJ6V34iw7EFOAGt1MqhQr_Wx7dhxBczMt5CIZlXw/s1600/11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="429" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj004hK4dOYSaOuNAGAroYBSw2CsvEIkRpVoX_Q-CoExILcePcZ01aPshYXHiu95ux8sXPGYeXgY5fDwzVS2nt3J124QwDV1d4hawnTJ6V34iw7EFOAGt1MqhQr_Wx7dhxBczMt5CIZlXw/s400/11.jpg" width="222" /> </a></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 20.0pt;"><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Tampographie du logo A. H. / </span><span style="background-color: white; color: #333333; display: inline; float: none; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Signature autographe</span></span></div>
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<span style="font-family: "helvetica" , "sans-serif"; font-size: 14.0pt;">Hauteur
des jouets : Taureau : 8 cm, Torero : 13 cm, Picador : 15 cm, Cheval : 14,5 cm,
Alguazil (le tronc-jambes fixées sur le cheval) : 10 cm. </span></div>
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Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-28372254073089707112019-06-12T16:59:00.001+02:002019-06-12T16:59:43.494+02:00Histoires en images<br />
<div style="text-align: center;">
<br />
<span style="font-size: large;">Passionnante étude sur les récits en images d'André Hellé, sur l'excellent blog Topfferiana, consacré à la littérature graphique d'avant la bande dessinée. </span><br />
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<br /></div>
<div style="text-align: center;">
<span style="font-size: large;">On y découvre en particulier différentes expérimentations stylistiques de l'illustrateur, et l'influence du modèle de l'image cinématographique. </span><br />
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<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: large;">Elle est richement illustrée, entre autres d'une de toutes premières publications d'Hellé, dans La Caricature, en 1897, que nous ne connaissions même pas, de même que nous ignorions l'existence des "Aventures du capitaine Spardeck", série publiée 36 ans plus tard, en 1933, dans le quotidien Paris Soir. </span><br />
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<span style="font-size: x-large;">En ligne ici : </span><br />
</div>
<div style="text-align: center;">
<span style="font-size: x-large;"><a href="http://www.topfferiana.fr/2019/05/les-histoires-en-images-dandre-helle/" target="_blank">Les histoires en images d'André Hellé</a></span><br />
</div>
<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvK_TTWwtdRjxoar4nWIg5J4BSnI3ZFa7LN40RqjZyQSKAaGGusRIfdKXLpj1E-00fv9WKti5SW70FYfxBTYuw_TYTGkxQ1A2GWb4S3VxsMAiZAOnzsBZNDq7dIr795VJ9D9qzRrbF1S4/s1600/Hell%25C3%25A9-Les-drames-du-cin%25C3%25A9matographe-754x1024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="754" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvK_TTWwtdRjxoar4nWIg5J4BSnI3ZFa7LN40RqjZyQSKAaGGusRIfdKXLpj1E-00fv9WKti5SW70FYfxBTYuw_TYTGkxQ1A2GWb4S3VxsMAiZAOnzsBZNDq7dIr795VJ9D9qzRrbF1S4/s640/Hell%25C3%25A9-Les-drames-du-cin%25C3%25A9matographe-754x1024.jpg" width="470" /></a></div>
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<span style="font-size: x-large;"> </span><br />
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<br />Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0tag:blogger.com,1999:blog-5226040577007625777.post-90589029106743680812019-06-08T15:55:00.002+02:002019-06-09T09:35:21.484+02:00Hellé urbaniste...<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3qKw9TsxLyPN3k6GfKckDP2pf0ZBHiQFO20Ww3b-qpxC2aVQjYJkHrDT1jekHw9wGiFQwPvcX7jh0SLwz-_GG3GD6zvujlglX8ZglEomJlGkVB9dSmNXLM6b9k1c3aUypwVtqlm4FzKA/s1600/index.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="133" data-original-width="377" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3qKw9TsxLyPN3k6GfKckDP2pf0ZBHiQFO20Ww3b-qpxC2aVQjYJkHrDT1jekHw9wGiFQwPvcX7jh0SLwz-_GG3GD6zvujlglX8ZglEomJlGkVB9dSmNXLM6b9k1c3aUypwVtqlm4FzKA/s640/index.jpg" width="640" /></a></div>
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<span style="font-size: x-large;">La Cité industrielle de Tony Garnier (1917)</span></div>
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<span style="font-size: x-large;">revisitée par Hellé
et Carlègle (1918)</span></div>
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<span style="font-size: large;">Publié sous forme d'album en 1917, "Une Cité
industrielle, Etude pour la construction des villes" est l'oeuvre
fondatrice de l'architecte Tony Garnier (1869-1948), basée sur la vision
globale et hygiéniste de l'aménagement des villes. Ce premier manifeste de
l'urbanisme du XXe siècle organise la cité selon les besoins de l'homme à
l'ère industrielle et y inscrit les quatre fonctions primordiales de la ville
contemporaine: "Habiter, circuler, travailler, se distraire"... Un
projet utopique, jamais réalisé, dont on peut cependant admirer la maquette à
l'échelle 1/5000, à la Cité de l'architecture à Paris (<a href="https://www.citedelarchitecture.fr/sites/default/files/documents/2017-09/fo_citeindustrielle_def.pdf" target="_blank">voir en ligne ici</a>), et qui a influencé tout le XXe siècle. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgio0TDVkLEH_BNsRX_taCMpnCp1-P9X7eJ0UsfRnvhX6HgW-B4eQXiomFp2K7e30KUmtd2mxOkAp4SUQxKzbZ37EyqNGnFg_GBReUOxzZduOZMQMdH41v7leh9HeSygQw3pbgqCtHSGPQ/s1600/h-3000-garnier_tony_une-cite-industrielle-etude-pour-la-construction-des-villes-tome-ii-seul_1932_3_62457.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgio0TDVkLEH_BNsRX_taCMpnCp1-P9X7eJ0UsfRnvhX6HgW-B4eQXiomFp2K7e30KUmtd2mxOkAp4SUQxKzbZ37EyqNGnFg_GBReUOxzZduOZMQMdH41v7leh9HeSygQw3pbgqCtHSGPQ/s400/h-3000-garnier_tony_une-cite-industrielle-etude-pour-la-construction-des-villes-tome-ii-seul_1932_3_62457.jpg" width="400" /></a></div>
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Photo librairie Le Feu follet</div>
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<span style="font-size: large;">Dès l'année suivante en 1918, André Hellé et Carlègle
- peut-être enthousiasmés par le programme précurseur de Garnier -, décident de
le matérialiser sous forme de jouets lilliputiens, à destination exclusive des
Grands Magasins du Printemps. Leur cité industrielle comprendra 78 pièces dans
sa formule complète, depuis les hauts-fourneaux de l'usine métallurgique jusqu'aux maisons
ouvrières individuelles, en passant par les quartiers de la gare et de l'école
primaire. Comme la plupart de ces jouets en bois à l'apparence modeste, celui-ci a disparu, on ne le connaît que par sa représentation dans les catalogue du Printemps. </span></div>
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<span style="font-size: large;">La cité moderne à l'usage des enfants n'a en apparence rien d'avant-gardiste ou d'utopique. Elle porte un nom imaginaire, "Moufry", qui évoque la France profonde. Mais, singulièrement, comme chez Garnier, cette ville ne comprend pas d'église...</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitPIq8SZmYbiTr5aG0EHMiFX9eGm7ucs34bMjf0P4OrWBC0oliC7ys-43emabzKlFYKHpa-hbH4twr2uqjtlsB86QnKdo2ZkEwUttodQ-UK5X2_VkM5Zy-vvYsQ351225Psarzg9pjWS8/s1600/cit%25C3%25A9+industrielle2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="732" data-original-width="1109" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitPIq8SZmYbiTr5aG0EHMiFX9eGm7ucs34bMjf0P4OrWBC0oliC7ys-43emabzKlFYKHpa-hbH4twr2uqjtlsB86QnKdo2ZkEwUttodQ-UK5X2_VkM5Zy-vvYsQ351225Psarzg9pjWS8/s640/cit%25C3%25A9+industrielle2.jpg" width="640" /></a></div>
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<span style="font-size: large;">Si nous nous étonnons qu'un tel jouet ait pu apparaître en
1918, dans un catalogue d'étrennes où prédominaient encore les jouets guerriers
et les uniformes de soldats alliés taillés à hauteur d'enfant, nous voulons
imaginer que les deux créateurs souhaitaient se distinguer des
"va-t-en-guerre" du monde du jouet, pour proposer une vision
futuriste de la cité, "où chacun se rendrait compte que le travail est la
loi humaine et qu’il y a assez d’idéal dans le culte de la beauté et la
bienveillance pour rendre la vie splendide".</span></div>
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<span style="font-size: large;">B.M.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdWvgHXARe3jYiPGQHu7PbXUoWareXQMqaPX_8mqDekR4r4LOtUDk17YahsBM2isx141bpO11NyWKu6j6NkMHosQxpJgrvft0Q7aMgNlnI-EXXJ-B_AD1a51wgLl9i7s8Dazj2IsAYpQU/s1600/cit%25C3%25A9+industrielle2.jpg+-+Visionneuse+de+photos+Windows.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="843" data-original-width="1053" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdWvgHXARe3jYiPGQHu7PbXUoWareXQMqaPX_8mqDekR4r4LOtUDk17YahsBM2isx141bpO11NyWKu6j6NkMHosQxpJgrvft0Q7aMgNlnI-EXXJ-B_AD1a51wgLl9i7s8Dazj2IsAYpQU/s640/cit%25C3%25A9+industrielle2.jpg+-+Visionneuse+de+photos+Windows.jpg" width="640" /></a></div>
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<br />Chez les libraires associéshttp://www.blogger.com/profile/14509454746103382619noreply@blogger.com0